Simbarashe Murima

Education, society and crime are inter-dependent rudiments that have a strong connection which cannot be separated.
Society is defined as the complete range of social relations of persons living in a certain geographic area and having a feeling of belonging to the same kind of group.

On the other hand, education is described as the teaching and learning of knowledge, and erudition of appropriate social conduct and raptness. I acquiesce and cogent my opinion that higher educated people are less likely to engage in aberrant criminal behaviours. Obviously some naysayers may argue, but let me reverently, non-discriminatory and edifyingly annotate.

Educated people are less likely to take part in precarious or ferocious criminal   activities since they bestow a higher importance to their future and academic achievements.

Nevertheless, the more educated a person is, the more he/she gives thoughts more profoundly to the future consequences of committing a crime and being convicted. Hence, the less they fear crime, the lesser will they let it knowingly affect their lives.

Conversely, in today’s society, education is a needed contraption for developing common-sense thinking abilities for people and live with decorum amongst others in the society. Thus, education has the clout to change an individual’s thought process, make a person aware of their surroundings and environment, help with decision making skills and providing well-informed knowledge indulgence of morality.

In assertion, Edward James Olmos quotes…“Education is the vaccine of violence.” Education becomes essential in helping a person grow in a civil society. In this critique context, the subject of society, education and crime can be loomed from different perspectives.

The focus is on heinous crimes perpetrated by individuals who when under scrutiny of their educational background check, they are undereducated.

Heinous crimes in this background perpetrated by most uneducated individuals consist of murder, forcible rape, robbery, first degree death resulting arson, child sexual molestation and felonious assault.

I can judiciously assert without being pejorative that a mainstream of crimes that take place in society  are committed by the less educated or the uneducated, and this is due to the dearth of purpose that cajole them into a life of crime.

The impact of society and education on delinquencies varies depending on exposure to crime through childhood and abject family influences such as tired education inspirations, avenging spirits (Ngozi/Ingozi), poverty, financial constrictions, drug and alcohol abuse, experiences to violence at home, too much love for money and blind rage etc. are some of the factors contributing to abhorrent crimes in our societies.

Nonetheless, some of the illiterate are ‘street smart/street wise’ implying that they have a cunning ability to survive in almost any environment but do not have formal education and intelligence.  Of course, criminals are generally not very smart, intrinsically, but are much more street cannier than the ordinary person.

Their inimitable ability to deceive and read others’ body language and behaviour is what makes them elite, hence it’s the kind of facility that drives them towards criminality and anti-social behaviours. Crime is centred on one’s ethics.

That being said, reminds me of the late famous South African criminal Mosimanegape Moleta ‘chillingly’ known as MaLeven (Ma11) who spoke about his alacrity to harm children for money by putting babies in ovens and was convicted for a series of atrocious criminal activities.

Also, making reference to other unpublicised crimes committed by analogously uneducated offenders in other countries around the world validates the  correlation between society, education and crime in this article.

Educational achievement is assumed to have an affirmative and long term impact on a person’s pro-social behaviour and success in life.

Some studies conducted have shown that as educational accomplishment increases, crime intensities tend to reduce. In this world, if you want to live ethically and affably, you have to be educated. Education gives stability in life.

I proclaim that an educated person has the knack to regulate to unfamiliar conditions and environments that enable him/her to interpret the society better. In fact, I do acknowledge to some extent that, connecting educated people to the minimisation of monstrous crimes may be true, but there is no assurance that an educated person will not transmogrify into a criminal.

A criminal is a criminal, whether educated or not. Concisely, the parallels between society, education and crime requires further empirical research by scholars to ascertain the causes of crime.

As well as finding solutions to help the aspirant perpetrators and protect our society from such behaviours through inculcating the importance of education.

Indeed, society needs education to condense criminality deeds and to enhance people’s knowledge on what is right and what is wrong.

The growth of humankind can be tenaciously inscribed to educated people who coxswain human society and morality frontward.

Mr Simbarashe Murima (PhDc), is writing in his own capacity as an Education, Tourism and Hospitality expert in Namibia and Zimbabwe. Feedback: s.murima@yahoo.com/ 0781480742/ +264814571709 (WhatsApp)

SOUTH AFRICAN actor Nyaniso Dzedze is more than certain that his new role on South African soapie Skeem Saam will capture the hearts of many.

Dzedze is set to play the role of a “good-hearted” Nkosi, who is all about being morally correct even when it comes to punishing people. The show will also move to a new 7.30pm timeslot.

The cherry on top of the new adjustments is the additional new faces, including Dzedze, Themba Manganyi and Brendan Maphake. 

“Acting allows me to feel different things where at times there isn’t space for me to feel them . . . I’m grateful that I get to go through another man’s heart and narrate to many watching,. Acting allows me to embody many facets of myself and it also gives me the opportunity to be loved for it.”

The 37-year-old said being on the local drama series was an honour as it would help him inspire more young boys from disadvantaged or troubled backgrounds with the “morally inclined” Nkosi.

Dzedze continues to explain that the show, set in the rural village of Turfloop, outside Polokwane, Limpopo, was a great platform for him to showcase what men are and what they look like in different positions in life. 

“I’ve done many roles on TV and most of them are as a bad guy than a good guy, so this role is going to be a refreshing experience,” he said. 

“My first episode will air in the second week of February. Nkosi will show viewers what it’s like to have a backbone and not be intimidated by Lehasa (Cedric Fourie). When their two worlds collide, viewers will get to see Lehasa account for his sins but not how people expect,” Dzedze revealed. —Sowetan/ Online

Fungai Muderere, Senior Sports Reporter

CASTLE Lager Premier Soccer League debutants Arenel Movers are in the process of entering into a partnership with Harare based Genesis Sporting to be their official kit sponsor.

The development was revealed by the club’s administrator, Juma Phiri, who previously worked at the Sport and Recreation Commission (SRC), Hwange, Mwana Africa, Shangani and as administrator at Chicken Inn, Kwekwe United and Talen Vision.

“We are in the process of clinching a deal with Genesis Sporting to be our kit sponsor for the upcoming 2024 season. There are just a few loose ends that we need to tie up to seal the deal. The package is quite good. I think it is going to benefit us as a small club. I can’t really say what the package entails but in due course once we have tied the loose end, I will reveal every detail,” said Phiri.

While he could not be drawn into mentioning how long the partnership will last, impeccable sources reveal that the two parties are set to work hand in glove for two years from January 2024 to December 2025.

The proposed agreement between the two parties that was gleaned by this publication reads: “The free kit package will be made up of the following items (a) up to 32 sets of football uniforms (home), (b) up to 32 sets of football uniforms (away) (c) up to eight coaching uniforms (d) two sponsor branded banners (e) 20% discount on all sportswear orders from Genesis Sporting for the duration of the agreement. Genesis Sporting will recover its costs through sales of replicas to fans.

Additionally more items will be added to the package if certain sales targets are met.”

Upon reaching a target of selling 200 replicas the following will be added to the package.

“Up to 32 sets of football uniforms (alternative kit), up to 30 Bibs and up to 32 Sets of training uniforms,” further read the proposal.

After reaching a target of selling 300 replicas, the club will get 32 tracksuits, the same number of travelling shirts and toiletry bags will be added.

Then under the guidance of Kudzayi Mhandire, Arenel Movers won the Zifa Southern Region Division One League’s sole ticket into the country’s elite football league beating fellow seasoned campaigners, ZPC Hwange and Talen Vision to it.

Arenel won the league with four games to spare. Mhandire is a Zifa Level Four Certificate holder and it is a development that has seen Arenel Movers hire Farai Tawarechera, a Caf A holder to be their head coach. — @FungaiMuderere

Vusumuzi Dube, Online News Editor 

IN the realm of storytelling, certain tales possess a profound ability to captivate and ignite the imagination. Such is the case with Umhlolo waseZhwane, a remarkable short film directed by the renowned playwright and author, Raisedon Baya. 

With his creative story telling prowess and a team of talented individuals on the stage, Baya has resurrected a newspaper article that gripped the nation’s attention in 2022 — a story that unravelled in the remote Tsholotsho district, leaving an indelible mark on the collective consciousness of the nation.

The original article, which was broken by Sunday News senior reporter, Robin Muchetu on 30 October 2022, chronicled the extraordinary circumstances the then nine-year-old minor found herself in where she was removed from childhood purity through pregnancy. 

The nation stood aghast as events unfolded, casting a spotlight on the complexities of human relationships and the fragility of innocence. The narrative took an unexpected turn with the arrest of her father, suspected of being the perpetrator, and the subsequent involvement of various stakeholders, including the Government.

Deoxyribonucleic acid (DNA) tests however, later proved that the minor had in fact been impregnated by her then 13-year-old cousin. The short film adaptation, staring Thando Cele as the nine-year-old Nkazana, masterfully weaves together the threads of this gripping story, enveloping viewers in a world where truth and deception intermingle. 

Baya’s directorial finesse shines through every frame, creating a cinematic experience that transcends boundaries. The production boasts pristine cinematography, unparalleled acting, and a compelling script that resonates with viewers on a deep and emotional level.

