Quantcast
Channel: Entertainment – The Sunday News
Viewing all 4114 articles
Browse latest View live

Sello Maake KaNcube not backing down after being given bogus doctorate

$
0
0

Renowned South African actor Sello Maake kaNcube created quite a stir at the weekend when he proudly shared pictures of him being conferred with a bogus honorary doctorate from the Trinity International Bible University, a bogus college not registered with education authorities in South Africa.

The ‘Champions’ actor quickly had his bubble burst after social media users questioned his honorary doctorate in Philosophy in Business Administration.

Social media users left no stone unturned as they questioned whether Trinity International Bible University was a legitimate institution and why the ceremony took place in a warehouse.

Maake kaNcube in his response to all the chatter online, clapped back and said: “To all those who felt like they had something to say, here is my official response.

“Mess plus Age gives you a MESSAGE! Keep listening. 🎶 Keeping watching. Thank you all for your positive messages to these new developments. 🙏🏾🙏🏾 With my wife Pearl Mbewe Maake Kancube ♥

While the congratulations poured in for the actor, they were drowned by the Minister of Higher Education Blade Nzimande, who confirmed that Trinity International Bible University is not registered and therefore has no authority to offer any qualifications.

“According to our records… Trinity International Bible University is not a registered private higher education institution. Trinity International Bible University is therefore not authorised to offer any qualifications, including honorary degrees.

“We also wish to state that, as the department, we have written to Trinity International University before and warned them about continuing to operate illegally and for them to regularise their operations.

“We have also asked the Council on Higher Education (CHE) for guidance on how honorary qualifications should be offered and by who.

As the department, we have nothing against Trinity International Bible University or the celebrities they have chosen to honour,” said the department’s spokesperson Veli Mbele.

IOL has reached out to Maake kaNcube for his response on the Minister’s statement, this article will be updated upon his response. — iol


Intwasa: New Year festival of the Ndebele people

$
0
0

Mzala Tom

The Ndebele people like other Africans had three calendars to determine time and seasons : the Cosmic, Solar and Lunar calendars. These calendars are a product of African cultural astronomy.

The Lunar calendar comprised of 13 months calculated at 28-day moon cycles. Each lunar month was linked to cosmic processes, which in turn shaped the environmental conditions, conduct of rituals and calculation of female menstrual cycles.

The Ndebele Lunar calendar commenced in the month of Mpandula/September. This month signalled the beginning of intwasa or spring when new vegetation began to shoot from the earth. Mpandula is derived from the word ukuphenduka referring to the change of the colour of vegetation.

The new year was determined by observing the movement of the stars in the cosmos. 

The emergence of the Pleiades stellar cluster in spring kick-started a new year. These stars are known as isilimela in isiNdebele. 

The name isilimela is derived from the word ukulima  (farming).

The Ndebele people had a broad knowledge of astronomy and umthala, the Milky Way. Some of the stars in Ndebele astronomy and cosmology included inkwenkwezi, indonsakusa, izinja, isilimela, ingulube and many more, whose knowledge has been lost.

To embrace intwasa, the Ndebele had to clean up the environment and remove old bird nests from trees and clear all dead animal bodies from their environment to pave the way for rain ceremonies and rituals.

A special night was announced by the King, on which the villagers gathered to prepare ritual bonfires. 

The wood was gathered in large pyramid shapes and then set on fire amid singing, dancing, feasting and merry-making as they celebrated the new year.

The isilimela cluster of stars is known as chinyamutanhatu in ChiShona, kelimela in SeSotho and hhala in TjiKalanga. 

It is also interesting to observe that Enkutatash is a public holiday in celebration of the New Year in Ethiopia and it is also in the month of September! — (Source: @RealMzalaTom)

 

Ex-Warriors striker Sgonondo takes up mining

$
0
0

Fungai Muderere

NOT all former football players have it easy when they retire.

Some are lucky, as they retire to go to coaching or work as pundits.

However, it is not that easy for everyone and a lot of former stars have gone on to less glamorous professions.

It would not be a wonder to see one of them, for example, settling as a refuse collector, painter, or decorator.

However, ex-Warriors, Highlanders and How Mine striker Simba Sithole, seems to have prayed and prepared for his life beyond the after-dinner circuit, after hanging his boots.

Sithole (34), a former Ajax Cape Town player, who now does duty for Zifa Southern Region Division

One side Casymn, has simply not chosen to subject himself to further madness in a coaching capacity after retirement, as he also doubles up as a shaft timber-man assistant at Casymn Mining Zimbabwe, which is now widely referred to as Turk Mine in Matabeleland North’s Bubi District.