The performances delivered by the cast are nothing short of extraordinary. Each actor breathes life into their character, immersing themselves in the complexities and nuances of the story. 

left: Raisedon Baya                                                            right: Robin Muchetu Sunday News Senior Reporter

Their commitment to their craft is evident in every scene, eliciting a range of emotions from the audience — empathy, anger, disbelief and ultimately, a sense of collective introspection. Baya’s visionary direction ensures that every aspect of the film is executed with meticulous attention to detail. From the evocative set designs to the seamless editing, each element works in harmony to create a world that feels both authentic and relatable. The narrative unfolds with a steady pace, allowing the audience to fully immerse themselves in the story while contemplating the profound themes it explores.

“The inspiration was the real life story of the nine-year-old Tsholotsho girl who got pregnant and was dubbed the youngest mother in the country. It is both a fascinating and painful story. It was crying to be told. Also experience has shown us that the real life stories are better than fiction,” said Baya in an interview with Sunday Life.

Umhlolo waseZhwane is not just a local production; it is a testament to the immense talent and creative prowess within Zimbabwe’s artistic landscape. It stands as a testament to the fact that homegrown productions can compete on the international stage, holding their own against any drama from around the world, with Baya revealing that their original concept was to turn the short film into a series.

As the credits roll, viewers are left with a profound sense of awe and admiration for the team behind this remarkable film. Umhlolo waseZhwane is a testament to the power of storytelling, reminding us of the transformative potential that lies within the realm of cinema. 

“The original idea is to make it a series. It’s a rich story with many angles and we have managed to create interesting characters that can take the story higher and longer. However, film demands resources and we don’t have that. We will try and push for part two and maybe part three,” he said.

On the actual production of the short film, Baya revealed that they worked with some young girls under the Amplifying Girls Voice through Digital Arts banner, who wrote the rough draft of the script which they then refined.

Amplifying Girls Voice through Digital Arts, is a platform dedicated to promoting arts and culture and amplifying girls’ voices through the lens of digital arts, shedding light on crucial social issues young girls face in contemporary society.

“Basic process for the project. Ideation; which was more about looking at the idea and research and getting the girls to discuss the ideas and the issues and see how they can be presented visually. Then in scripting, a couple of girls got to write the rough drafts. Then we polished the script. We auditioned many aspiring actors. And are happy to say we discovered new faces and new talent for the future. The film was shot in Matobo,” he said.

Baya lauded the natural talent that the country has saying there were a lot of talented individuals who could take the country’s film industry to greater heights. 

“We have beautiful stories as a country, beautiful languages to tell the stories. We have talented and excited young people willing to tell their stories through film but film demands serious resources and that is one of the challenges in Zimbabwe. The other challenge is training. Most of our filmmakers are informally trained. That makes it difficult to export their skills outside. These challenges need to be addressed immediately if we are to make some impact internationally. We are happy with the excitement and the good reviews the film is getting. This has fired up the actors and the crew to want to do part two. But there is still work of pushing the same to film festivals around the region and internationally,” he added.

Sandisiwe Gumbo, Sunday Life Reporter 

IN the heart of Buvuma Village in Gwanda, a dream was born. 

Aubrey Ncube, a young and determined visionary, found himself at a crossroads in 2018, as he pursued his Bachelor’s degree in Human Resource Management at the National University of Science and Technology (Nust), the allure of entrepreneurship beckoned, threatening to pull him away from the conventional path of academia into the uncharted territory of business ownership.

The sands of time seemed to shift as Ncube grappled with the tantalising prospect of carving his own path. The call of entrepreneurship tugged at his heartstrings, urging him to venture beyond the confines of traditional academia and into the realm of innovation and creation. 

It was during this pivotal moment that Ncube’s destiny took an unexpected turn, leading him toward the vibrant and alluring town of Victoria Falls. Inspired by his mother, Ottomara Ncube’s unwavering spirit and her years of dedication to the community of Victoria Falls, Ncube found himself drawn to the idea of establishing a beacon of knowledge and learning in this renowned resort town. 

A simple conversation with his mother sparked the inception of a dream that would soon materialise into the Lightened Christian College, the first-ever tourism training college in Victoria Falls. Armed with the knowledge and expertise gained from his academic pursuits at Nust,  Ncube embarked on a journey of discovery, conducting a comprehensive analysis that would lay the foundation for what would eventually become a thriving educational institution. 

From the humble beginnings of renting premises, Lightened Christian College weathered the storms of uncertainty and adversity, standing as a testament to Ncube’s unwavering determination and entrepreneurial spirit.

The college’s focus on providing short and long-term courses in tourism soon expanded to encompass early childhood development (ECD), primary, and secondary education, reflecting Ncube’s commitment to holistic and comprehensive learning experiences. 

The winds of change brought both challenges and opportunities, and as the world grappled with the impacts of the global pandemic, Ncube and his team persevered, eventually constructing their own premises in the vibrant Chinotimba suburb.

“I remember I was always clashing with my lecturers at Nust as I had to somehow balance between completing my studies and establishing the college in Victoria Falls. I was falling behind in my assignments, my dissertation was far behind schedule, I was missing a lot of lectures, actually at one point I even considered dropping out or deferring my studies.

“However, I decided to have a sit down with my lecturers where I made them realise that there have always been teaching us to be entrepreneurs and creating employment and I had the chance to do that with this college, which is when they noticed the potential of my idea and we managed to come up with a working arrangement for me to complete my studies as well as establish this college,” said Ncube in an interview with Sunday Life.

Having always been an entrepreneur at heart, Ncube began his primary education at Thomas Rudland Primary School, in Bulawayo before proceeding to Mzingwane High School for Ordinary and Advanced level.

“I have always been an entrepreneur at heart, hence I would always seek opportunities where possible,” Ncube said. “My mother was working in Victoria Falls since 2012, in one of our general discussions I asked what business opportunities are available in Victoria Falls then she suggested a possibility of a college. I had the task to visit the area and do a thorough strengths, weaknesses, opportunities, and threats (SWOT) analysis. From my education at Nust, I was able to apply most of it in this new journey that I was starting,” he added.

Despite initially facing financial constraints, he was able to secure the necessary capital with the help of her mother and sister, Sikhululekile. 

“Armed with a vision and strong determination I managed to get the college registered in 2012, our primary objective was to fully equip students with sound knowledge of the tourism industry thereby contributing positively to the tourism industry in our country. To achieve this goal, the school offers a variety of short and long-term courses under the Hexco and ICM boards. In addition to our core offerings, the school has partnered with the Africa Centre for Customs Excise and Trade Studies (Accets) to provide courses related to customs and excise,” said Ncube.

Looking to the future, Ncube said they plan to grow his institute from ECD level to tertiary level and establish himself in other areas beyond Victoria Falls. 

“Our future plan is to grow our institute from ECD level to Tertiary level,” he said. “Our plan is to go beyond Victoria Falls and establish ourselves in other areas like Binga and Hwange just to mention a few.”

WHEN Mike “Para” Zivira’s career was blossoming in his teens, he had the whole of Mpopoma pregnant with expectations of a gem in the making.

While it may have gone beyond stillbirth stage, Zivira looks back with regret and believes alcohol got the better of him and derailed his career. He has a word for today’s budding footballers and does not want their talents going down the drain.

“To young footballers they must not be involved in alcohol and drug abuse, my career went down because of alcohol,” said Zivira.

He believes if not for alcohol abuse he could have gone far with his career and is challenging today’s generation to keep their dreams alive by keeping good company and staying away from drugs and alcohol abuse. Sport wants discipline, he said.

“I lost my career because of too much alcohol. I say to junior players don’t drink, don’t indulge in drugs. I wish I could have been like Marvellous Nakamba, I could have played for Liverpool. These young players are indulging in drugs and alcohol, I urge youngsters to stay away,” said Ziviria.

Para, as he was affectionately known in Bulawayo and all clubs he played for, was a clinical finisher who scored on his Premier Soccer League debut. Zivira marked his entry into Premier Soccer League in 1997 with a goal against Zimbabwe Saints while playing for Air Force of Zimbabwe side Blue Swallows. It was no ordinary goal, he had beaten probably Zimbabwe’s best goalkeeper at the time Muzondiwa Mugadza.

“I scored against Muzondiwa Mugadza of Zimbabwe Saints on my debut. That goal did wonders for me although I used my hand,” said Zivira.

After the match he stayed behind and the next morning his manager and agent, the late Ernest “Maphepha” Sibanda was home enticing him to a juicy move to newly promoted AmaZulu.

“I played one match for Blue Swallows who had acquired my services at the end of 1996 when I turned out for Phinda Mzala. After the match I stayed behind in Bulawayo on the advice of Charles Mhlauri who had been my coach at Phinda Mzala. Ernest Sibanda came home and took me to AmaZulu where I signed straight after just one game in the Premiership and stayed at home in Bulawayo. We met Delma (Lupepe) at the AmaZulu offices who had also heard about my progression as a junior and how I had troubled Zimbabwe Saints the previous Sunday,” said Zivira.

He said he did not envisage being a soldier or an airman and hence the decision to return home and play for AmaZulu.

From netting over 20 goals in 1996 at Phinda Mzala in a twin strikeforce with Malvern Ntini, Zivira recalls the times at the Zifa Southern Region Charles Mhlauri-coached side. It was teeming with great talent, the best Under-19s in Bulawayo plucked from the local Zifa Southern Region Division One League.

“What a time we had at Phinda Mzala. With Ntini in attack, he knew I would dribble from the left wing and beat everyone and leave him to score and run to me to celebrate. Malvern was a good finisher and we profited from the ingenuity and industry of Richard Choruma and Lindani Kurairwa in midfield.

“We were a good group of talented youngsters picked deliberately on our strengths and woven into an exciting and promising team by Charles Mhlauri. We had Bekithemba Ndlovu, Kurairwa, Witness Gumbo, Ndodana Sibanda, Golding Dube, Dobi Tawi, Morris, Gift Lunga (Jnr), Lotion Dlamini, Amkela Nyoni, Bheki Sibanda and Alfred Kubone,” said Zivira at his Mpopoma, Bango neighbourhood on Friday.

In his full year with AmaZulu Zivira scored about 13 goals but was unlucky in the 1998 finding himself excess baggage as AmaZulu went on a buying spree bringing among top players, Ferdinand Mwachindalo and Limbi Mbewe who did not stay too long. He was loaned out to the National Railways of Zimbabwe side, Raistars.

“There was a job offer I could not turn down. AmaZulu had bought several big names and they put me on a 24-hour call loan deal meaning I was still very much in their plans. I scored six goals for Railstars playing alongside Wisdom Sibanda, Thabani Sibanda, Upenyu Muronzvi, Dumisani Mafikeni, Mayfield Daka, Morgan Chenga, Wisdom Maphosa,” said Zivira who in 2000 was at Thorngrove United run by the late Joseph James, a prominent lawyer who played for Bulawayo Wanderers.

“Thorngrove was a sister club to AmaZulu. AmaZulu paid my salaries but they were not so serious and booze got the better of me and I eventually retired at the age of 29 because of bad habits. My football story is a sad one because my community expected better out of me. They appreciated my talent and dreamt of me as the next big thing in the game from Bulawayo. I let them down big time and my wish is the next player from Mpopoma to do much better and stay away from beer and drugs. They are no good, they harm your health and bury your career and aspirations,” added Zivira who is younger brother to legendary Zimbabwe Saints supporter John Mpostori and Rabson Muchichwa a former Eagles, Kaizer Chiefs and Zimbabwe international.

The former Peter Ndlovu Youth Football Festival and Induna Foods Trophy winner, described Thulani “Biya” Ncube and Bosso leftback, Gift Lunga (Junior) as the most difficult opponents he faced.

“Biya would kick me and Junior would warn me ahead that he would go for both the ball and the man and the next thing I am flying with the ball in the wake of his dirty tackle,” said Zivira who described the 2-1 win over Highlanders at Barbourfields Stadium as one of his career highlights.

Another match he would not forget was the 1-0 win over Caps United in the 1998/9 season when he was still at AmaZulu.

“I roasted Edlebert Dinha on the wing and left him in a pile in a match we won 1-0 after a goal by Simba Rusike (ex-Railstars) when I had just been substituted. Dinha got to his feet and said to me he would be back and for sure he sent me flying to the fence and I had to be substituted,” said Zivira who said playing at Barbourfields gave him the extra urge to play better against a fired up Highlanders that would not want to disappoint its own fans.

He admitted having challenges playing against Amon Chimbalanga in between the goalposts.

“He once caught a penalty kick from me during the Peter Ndlovu tournament when I was playing for Mthala and him turning out for Redwing Mine from Penhalonga,” said the Mpopoma legend who was once a goalkeeper at Mpumelelo Primary School.

Joshua Phiri, a former Highlanders junior and Black Rhinos player, a Mpopoma resident who saw the striker growing up, said Zivira turned down an Air Force job and came to play for AmaZulu where he excelled under  Mhlauri.

“He grew up before our eyes, he was committed to his game and was disciplined, he shone for us as Mpopoma. I had wished he could have gone higher than that at the time we had Peter Ndlovu soaring great heights in the UK, we were disappointed that he failed to follow in his (Peter)  footsteps,” said George Magunda another resident.

Charles Mumpande said Zivira was so talented that the Mpopoma community thought he would play abroad.

“He was very talented. We all thought he would play abroad,” said Mumpande also a Mpopoma resident.
Zivira is a single father with two daughters who attend Mpopoma High School, Michelle who is in Form Three and Lorraine in Form One. After retiring from playing football Zivira followed the great trek to South Africa and then decided to settle back home.

Given a chance and incentive he says he would love to coach schools in his neighbourhood. He attended Mpumelelo Primary School and Msitheli High School all in Mpopoma. Zivira says more should be done to retain Mpopoma as a top talent groomer.

Mzala Tom

In the past we discussed how the Ndebele were pushed out of their second capital in Groot-Marico in the North West province of South Africa. This thread gives a different version of how the Ndebele ended up with two kings.

When the Boers and their allies defeated the Ndebele, the Ndebele opted to migrate northwards rather than submit to the Boers. As the Ndebele disintegrated as they fled, they were split into two groups, one led by King Mzilikazi and the other by Gundwane/Khondwane Ndiweni.

Some historians argue that the split was not calculated or arranged but just happened in the chaos as the Ndebele were fleeing from the Boers resulting in one group finding themselves led by Gundwane/Khondwane and another led by King Mzilikazi, both going different directions.

The ISizinda, Amabambo, Msizi, Nkani, Mfakoceba and Mpongo regiments crossed the Limpopo with King Mzilikazi. In 1838 they planted crops in Maroko’s land. In the same year they defeated the Kwena of Sechele. The inxwala of 1838/9 was celebrated in Sekgoma’s country.

On the other hand, a major section of the Ndebele under the leadership of Majijili Gwebu, Nkaliphi Khumalo and Khondwane /Gundwane had migrated north east. This group attempted to settle east of modern day Beitbridge but were attacked by Chief Lulime forcing them to move north. The group finally settled by the Malungwane hills around 1839/40 after defeating the local Kalanga groups. The imizi established in this area were Gibixhegu, Iyengo, Intunta, Mzinyathi, Matshetshe, Dukuda, Nkenenkene, Insinga, iNxa, iNdinana and Dlodlo.

King Mzilikazi on the other hand left Ngwato territory around 1839. He sent Insinda to the Kalahari. These men lost track and moved north west attacking the Tawana near lake Ngami. King Mzilikazi raided the Kalanga on the upper Thekwani and Nata where Insinda rejoined him.

King Mzilikazi then left the Kalanga around 1840 heading north through the Okavango into the lower Chobe valley. At the valley he encountered King Sebetwane’s Kololo who drew him back. The tsetse flies in the area also made it untenable for him to cross the Zambezi river.

Historians argue that had he not encountered any resistance, he would have settled in modern day Zambia or further north. He was forced to change direction and cross east of the upper Thekwani to the Gwayi-Mbembesi confluence. This route led him to Ntabazinduna. ome argue that his spies had established that Khondwane/Gundwane and others had settled at Ntabazinduna and it is not a coincidence that he headed straight to their newly found territory. King Mzilikazi then built his village at Mkuna near Mawala Hill. It would seem that the other group was unhappy with being rejoined by King Mzilikazi. The king received a cold reception from the chiefs and his wives. Nkulumane had long been ordained king and had presided over the Inxwala ceremony which could only be presided over by a king.

A constitutional crisis had emerged. The fragmented Ndebele now had two kings : Mzilikazi and his son Nkulumane. After heading separate directions during the Boer attacks they had lost contact of each other. No one knew if King Mzilikazi was still alive after these years!

It is said that the king met Khondwane /Gundwane and the chiefs. He accused them of treason, installing his son as King whilst he was still alive. The chiefs defended themselves and resisted reincorporation under King Mzilikazi. They preferred their newfound independence.

King Mzilikazi then attacked Gibixhegu and forced its induna Mveleleni Mahlangu to flee and migrate back across the Limpopo. Mahlangu was joined by the Impangele regiment who had strong links to the old Magodonga chieftaincy.

Several of the queens, including the mothers of both Nkulumane and Lobhengula were also killed. It is believed that Nkulumane and his brother Buhlehlo were either killed or escaped the wrath of the king and went on exile across the Limpopo.

The regiments that resisted King Mzilikazi included Mzinyathini, Intunta and Godlwayo. The Godlwayo under Dambisamahubo Mafu lost a battle against King Mzilikazi forcing Dambisamahubo to flee across the Limpopo.