The shaft timber-man’s role involves providing engineering maintenance, repairs and construction services in the shaft and station area.

“Yes, I do go underground. It is a job that also involves transporting heavy mining equipment. I learnt this job here at Casymn, the workers and the community have been helpful to me since my arrival from Mosi Rovers FC of Victoria Falls, last year. They are good people and this is not an easy job. I go for my mine job before I go for my football training sessions,” said Sithole, a father of four, Wayne, Olwethu, Wesley and Wayler.

He is married to Gladys Susan Silamu.

From Grade One to Four, Sithole went to Amasazwi Primary School in Pumula North.

It was after his parents passed on, that he moved to How Mine to further pursue his education up to Form Three.

“I was signed by Monomotapa when I was doing O-level at Mount Pleasant High, together with Russel Madamombe and Moses Muchenje in 2008. However, I wrote O-level at Pafiwa High School in Mutare.

I went to many schools,” said a man who grew up idolising ex-Warriors captain Benjani Mwaruwari and legendary Ivory Coast former striker Didier Drogba.

In the national team set up, Sithole, who is warmly known as S’gonondo (a concoction of opaque beer, chocolate flavoured milk and a brandy), said he was very close to former Hwange defender Eric Chipeta and the late imposing goalkeeper George Chigova.

Sithole and the late Chigova cut together their football teeth during their days at How Mine.

“Chigova was just like my little brother. We played street football together at How Mine. It is really painful that he left us at such a tender age,” said Sithole.

Chigova died last year.

At Premier Soccer League (PSL) club level, the soft-spoken Sithole was close to ex-Bosso midfielder King Nadolo and Simon Njeleza, a well-travelled ex-midfielder who is now into coaching.

Asked about his advice to fellow footballers, Sithole, who was part of the 2014 Warriors Chan squad, said: “To all footballers, especially those who are currently playing in the professional league, I will encourage them to remain focused on their talent and future.

“There is life after football and we can’t all be coaches or managers. So, it’s never too late to pursue other professions like boiler making and tailoring, among others. They should always remember there are always bills to pay and families to feed,” said Sithole, vowing that he will not retire from football soon and will not pursue football coaching when his time is finally up.

His is indeed a case of having his football peers guarding against the ultimate dilemma that they have to spend weekend after weekend running up and down the touchline, forgetting to pick up their man at the back post and giving the same interview answer about how “the boys just didn’t show enough today” and suddenly it’s all gone and you have got to decide what’s next?
—@FungaiMuderere.

Chivayo gifts Jeys Marabini with vehicle

$
0
0

Bruce Ndlovu , Sunday Life Reporter

AFRO-jazz musician, Jeys Marabini has become the latest beneficiary of businessman Wicknell Chivayo’s benevolence, after he was gifted with a top-of-the-range vehicle following his performance at a State banquet to honour visiting Kenyan President William Ruto, on Friday night in Bulawayo.

Marabini is now back in top form after suffering from an illness that took him away from the stage for a few years. Marabini had been struggling with haemorrhoids for the best part of the last decade, with scans revealing that he had an inflamed spleen.

While Marabini has over the years managed to play through the pain and fulfil his artistic obligations despite deteriorating health and had decided to hang up his mic two years ago, as the pain intensified.

However, after the intervention of President Mnangagwa, who aided with his medical bills, Marabini returned to the stage last year.

In a post on social media, Chivayo said he decided to give Marabini a Toyota Hilux GD6 double-cab, after watching him perform on Friday.

The type and range of vehicle Chivayo gifted Jeys Marabini

He also applauded Marabini for performing at the ruling party, Zanu-PF events.

“Yesterday evening I had the privilege to watch two Heads of State and Government enjoying some wonderful jazz or afro pop music, from a distance…When you support national events you make me happy and when you make me happy what follows is obvious . . . On that note, I say congratulations to Mr Majahawodwa Ndlovu, popularly known as Jeys Marabini (who comes) all the way from Filabusi in Matabeleland South. Please, go to Enterprise Car Sales and see Madzibaba Chipaga. Forty-six thousand USD has been paid this morning and your Toyota Hilux GD6 Dakar double-cab is ready for collection.

Your contribution and continued support at Zanu-PF rallies and national events throughout the years together with the significant contribution you’ve made in the music industry will never be forgotten,” wrote Chivayo.

Lecturers lacking teaching qualifications a ‘hazard’ to teaching and learning

$
0
0

 Simbarashe Murima

TEACHING and learning remains principally didactic, meaning that the influence of education in society is rooted in the transmission of information that integrates diversity of students and academic developments.

 This occurs in the external environment of education, which involves the need for high-level skills in the workplace, the digitalisation of daily life and the advent of innovative technologies for teaching. Qualified lecturers are prized instruments for achieving effective teaching in higher education with a majority of them being experts in their fields. It is, however, concerning to discover that quite a number of lecturers in tertiary institutions lack the fundamental pedagogical skills required to effectively teach students, thus qualifying some of these lecturers unfit for this purpose. 

Having a mastery of specialist knowledge does not imply that a lecturer knows the techniques needed to effectively transfer that knowledge to students. Even PhD holders in certain fields of knowledge are not necessarily experts at teaching. 

Nevertheless, professional development is understood as signifying the growth of educators in their teaching profession. There is a need for a teaching qualification, which should be mandatory to equip lecturers with pedagogical expertise and acquaintance.

Becoming a lecturer is a calling, and not child’s play. However, lecturing skills can be developed and improved by acquiring appropriate and progressive skills and knowledge on how to disseminate and deliver curriculum content to learners professionally. Pedagogical skills are essential in teaching as they elevate the quality of the teaching-learning process. Pedagogy in education exemplifies the convoluted relationship between the theory and practice of teaching, thus impelling the culture and approaches of learning. Furthermore, instructional skills provide students with a deep and surface learning of the subject matter, which will ultimately improve all the skills, learning and development outcomes. 

Pedagogical skills function as the linchpin for producing and refining learning techniques, talents and attitudes among students.

However, the primary goal of pedagogy comprehension by instructors is to help empower students with a profound understanding of training students to apply their knowledge in real-life situations beyond the precincts of the classroom environment. 

As a result, higher education lecturers need suitable training to be able to teach well since some lack the competence to deliver quality teaching to their students. 

In contrast, unlike teachers in primary and secondary schools, lecturers at tertiary institutions are not commanded to have a teaching qualification.

It is disconcerting to note that some lecturers in many tertiary institutions lack key pedagogical skills and abilities to convey and improve their teaching and continuous assessment. 

A significant number of these lecturers possess an appalling and distorted attitude towards learners and spontaneously feel that students should simply work hard despite the difficulties they may be facing.

Some of these lecturers do not even attempt to make the courses they teach interesting or engaging, thus contravening the purpose of stimulating learning. Such lecturers may realise that their teaching is awful, but create their summative assessments as easy as possible to make sure the students easily pass their exams, but then it makes it statistically appear as though they are better lecturers than they actually are. 

Fascinatingly, some of these untrained lecturers cannot thoroughly understand their teaching content especially when using PowerPoint slides, they read slides word by word, with no further elaboration or support of lucid examples and some just read straight from the text-book and prepared notes. 

These inexpert lecturers completely lack patience, understanding, knowledge and empathy, coupled by being blatantly mean and nasty to their students. 

Therefore, these type of lecturers are a “hazard” to students’ declarative, procedural, conceptual and metacognitive knowledge acquisition.

I, therefore, uphold the notion that anyone who wants to be in the teaching profession pre or during university lecturing, is required to have teaching credentials to demonstrate that they have developed an indulgent pedagogical concentration surrounding their subject area.

 This is to instil awareness that there is more to being able to teach a subject than just knowing it.

It should be a prerequisite for all aspiring and serving lecturers who do not have any teaching certificate, to acquire one. 

Higher and tertiary education stakeholders should provide training to help mitigate some of the aforementioned challenges faced by stakeholders, as a result of inept lecturers in those respective academic institutions.

The impact of unqualified lecturers is subtly underrated by higher and tertiary institutions. 

It is imperative for untaught lecturers to attain a teaching qualification to help expand their confidence and to extend expertise in teaching/learning capacities of different students, creativity and professional teaching propriety. 

ν Simbarashe Murima (PhDc) writes in his own capacity as an education, tourism and hospitality expert in Namibia and Zimbabwe. He can be reached via email s.murima@yahoo.com <mailto:s.murima@yahoo.com> or 0781480742/ +264814571709 (WhatsApp)

 

WATCH: Mabaleka documentary was long overdue

$
0
0

IN the hustle and bustle brought to Bulawayo by the 2024 Zimbabwe International Trade Fair (ZITF), an odd 100 people made their way to Ster Kinekor Cinemas, to watch the Tymon Mabaleka

Documentary Premiere.
Perhaps on another day, the figures could have been higher. But it was not about the figures, but the milestone, the production of a second documentary by Albert Chiwandamira, the chief executive producer of Buff Football.

His first offering in 2021 was the George Shaya documentary, a look at one of Zimbabwe’s most revered footballers, his life and his football journey.On Thursday, Chiwandamira was all ears and eyes on the phone from his base in Germany, waiting for feedback from his team on the ground led by Nqo and Rodney Mabaleka.