Khondwane /Gundwane and other chiefs being Mhabahaba Mkhwananzi of Intunta, Dolo Mafu, Magalane Dlodlo and Nyathela Khanye were captured and executed at eMputshini Hill now known as Ntabazinduna (on the outskirts of the city of Bulawayo along Harare road). King Mzilikazi then reintegrated the Ndebele to one nation under his rule. (source: @MzalaTom)

Sandisiwe Gumbo, Sunday Life Reporter 

AMID the captivating strokes and vibrant hues, the National Art Gallery of Zimbabwe in Bulawayo has become a sanctuary of inspiration, offering a platform for artists with disabilities to share their stories through the evocative medium of painting. 

Since December of last year, the gallery has been hosting an extraordinary exhibition that celebrates the resilience and creativity of these talented individuals, inviting visitors to immerse themselves in a world of profound artistic expression. Running under the captivating theme of “Differently Enabled,” the exhibition has captured the hearts and minds of art enthusiasts from all walks of life. Showcasing the remarkable talents of artists who have triumphed over the challenges of artists with disabilities, the event has become a testament to the power of art as a universal language. In an interview, Caroline Mandishoma, a passionate artist  with cerebral palsy, revealed her deep connection to the exhibition’s theme. 

With every brushstroke, she defies the limitations imposed on her by her condition, using her art as a means to communicate her unique perspective on life. Mandishoma’s artistic prowess serves as an inspiration to others, proving that true creativity knows no boundaries. The exhibition, which has captivated audiences with its awe-inspiring collection, will conclude its remarkable run on Wednesday. However, its impact on the art community and beyond is bound to leave a lasting impression, igniting conversations about inclusivity and the power of artistic expression.

As visitors explore the gallery’s vibrant halls, they are transported into a world where disabilities become strengths and limitations fade away. The National Art Gallery of Zimbabwe’s unwavering commitment to providing a platform for artists with disabilities is not only a celebration of their talent, but also a reminder that art has the remarkable ability to transcend physical barriers and touch the very essence of our humanity.

As the exhibition draws to a close, its impact will continue to resonate, leaving an indelible mark on the hearts and minds of all who have had the privilege of witnessing the extraordinary talents of these remarkable artists. 

“To me, the theme Differently Enabled means a lot as a physically challenged person. There are things that I can do which leave people wondering how I am able to do such things, like expressing how I feel through painting and showing people what I wished to have done, like farming on a wheelchair,” said Mandishoma.

Her art reflects her personal experiences, with one touching piece titled “The Ride,” depicting two boys traveling to school on a cart. 

“There is a specific piece that I would like to share as I am still experiencing the same challenges today. It is called The Ride, showing two boys riding a cart going to school, the cart was offered by the parents so the children can attend school and not every parent can do that and some children end up being drop outs. The same almost happened to me. Till today, I face problem with transport if ever I need to be in the CBD or anywhere else.”

Leeroy Kudakwashe Gondo, another talented artist that featured in the exhibition, emphasised the importance of providing opportunities for persons with disabilities to exhibit their works. 

Artist Caroline Mandishoma, next to her artwork piece titled “The Ride” at the National Art Gallery of Zimbabwe in Bulawayo

“It is very important to give PWD an opportunity to showcase their works in a space of their own,” Gondo said. “They are usually not given the opportunity to showcase their works in most mainstream art exhibitions.”

Gondo’s work also aligns with the theme, employing techniques that enhance his visibility as an artist. He expressed hope that the exhibition would underscore the creative abilities of PWD and foster their inclusion in the art community and society at large.

“Differently Enabled as the theme of the exhibition to me it is of significance as it has given me an opportunity to showcase my artworks as opportunities for PWD lack inclusion in most spaces,” Gondo mentioned. 

“I hope that this exhibition will highlight the point that despite having a disability, PWD can also be creative and can produce standard artworks that can be showcased and exhibited, and also to enhance the inclusion of PWD in art exhibitions and art community as well as the society at large.”

Both Mandishoma and Gondo expressed their gratitude for the opportunity and encouraged fellow artists living with disabilities to showcase their remarkable talents to the world. “I would like to encourage them to showcase their God given talents to the world as it helps in the enhancement of the saying disability does not mean inability. I would also like to encourage them to keep working towards their dreams and be limitless as they can really become big and successful as artists,” Gondo said. These inspiring artists seek to challenge perceptions of disability and advocate for greater recognition of the artistic talents within the PWD community. 

“Don’t give up, show the world what you are made of. Let’s paint the world the only way we know how,” Mandishoma advised.

Sandisiwe Gumbo, Sunday Life Reporter

LITTLE has been told about how and why the Indians found their way into parts of Southern Africa, the struggles for women emancipation and how knowledge sharing among women has been used to build bridges and ultimately a healthier society.

Fatima Kara — a United States-based Zimbabwean author delves into the subject with cutting edge research and artistic precision in her book — Train House on Lobengula Street. The book takes a look at the lives and challenges of the Indian origins community in a fictionalised representation of Bulawayo using the stories Fatima heard as a child. She takes the reader into a fictionalised and distant world of experience, support, struggle and hope. 

In her review of the book Shaheena Kaarbanee, an Indian author praised Fatima for her careful research and storytelling which bring to life the untold stories of the Indian diaspora. The book represents an achievement in researching and telling the stories of the little-known Indian diaspora, who travelled from India to settle in the unknown world of then southern Rhodesia from the late 1800s. Kaarbanee expressed a sense of personal affirmation, noting that the novel has brought to light familiar stories and lives from her own history, inspiring the heritage of Indian women.

“Reading this novel, I felt excitement and recognition — I was reading about the lives and struggles of people who, in one form or another, are part of my DNA. No longer was I, the reader immersed and tapping into my empathy to connect with a novel; instead, familiar stories and lives from my own history are given air and lifted out of obscurity. Part of me, the heritage of Indian women, is affirmed. Fatima’s determination to tell the stories of those who have been marginalised by colonisation, patriarchy and capitalism spans decades; she has mastered her craft beyond academia and incorporated her strong affinity for nature, in her telling of this story. In her own life, she has grown hundreds of tree saplings and worked to have them planted and nurtured in rural schools in her home country, Zimbabwe,” Kaarbanee added.

“The Train House on Lobengula Street” is admired for its portrayal of grassroots activism, highlighting the transformative power of hope, faith, hard work, and community support. The novel sheds light on the complex struggles faced by families and individuals, particularly through the lens of education as a pivotal tool for liberation and societal progress.

“It is an exciting read,” Kaarbanee expressed. “We experience the evolution of Kulsum, the story’s protagonist, in a stream of loving gentleness blended with a steely determination, as she demonstrates the healing, nurturing powers of both women and nature. We see how Indian women struggle within their homes, as well as with society, and as part of the larger struggle against colonisation and for Zimbabwean Independence.”

Fatima’s rounded view of education as a means of empowerment and liberation resonates strongly with the narrative, showcasing the importance of knowledge sharing among women and its role in fostering a healthier society. The novel also highlights the author’s commitment to promoting female education, a legacy rarely lauded, particularly within Indian families in Uganda and Zimbabwe during the 1960s. “We see how knowledge held by women – of any race, in any form — is shared among them and used to build bridges and a healthier society. This novel speaks of a legacy that is rarely lauded – both this work of fiction and its author’s life reflect a commitment to female education that was rarely seen, much less expressed, in Indian families in Uganda and Zimbabwe in the 1960s.”

In her review, Kaarbanee extends her congratulations to Fatima on the publication of her first novel.

“I congratulate Fatima on the publication of this, her first novel, as well as for her determination to ensure that it is locally available and affordable, so that it can be read by and nurture those whose history it tells.”

Judith Phiri, Business Reporter

Yanaya Lifestyle Bulawayo branch is set to move to a new relocation location in March to attract more customers and ensure they have enough space to meet their requirements.

The current branch was at Trek garage on corner Fife Street and 12 Avenue.

In an interview, Yanaya Lifestyle founder and chief executive officer (CEO), Mrs Nyaradzo Dhliwayo-Moyo said the new location was to be announced soon.

“The landlord had other plans for their building, so we are moving to a new location on March 1, new location will be shared soon. However, it will attract more customers for us and ensure we have enough space for customers’ parking among other things,” she said.

Since the coming in of parking contractor Tendy Three Investments (TTI) into Bulawayo, customers’ parking has been a challenge in the central business district (CBD) over parking fees.

Meanwhile, in a recent post on LinkedIn, Mrs Dhliwayo-Moyo said her trailblaizing, African startup last year faced a number of challenges.

“At Yanaya our goal has been to redefine what it means to eat healthy in every sense of the word redefining from taking our traditional fruits creating amazing smoothies and superfoods into tasty meals.

“However in the last year, our business was faced with a myriad of challenges primarily because we failed to have adequate systems and a robust strategy to support the brand in my absence,” she said.

She, however, announced that the Yanaya Lifestyle was now back and using the adage that says the second time is always a charm.

Mrs Dhliwayo-Moyo said their failures of yesteryear have taught them more than any textbook could.

“Failure has possibly been the greatest blessing we have experienced since we began. We are back for all of it. When you see our work here, please be kind, when you pass through our restaurants drop in and support us, when you bump into our products, share,” she added.

“You are supporting a young girl’s dream who has been battered in the race of life but has risen up full of fire in her bones to slay dragons. Whenever you buy from us, you are helping us defy the stigma around start-ups in Zimbabwe that die within their first five years.”

She said this year they celebrate their fifth anniversary and failure was not their portion.

“Yanaya Lifestyle will not become a statistic of another failed business in Zimbabwe because of your support. We are not defined by our failures but we are defined and use them as stepping stones catapulting us to greater heights.”

Sione Amidu, Gwanda Correspondent

Gwanda-based Thembinkosi Auther Ndlovu (22) has launched a book titled What happened to us which explores the experiences which bring people down in business, churches, marriages and the ways to restore and mend mistakes made.

The book was recently unveiled at Gwanda High School  at a colourful event that brought together different artistes and writers from the arts industry. The book is meant to be a valuable guidance, targeting all age groups.

Speaking to Sunday News, the 22-year-old author said the passion for writing inspired him to write this book. He is also a born again, spirit-filled pastor at the Living Waters Grace Chapel and a content creator with the burning desires to spread the gospel of Christ through his books and films.

Ndlovu is a former member of Nhanha Primary and Manama Mission, where he used to write poems during prize giving day ceremonies. He attained a certificate in film and editing at Handy Design Academy and is  working at Gwanda Magazine Media.

“My passion for writing started when I was in Grade 4 at Nhanha Primary School in Gwanda South, I am very happy to have finally published. What happened to us is a dream comes true. I am deeply humbled by the support I have been getting.”

Thembinkosi, who is originally from Manama and is from a family of five, said the book was his first publication.

“I wrote this book basing on my experiences in life and this can help people who need change in their lives. So far I have written three books but this is my first published book and my second is under review. It will be on the book shelves in a few months’ time,” he said.

The author said he grew up reading novels from the renowned writers such as Tsitsi Dangarembga and Barbara Makhalisa.

“This new book is the beginning of my long journey in the literature industry and I have great plans of writing many books in the future. I wish to be recognised internationally as an author just like Tsitsi Dangarembga. I would like to give thanks to my family who have financed my education and gratitude to my friends and church members who had great influence in the publication of this book. May God bless them with endless love,” he said.

Sukulwenkosi Dube-Matutu, Matabeleland South Bureau Chief

FOR the past 25 years, Mr Danny Sibanda who owns Danny Tyres Enterprise has been getting his hands dirty through handling motor vehicle tyres.

On a busy day, Mr Sibanda handles hundreds of cars that stop over for tyre-related services such as mending, pressure and wheel alignment. He gained experience in tyre works when he worked for a local company from 1998 and started his business in 2005 with only one assistant.

Mr Sibanda underwent training through short courses in tyre fitting, wheel alignment, wheel balancing and tyre mending. After working for the company for seven years, Mr Sibanda decided to open his own business as he wanted to build his own empire. He later underwent training in teacher education and worked for two years before resigning from his job and returning to tyre mending as this is his passion.

“I started my business in 2005 and at that time it was very small. I had one assistant and we used to handle a few vehicles in a day. As time went by, our clientele began to grow and we had to move our garage to another place as the cars were crowding the little space that we had. After some years, I had to move again because the space was becoming smaller. At the moment I operate behind a fuel service station in Gwanda. The space is better but the clientele has increased and my customers end up blocking the way for passing cars or parking in front of neighbouring businesses. It gets so busy here especially during the festive season and we end up handling hundreds of cars. No tyre is too small or too big for us to manage, we even handle heavy duty vehicles and construction vehicles,” he said.

Mr Sibanda said he needs a bigger space where he can serve his clients and also introduce more services as the space he was operating from is constraining him.  In 2015, Mr Sibanda enrolled with the Joshua Mqabuko Nkomo Polytechnic where he obtained a Diploma in Education. He taught for two years before he resigned and decided to concentrate on his business once again. Mr Sibanda said he prefers being self-employed and creating employment. He said establishing a new business and creating employment is key to developing the country’s economy.

“I desired to be employed, that’s why I took up a teaching job and left someone to manage my business. But I realised that being employed has its limitations and I couldn’t call the shots and spread my wings as I used to. My business was also being affected as I was no longer hands-on. I resigned from the teaching job and went back to running my business. As a businessperson, it’s important to be hands-on in order to ensure that clients get good treatment and excellent services. I now have eight workers and I always emphasise to my employees that good service is key to the growth of the business which will in turn benefit them too,” he said.

Mr Sibanda said he desires to grow his clientele, adding that the tyre business has grown over the years with the increase of vehicles in the mining town and vehicles in transit. Despite having many players in his line of business, Mr Sibanda has managed to maintain his clientele by ensuring that his clients get the best business.

“Just like any business, there is a lot of competition and the number of service providers keeps increasing. I remember when I started working for the company where I got my training, there were no other places that were offering tyre fixing services. This is partly what motivated me to start my business as I realised that there was a gap. Now there are many players who are in this business both in the Central Business District and high density areas. This means that as a service provider, I have to maintain a high standard, do my work to the utmost best and ensure that my clients are satisfied. I always emphasise to my workers that they must offer the best service to our customers,” he said. — @DubeMatutu

Bruce Ndlovu, Sunday Life Reporter 

IN Bulawayo, shebeens are the city’s best kept secret. 

Like all good secrets, shebeens are not to be revealed while they exist or their owners are still alive. With that being the case, we are only meant to admit the existence of shebeens, let alone disclose their locations, when they finally close their doors. This is the same principle some men apply to their “extended families”, the children born out of wedlock who are unceremoniously unveiled by their graveside when they have passed away. 

After all, unlike in South Africa where they have been formalised and are a tourist attraction, shebeens in Zimbabwe are, after all, still very much illegal and the subject of police raids. 

So when this reporter found out that koSaFana, the “Gents Bar” in Mzilikazi’s K Square had been closed, it seemed like an ideal opportunity to write about a joint that had carved an iconic reputation for itself in a part of the city that is already littered with cultural landmarks.     

Over the last few years, KoSaFana had become a joint of considerable repute, an important landmark in the geography of Mzilikazi and Barbourfields suburbs. In fact, to those that used to pass by religiously before or after Highlanders football matches, koSaFana was now a rite of passage. 

For the seasoned imbiber, a cold pint or quart from koSaFana was now equivalent to buying a pie from Oriental or fresh chips from Sunflower.      

In fact, some just passed by the joint to taste for themselves if the beer was as cold as imbibers claimed it was. Never has the temperate of alcoholic beverage been so mythical and revered.  

Located a short walking distance from the Mecca of football in the city, Barbourfields Stadium, KoSaFana was as modest a shebeen as any in the city. On match days, when seats inside and outside the house ran out, one had to find a stray brick or anything resembling a chair so that they could perch and enjoy their sparkling beverage. 

One would endure this discomfort because koSaFana had mastered the first and most important ingredient in the making of a good shebeen; extremely cold beers. 

Of course, there were other attractions too. On good days, one would find themselves negotiating for space with a Johannes Ngodzo, a Benjani Mwariwari or Babongile Sikhonjwa on the narrow corridors of SaFana’s modest home. The city’s socialites, most of them raised far from the hustle and bustle of Makokoba or Mzilikazi, usually found themselves buzzing on the corridors of koSaFana.      

Most non-regulars, who passed by the joint due to an undeniable desire for one cold beer or mere curiosity, would probably not know SaFana if they met him on the streets of Bulawayo. Like all good shebeen kings, SaFana’s identity was mysterious and fluid, perhaps a necessity for a man that ran an enterprise that did not exactly follow the letter of the law. 

Fewer still would know the Fana that gave him his famous name.  So when was koSaFana founded and why did it become a landmark in that famous corner of the City of Kings? The unique joint did not just sprout out of the stone and dust of Mzilikazi.

According to one long time imbiber, the joint at K Square was just the reincarnation of yet another that had been located in another part of the famous suburb. That first joint had been a usual shebeen, with the usual thrills and spills which attracted the attention of the police and the resultant cat and mouse games between the law enforcement agents and the imbibers. 

Soon, however, SaFana decided to eliminate loud music from his joint, itself a revolutionary concept in the shebeen business. Instead of the Soul Brothers blaring from a speaker, the sound of conversation as imbibers watched football on television would be filtering out from SaFana’s living room. 

“He opened the first joint in 2009,” one long time reveler told Sunday Life. “Initially he used to sell “hot stuff” and trotters at his family home around T section in Mzilikazi. Some of us then convinced him to find a full house and open a shebeen for guys to watch the English Premier League. At the time there were no places to watch midweek EPL matches ekasi. 

He literary took down the council pub at BF Stadium after everyone moved to his joint because it offered EPL. Patrons then advised him to avoid music and allowing women to frequent his spot alone. They argued this would lead to outbreaks of violence. So it literary became men’s sports bar. This was back when he was based at L Square. He then moved to K Square which is the place most people know now. 

Thus, while there were similar shebeens in the township, KoSaFana had its own unique selling point, the seasoned imbiber revealed.

“The other guys play a lot of music in their places.  You have Tswai at E, Kelvin at G, Fatso at Q… SaFana was different from all of them because he had a unique selling point,” he said. 

With the Zimbabwean top flight football league taking a hiatus, perhaps the closure of KoSaFana would have been missed by many. 

The house is still there of course, as one cannot fold it and pack it away now that the shebeen that it houses no longer exists. However, without SaFana’s famously cold beverages and the company he kept, it is merely that, another house. When the first ball is kicked in anger at BF this season, perhaps many will wonder where they will toast to a victory or console themselves with a cold one after a gruelling match at Emagumeni. They certainly cannot do it KoSaFana.

Of course, there were other attractions too. On good days, one would find themselves negotiating for space with a Johannes Ngodzo, a Benjani Mwariwari or Babongile Sikhonjwa on the narrow corridors of SaFana’s modest home.

 The city’s socialites, most of them raised far from the hustle and bustle of Makokoba or Mzilikazi, usually found themselves buzzing on the corridors of koSaFana.      

Most non-regulars, who passed by the joint due to an undeniable desire for one cold beer or mere curiosity, would probably not know SaFana if they met him on the streets of Bulawayo. 

Like all good shebeen kings, SaFana’s identity was mysterious and fluid, perhaps a necessity for a man that ran an enterprise that did not exactly follow the letter of the law. 

Fewer still would know the Fana that gave him his famous name.  So when was koSaFana founded and why did it become a landmark in that famous corner of the City of Kings? The unique joint did not just sprout out of the stone and dust of Mzilikazi.

According to one long time imbiber, the joint at K Square was just the reincarnation of yet another that had been located in another part of the famous suburb. 

That first joint had been a usual shebeen, with the usual thrills and spills which attracted the attention of the police and the resultant cat and mouse games between the law enforcement agents and the imbibers. 

Soon, however, SaFana decided to eliminate loud music from his joint, itself a revolutionary concept in the shebeen business. 

Instead of the Soul Brothers blaring from a speaker, the sound of conversation as imbibers watched football on television would be filtering out from SaFana’s living room. 

“He opened the first joint in 2009,” one long time reveller told Sunday Life. 

“Initially he used to sell “hot stuff” and trotters at his family home around T- section in Mzilikazi. Some of us then convinced him to find a full house and open a shebeen for guys to watch the English Premier League. At the time there were no places to watch midweek EPL matches ekasi. 

He literary took down the council pub at BF Stadium after everyone moved to his joint because it offered EPL. Patrons then advised him to avoid music and allowing women to frequent his spot alone. 

They argued this would lead to outbreaks of violence. So it literary became men’s sports bar. This was back when he was based at L Square. 

He then moved to K Square which is the place most people know now. 

Thus, while there were similar shebeens in the township, KoSaFana had its own unique selling point, the seasoned imbiber revealed.

“The other guys play a lot of music in their places. You have Tswai at E, Kelvin at G, Fatso at Q… SaFana was different from all of them because he had a unique selling point,” he said. 

With the Zimbabwean top-flight football league taking a hiatus, perhaps the closure of KoSaFana would have been missed by many. 

The house is still there of course, as one cannot fold it and pack it away now that the shebeen that it houses no longer exists. However, without SaFana’s famously cold beverages and the company he kept, it is merely that, another house. 

When the first ball is kicked in anger at BF this season, perhaps many will wonder where they will toast to a victory or console themselves with a cold one after a gruelling match at Emagumeni. They certainly cannot do it KoSaFana. 

Bruce Ndlovu, Sunday Life Reporter 

IT was a song that illuminated the festive season. 

At a time when amapiano dominates playlists in Bulawayo, just as they do in other parts of the globe, the song titled Keneilwe provided a palate cleanser for those that they had been fed a sufficient of hits from the popular genre. 

In Bulawayo, Keneilwe found itself being an unlikely bridge between older and younger generations, as those that grew up dancing to music from Dan Tshanda’s Splash brand found themselves swinging hips alongside the amapiano generation. 

Dalom Kids, assisted by serial hit-maker Master KG and the sultry Nkosazana Daughter, had seemingly been resurrected, rolling back the years to when their music blared from every speaker in Bulawayo during any given festive season. 

Unknown to party lovers and revellers, however, was that a battle was brewing behind the scenes for ownership of the song. 

With the track, which was named Song of the Year by four prominent radio stations in Mzansi and has garnered over 11 million views on YouTube so far, now a smash hit, the original members of the Dalom Kids have come out alleging that they were sidelined in its making and subsequently its success. 

The familiar lyrics of the song were written and sung by the members of the original trio, Magdeline Zungu, Jacqueline Rotwana and Petronella Rampou, who has since passed away.  

The original song, titled Celebrate, was written in 2009. 

Master KG

Almost five years after the death of Tshanda, the ghost of Dalom Kids seems to have haunt the stable, Zungu telling a South African publication that while Keneilwe climbed the charts, as surviving old members of the group they had been shattered to witness that they had been sidelined. 

“This hurts me so much because we were never consulted and I hear my song on the radio and television all the time,” she stated.

“It hurts because my kids always want to celebrate when they hear that song, but I cannot let them because, really, what is there to celebrate? It hurts me.”

“I’m very hurt by that,” she said. “If you visit (my home) and observe how I raise my children… it’s heartbreaking. I don’t even receive royalties for my songs. I last received royalties in 2021, when I was paid R500. That song, which we titled Celebrate to honour the years we have spent in the industry, was written in 2009 by Petronella, Magdeline, and me,” said Rotwana.

Meanwhile, a regretful Rotwana said she could not even afford to buy a cake for her daughter, whose birthday was on the horizon, which was made all the more painful by the fact that one of their creations was a smash hit.  

“That song, which we titled Celebrate to honour the years we have spent in the industry, was written in 2009 by Petronella, Magdeline and me,” said Rotwana. 

“Now someone else is reaping the rewards of our work. Someone else is enjoying our labour while we remain uncredited. We just want them to credit us and pay us for our work.”

The pair have reportedly initiated legal proceedings by conferring with their respective lawyers to address the issue.

Master KG, the brains behind the remake, said he did not know that he was not working with the original members of Dalom Kids when he went to studio to work on the track. 

“I got in touch with Sylvia, the late Dan Tshanda’s wife, since I heard that she is in charge of the late musician’s work. We made arrangements to do the studio session. We reworked the song after she arrived at the studio with three women who went by the name of Dalom Kids. According to me, everything was done through Sylvia. I had no idea that there were other people involved because we had Dalom Kids in the studio,” he said.

Responding to Sunday Life, the Dalom Music stable said that only Rampou, the group member who had since passed on, would be getting royalties for the hit song. 

“We regret the confusion and misunderstanding that led to a South African newspaper concerning the copyright and contribution of Keneilwe. We are writing this statement to clarify both issues regarding old members and new members of Dalom Kids. The song in question is a copyright of Dalom; produced, recorded and composed by Dan Tshanda and published by Dalom Music, as such Dalom holds all rights to use and reproduce the song. All members who contributed to the making of Keneilwe shall receive royalties for their contribution; this includes Petronella Rampou who shall receive royalties from PRO’s for the Remix and the original version, however, the former singers will only receive royalties from the original version,” the stable said. 

Dalom Music said that Master KG had said that he had “taken into consideration of all parties involved and continue to respect and show love to the former members. They contributed a lot to the legacy and deserve respect.” 

In an interview, Tshanda’s widow, Sylvia Tshanda, said she was not concerned about any blowback from former members, as they would also benefit from the success of the song. 

“All parties benefit; the former members and the current members, for this has and is promoting both the original and remix. We are open to assist all members where we can; they are part of the legacy,” she said. 

Unperturbed by the drama that now seems to be following the smash hit song, Sylvia said that they now wanted to bring the song to the one city where they knew that the Dalom Music brand had weathered all storms — Bulawayo. Dalom Kids posted a rate card on social media with images of the original band, stating that the band charges R70  000 for live performances, R50 000 for trackbacks, and R30 000 for appearances.

“We have some requests from some promoters in Zimbabwe and now we are just waiting on them for confirmation but definitely they want us to come to Zimbabwe and that is what we want as well,” she said. 

As the world commemorated the first anniversary of the death of South Africa rap star AKA last Saturday, police said they have made progress in his murder and that of his friend Tebello “Tibz” Motsoane.

AKA and Tibz were gunned down in an apparent hit outside the popular Wish restaurant in Florida, Durban, South Africa a year ago. 

Police released a statement last Saturday saying the investigation in the murders was at an advanced stage with some suspects already identified.

“The South African Police Services  acknowledges and understands that this is a very sensitive matter, and we would like to assure affected families and the public that in the past year we have spent countless hours and endless manpower on tracing those behind these murders. 

“We have a dedicated team of specialists, seasoned detectives, analysts, technicians working closely with the office of the Director of Public Prosecutions in KwaZulu Natal. It is important to highlight that this is a prosecution-driven investigation,” said Brig Athlenda Mathe.

She added that police have gathered critical evidence.“We have made progress, we have positive evidence linking identified suspects, others are in custody related to other matters. Others are on the run and the team is hot on their heels. We are aware of limited communication with the affected families. 

“The investigation is at a very sensitive stage, and we have therefore taken the decision to limit all communication related to this matter. The limited communication was not at all intended to undermine any of the affected families. 

“We will however, endeavour to improve on this in the near future,” said Mathe. (Source: www.sowetanlive.co.za)

Ekasi Stories with Clifford Kalibo

“But that it doth presage some evil event. ‘Tis much when scepters are in children’s hands, but more when envy breeds unkind division: there comes the ruin, there begins confusion.”

This line by The Duke of Exeter in William Shakespeare’s King Henry VI, Part One, could not be further from the truth and is indeed reminiscent of the wayward, awkward and wild behaviours of today’s youth. The youths have become so untouchable and uncontrollable, such that they will not take any advice from their parents or their elders.

One of the main problems affecting most societies today is that of drug and alcohol abuse by the youths and some elderly people are not an exception in certain instances. Drug abuse is a psycho-social evil that spawns anti-social behaviour such as stealing, crime and violence besides social stigma, thus destroying the vitals of the society and leading to its overall downfall.

Whilst the abuse of drugs and alcohol is spread countrywide, I have chosen to confine my article to my Bulawayo home area, Ekasi, Sizinda Township, because this is where I am able to mix, meet and discuss with most of these youngsters who partake in drug and alcohol abuse. By mixing and mingling with these youngsters on the ground, I am to glean first-hand untainted information straight from the horse’s mouth, as it were.

Sizinda youths have taken to the bottle at a very tender age. They also are now addicted not only to strong alcohol, “hot stuff”, popularly known as injengu, but also to drugs, the likes of marijuana, or imbanje, crystal-meth also known as mutoriro. As if this was not enough many youths are also taking a cough mixture popularly known as ingoma. This is quite a shocking and unwholesome trend being undertaken by both boys and girls.

There is this strong alcohol known as GD6, which has taken Sizinda by storm. Many residents, both the young and the elderly have become addicted to this infamous GD6. After taking the GD6, the drinkers fall into a trance or zombie-like stupor, which has been named as “uku-sticker”. The GD6 numbs the brain as evidenced by the zombie like actions displayed by the drinkers, coupled with slow, slurred and incoherent talking.

Some drinkers of GD6 have been known to go for days without eating anything or drinking any water. It would seem that this GD6 destroys one’s appetite completely. It also kills one’s palates or taste buds, to such an extent that some GD6 drinkers prefer to sprinkle sugar on roasted meat instead of salt and chillies! At times you find the GD6 drinkers lying hopelessly in the beer garden or around the shops due to excessive drinking. Just this past week, one elderly gentleman in Sizinda, had probably taken GD6 in excess and on an empty tummy. He was lying prostrate just outside a bottle store, and to the amazement of many, flies were buzzing around the gentleman, who had wet himself, and a foul smell was emanating from somewhere on his body. It seems, the old madala’s sphincter had loosened and the poor old man had defecated on himself! A Good Samaritan had quickly rushed to inform the gentleman’s wife. The poor wife was seen struggling to lift his husband so as to take him home. So much for GD6!

I had the occasion to discuss this alcohol and drug abuse with some Sizinda Township residents. One senior resident, Modwell Mathe, popularly known as Elder Mabhena, lamented the rampant abuse of alcohol and drugs by the Sizinda youths. The visibly irate Elder Mabhena lashed out strongly at the youths. “Drug and alcohol abuse have no place in our lovely Sizinda Township. Can you please stop all that nonsense”, said Elder Mabhena. He appealed to other residents to find solutions to bring this scourge to an end.

Local DJ Carlos Ngozo, popularly known as Big C, also had no kind words for the drug addicts. “You are tarnishing Sizinda Township; you are a disgrace to our society. Instead of spending hours drinking dangerous and illicit brews and smoking weed, you should be engaged in productive projects.”

The writer, being also a senior resident of Sizinda Township, is appealing to the youths to stop drinking excessively and to desist from drinking illicit brews and smoking of imbanje. Prolonged intake of such substances is detrimental to health, and it leads to mental confusion, memory challenges,  diminished sense of responsibility, hallucinations and personality disorder.

Till we meet again next Sunday. Feedback:  Clifford Kalibo/ Phone:       0783856228 /0719856228/ WhatsApp:   0779146957/ Email:          kaliboc@gmail.com

Innocent Kurira, Sports Reporter

TAWANDA Masvanhise is one of the foreign based players who has not hidden his desire to play for the Warriors.

The Zimbabwe-born England-based starlet is on record expressing his desire to play for the Zimbabwe national team.

The 21-year-old winger has spent over 10 years in the Leicester City development structures and has made huge progress at the Foxes, to the point of being included in the Premier League match day squad for the first team.

Masvanhise also won the Leicester development side player of the year last season.

The youngster, who was born in Zimbabwe and moved to the United Kingdom at the age of two, has previously been targeted by Warriors coaches, including Norman Mapeza before the 2021 Afcon finals in Cameroon.

Following on from seven Under-18s appearances in his breakthrough season of 2019/20, Masvanhise made his Development Squad debut against West Ham United in March 2021, while also being named on the bench for a Premier League fixture at Old Trafford two months later.

His involvement for the Under-18s increased across 2020/21 too, with 20 league appearances bringing six assists and a goal.

The 2021/22 season was another campaign of positive progress for the young Leicester City forward. Starting on a high following his impressive showings with the first team in pre-season training, the 19-year-old looked comfortable in League 2 and the Papa Johns Trophy, featuring in all 29 of the Development Squad’s competitive fixtures.

Making his mark on the scoresheet 10 times in League 2, the attacker, who usually plays off the left but can also be deployed down the middle, netted several important goals, including some superb individual efforts nominated for the

Club’s Goal of the Month competitions.

In the 2022/23 and the Zimbabwean again made positive inroads, finding the net in all of City’s opening six fixtures across two competitions. — @innocentskizoe

Bruce Ndlovu, Sunday Life Reporter 

OUT in Grahamstown in the Eastern Cape, South Africa, lies three graves next to Luvuyo Hall, an old community centre in Fingo Village, Kwa-Ndacama.   

The trio of graves is made of polished granite, with concrete paving and pebble stones laid around them. Most people in Kwa-Ndacama, which means a place of no hope, do not know who these graves belong to. The answer to their identity is given by an inscription on of the graves, which reads: 

“Lapha kulele uMntwana weNkosi yamaNdebele, A N L Mzilikazi kaMatshobana Owazalwa ngo 1880 Wafa ngo 1910”.

Buried beside the Ndebele prince, wrapped in granite for eternity next to him, are his wife Rosamand and his son Rhodes Njube Lobengula. The three modest graves are far-flung links to the last Ndebele monarch, Lobengula, who saw his offspring scattered after the defeat of his kingdom by the British. 

Last week, it was announced that the Sarah Baartman Municipality, located in the western half of the Eastern Cape, had not forgotten these remnants of Ndebele monarchy who found themselves buried far from their father’s former seat of power in Bulawayo. 

The municipality had identified King Lobengula Museum, which was established in 2018 around the family’s old homestead, for preservation because of its historic significance. It has set aside R80 000 for renovation of the museum, with work set to start next month. The museum is also expected to give space to young performing artistes from the area. 

“We are trying to establish a route that used to link all the sites that they used to stay in,” said an official at the museum in an interview with the Sabc. “As we know they used to stay in Bethesda and from there they moved to Pedi and from Pedi they came here. So, basically that is the route that we are trying to build. During the arts festival here in the township, you don’t find places where the children can come and perform. We want to create this place as somewhere where children can come perform and act.”    

An official from the municipality told the Sabc that the museum was expected to attract both foreign and domestic visitors. 

“Our key role, as a district is to market local municipalities as a destination by not only domestic tourists but also international tourists. If you research the history of the former Makana municipality you will realise that it was also marketed as a city of saints by virtue of having all those churches there. When you look at Makana you realise that it is a city that is full of history and heritage so the project was befitting our scope,” said the official. 

The honour of Lobengula’s family tree also comes as a chance to restore the dignity of a family that was decimated by the insecurity of the invading colonial forces, who later colluded with South African authorities to make sure that the Ndebele monarch’s offspring never took root in Bulawayo and Zimbabwe again. 

Njube was allowed to visit Southern Rhodesia at the onset of the 20th century, which was the only time he was allowed to do so. According to the South African Heritage Resource Agency both the British government and the company were at one in their refusal to entertain any revival of the Ndebele monarchy. When the Ndebele indunas requested that Njube, Lobengula’s son be allowed to return as king to then Rhodesia from the Cape, where he had been exiled and educated, the High Commissioner refused in the most emphatic terms.

“Obviously, he cannot be allowed to resume his old authority and in my opinion is impossible for him, whatever may be his first intention to confine himself to a subordinate role as an officer of the Government. 

Our experience with Dinizulu is to me conclusive proof of the correctness of my opinion,” he reportedly said. 

Given the constant refusals by colonial authorities for him to visit his countrymen, Njube had his pregnant wife smuggled to Matabeleland to give birth. He was to follow her later. When he applied to the military for a pass to visit Matabeleland for two months to have his first child born there, the colonialists objected to his application. Subsequently, “… a De Beers detective was set to watch his movements until it was learned that the military authorities had prohibited Njube from leaving Kimberley (SA).

When Njube finally passed on, the Native Commissioner triumphantly exclaimed in 1910 “…the natives realise that the last connecting link with the royal house of Khumalo had been severed.” 

The exile of Lobengula’s offspring had tragic consequences for them personally. While Njube played a game of cat and mouse with colonial authorities, far away from his kin and kith, he eventually died frustrated still trying to find his way back home in the face of a suspicious and unforgiving capture. 

His younger brother, Mpezeni, had died a decade earlier. Meanwhile, Nguboyenja, who was educated had an equally tragic end. Educated in England and able to speak English fluently, he returned to Rhodesia 20 years later to find that the gift of his education, given to him by the Charter Coy, was a curse rather than a blessing.

It is said that he could not speak in his native tongue when he returned. For the last fifteen years of his life, he held his silence, refusing to speak to anyone until he passed on during a fine Bulawayo morning in June 1944, according to literature. 

Innocent Kurira , Sports Reporter

HIGHLANDERS goalkeeper Ariel Sibanda has started doing light training as he continues to recover from a wound on his right leg.

There had been reports the player’s wound would keep him on the sidelines for a long time or the worst scenario see him retire. However, Zimpapers Sports Hub understands the injury is not as serious as previously thought.

What Sibanda has been battling with is cellulitis which is a common bacterial skin infection that causes redness, swelling and pain in the infected area of the skin. His recovery has gone well and he could be ready to go between the sticks when the season starts.

“I have started light training and my recovery is progressing well. The wound is healing and I’m certainly looking forward to the upcoming season. The mood in camp is positive as we prepare for the new season. The boys are working hard and we are hopeful that we will improve from our performance last season,” said Sibanda.

Sibanda, who has now spent 16 years at Bosso, believes his legendary status at the club can only be sealed if he manages to win a title with the club and it’s the driving factor for him to stay and fight for the title with Bosso as he considers it a priority.

Bosso over the years have produced cult heroes for the club and Sibanda has established himself towards that cap.

Presently, he is the team’s captain. Despite having a fine start with a 19-game unbeaten run, Highlanders faltered along the way as they found themselves crippling in the second-half of the season.

Sibanda, who managed 19 clean sheets, was voted goalkeeper of the year and was part of the 2023 Soccer Star of the Year list of 11. He was also voted thrice before in 2012, 2018 and 2019 to make himself one of the most decorated individuals on the local scene.

For the greater part of last season, Bosso looked set to win the elusive league title  before eventually surrendering it to Ngezi Platinum.

They finished fifth last season and fans will be expecting nothing short of the league title. — @innocentskizoe

Cultural Heritage with Pathisa Nyathi

ANCIENT African Science (AAS), as I have decided to call it, relies on the workings of cosmic laws. It is clear there are laws and principles at work and have been identified by those who observe the behaviour of nature. As human beings, we have to be humble enough to accept that our knowledge of nature, in its totality, is infinitesimal. 

Some human beings have placed hope on western science and based on the knowledge and technologies premised on these; believe they know quite a lot. I hold a different view. Some people have landed on the moon. 

There is so much that they still do not know nearer home. I agree with those who argue that AAS works on cosmic laws that were figured out and applied thousands of years ago. The Egyptian Book of the Dead contains ideas and cosmic laws power practices that are that. 

Aware and alert to what AAS is capable of doing, I will be the last person to claim that AAS enables us to understand and manipulate all there is to know in the universe. I have said before, it borders on arrogance and egotism for a people to claim they know everything there is to know. The multiverse is just too complex for that.

By the time we get to the end of this series of articles, it will have become apparent that one form of science will never get to assist us to get into grips with the operations, behaviours and characteristics of matter and energy in the entire universe. We have to be humble enough to accept reality, a reality that recognises the depths and breadths of our environment, both terrestrial and extraterrestrial are unfathomable.

After this humbling introduction, we proceed with our AAS. Before we venture much into the intricacies of the science and craft, it is pertinent to realise the difference between theory and practice. 

There are amongst us practitioners and theorists. The majority of us are mere practitioners. They know how to do something. However, they fall short of interpreting what they are doing. They are conceptually deficient.

The ancient western world posited witches who rode on brooms. 

However, Africa, on the other hand, posited and still posits a world where wizards rode winnowing baskets. 

Both knew, albeit mechanically, how to harness requisite energy, and ritually apply techniques to launch the ritual package towards their intended victims. 

As indicated in the last article, they knew how to ritually harvest and harness energy. In other words, they knew how to instinctively manipulate nature and apply cosmic laws.

However, they may not have been in a position to give requisite explanations and interpretations, the theory, of what they were doing. They possessed production skills of execution without the knowledge. If it works, well, that is it! What more would they want? These are practitioners. 

They are like people who exquisitely embellish household artefacts. They execute gorgeous aesthetic designs on clay pots and ilala palm baskets and on clay walls of their huts. They come up with chevron designs, circular designs, spirals and herringbones, inter alia.

My experience has been that it is engaging in futility to ask these extremely capable crafters about the meanings of the beautiful embellishments. They do acknowledge that what they execute is indeed aesthetic. What is it that makes them aesthetic, they do not know. They will not explain nor interpret that. Worse still, they will not appreciate what the symbols that they have executed mean beyond their primary role of aesthetic expressions. 

Within beauty there are messages carried effortlessly by the aesthetic designs. For example, the chevron/triangle expresses eternity, perpetuity, endlessness and continuity. That process of transmission is what is generally referred to as inter-generational transmission of knowledge and skills. 

Crafters are liberally endowed with skills, and less with knowledge. I mention this so that we appreciate that both the traditional healers and witches know how to concoct a ritual formula without much by way of understanding theories behind.

Wizards are doers. On the other hand, one who is not a witch in the technical sense of the word, may be in a position to explain and interpret what is happening when energy is being harnessed. 

It is just like me who will explain and interpret decorative motifs and yet I cannot execute the designs. I am a theorist with the requisite knowledge but possessing zero practical skills. I cannot make an ilala basket and yet I can present an illuminating lecture on the making (skills) and knowledge (theory) about designs, their inspiration and multi-layered meanings.

In the last article, we unpacked the concept of ukuthaka, leading to the word and description of one as umthakathi. There is a related word that has been used in other languages, notably Sesotho and ChiShona. 

The term is muroi, or moloi. For them the term, or verb is roya/loya. The meaning is the same as thaka. In this case, umthakathi is moloi or muroi. The tendency, as is the case in IsiNdebele, is to attach some evil connotations to the term.

To loya/roya implies to overcome. Usually, that overcoming is not in the physical sense. Rather, it is in reference to overcoming, overpowering and defeating in the spiritual and intangible sense. That happens when a conqueror has ritually harvested energy and applied techniques to manipulate that energy in a way that overwhelms and overpowers. This is recognised in a case where the situation faced has irresistible attributes.

It is known that an eland is an animal that is endowed with special spiritual powers. When it has fallen down during a hunt there have to be rituals that are performed to neutralise its harmful powers. 

This is the time when, after application of rituals, one could be heard exclaiming say, “sengiyiloyile.” Indeed, the person would have jumped over the carcass of a fallen eland collected its urine and urinated on certain of its body parts. 

To jump over is to overpower. It is for this reason that Ndebele people objected to being jumped over when they are lying down on the ground. To reverse the deed, one had to jump over a dis-empowered individual in the opposite direction. I see a lot of this being applied in modern gadgets. 

One pushes in a button, then to reverse that, the same button is pushed the second time and this time it springs out. Switching on and out works in similar fashion. You will identify many cases where this idea is applied in the modern world of technology.

Essentially, therefore, one has overpowered harmful eland power whose fat, for example, is never taken into a homestead. Understanding AAS is a long, winding, uphill and arduous struggle. 

There are many rules and principles that require unpacking and deciphering. It is not about mechanical application of that science. Technology flows out of clearly identified scientific principles and laws. 

It is these that are then applied. As already insinuated above, some people will know application without understanding underpinning theories behind practices.

Our thrust seeks to underpin underlying science behind the practices. What are we to say when witches fly and we know from science that nothing moves without energy working on it? 

A car is powered by burning fuel. What is the fuel that powers crafts used by purveyors of applied science? What formula do they use that will enable them to become invisible? 

What is derived from nudity, seeing all wizards that have been downed are found naked, flying at night and smeared with ash-like substances?

We are yet to identify the broad field, in scientific and physical terms the places where AAS has been applied or is still applied. We shall seek to go beyond observable behaviour to derive cosmic principles and laws that are applied. 

Who knows, we could one day power our machines from harvested energy as understood and applied in AAS. We do not have to be sceptics. 

Mind you, there are technologies from ancient civilisations that we are hard put to understand. Stone blocks that modern cranes cannot lift were lifted high up to construct megalithic monuments.