The documentary is probably overdue recognition of a player considered Highlanders Football poster boy of the 1971-1980 decade. Mabaleka gave all to Bosso and helped brand it to now the country’s most followed club, by the measure of turnstile flips.

Many argue that the gong could maybe have gone to Barry Daka whose big blemish was leaving the club at the end of the 1976 season, to form the Olympics. It remains a sore point in most of the Bosso faithful who believe the motive was to destroy Highlanders forever, as a majority of the senior players left to form the Olympics.

Besides Daka, others who left were Sebastian Sibanda, Ephraim Moloi, Itai Chieza, Ananias Dube, Stanley Nyika and Builder Nyaruwata.

Boet Van Ays, Cavin Duberley, Tommy Masuku and Bruce Grobbelaar had long left.

Mabaleka, Majuta Mpofu, Josiah Nxumalo, Douglas Mloyi, Billy Sibanda and Tennyson Mloyi became the backbone of the team as Highlanders pulled out of the elite league of that time.

They believed they were being ill-treated by the national body and formed the exciting South Zone Soccer League, which brought teams like Go Beer Rovers of Gweru, Gwanda Ramblers, Bulawayo Rockets, Old Miltonians, Black Chiefs and Black Horrors to the fore.

Mabaleka, a gifted midfielder, whose chest control, ball control, dribbling and shooting on the run were immaculate, was the all-weather conductor of the orchestra while Mpofu turned the tide on his day and Nxumalo scored regularly.

Mabaleka moved from Eastlands to Highlanders at the age of 22 and immediately made an impact by winning the 1973 Chibuku Trophy. He also won the regional league title thrice on the trot and the national championship play-off in 1974.

He added another Chibuku Trophy in 1980, a 4-0 annihilation of Rio Tinto at a packed Rufaro Stadium in Harare.

When he called time on his career, Mabaleka had been capped by his country between 1980 and 1981.

He competed for a place with other great footballers like Stanford “Stix” Mtizwa, David Madingora, Max Tshuma, Hamid Dhana, Wonder Phiri, Joshua Phiri and Rodrick Simwanza in the national team.

Twice, he made it onto the Castle Lager Soccer Star of the Year calendar in the 1970s.

He died on 27 June 2014 and was buried in Bulawayo on 3 July.
Mabaleka formed a devastating combination with Josiah Nxumalo, Cavin Duberley and Tommy Masuku and also the likes of Doughty Sithole, Madinda Ndlovu, Titus Majola and Mark Watson.

Here is what his former teammates and opponents said about him at the launch:

Joseph Ndlovu (Bulawayo Wanderers centreback)

He was a disciplined player on and off the pitch. A smart player who I respected, I still miss him, rest in peace, my brother.

Cosmas Zulu (former teammate at Eastlands (1971-72) and Highlanders 1981-82)

Tymon was one of the greatest players you can talk about. When you talk about skill, the definition of the word skill, is the application of selected technique in demand that is what he was, he knew exactly when to chest the ball, knew exactly when to put a volley, he knew when to put a banana curve.

When you talk about the greatest players, you talk about Majuta Mpofu, you talk about Tito Paketh, Joel Shambo, George Shaya, you talk about Archford Chimutanda, Willard Khumalo and you talk about Mercedes Sibanda. Those were great players.

When you talk about memorable games, you are talking about 52 years back, it is going to take another 52 years to get a player like Tymon Mabaleka.

Douglas Mloyi (former teammate at Highlanders and South Zone Select)

There was a lot of teamwork. We used to build from the back and would give the ball to Tymon to finish off. We used to have a great time with Tymon.

Tymon was a role model to me, he was my teammate, yes and coach, his house was close to where I used to stay, it was like a library, I used to listen to my favourite music, which is jazz.

Kainot Luphahla (former teammate)

I knew him while he was still at Eastlands, when he came to Highlanders, he replaced me, I used to start and Josiah Nxumalo would come in later. But, when Tymon came I was relegated to the reserve team as he took my place. He was my best friend, we were always together, Tymon and Lawrence Phiri. Even at lunch in town, we would be together and play mini-soccer.

Josiah Nxumalo (Destruction Squad member with Cavin Duberley on the right, Josiah Nxumalo and Tymon at the centre, and Tommy Masuku left flank of the Highlanders attack).

We were called a trio by Silas Ndlovu. That was Tymon Mabaleka and Lawrence Phiri because we did not drink alcohol. He was my best friend. I became a top goalscorer because of Tymon and Majuta Mpofu who used to feed me with passes on the field.

Tymon Mabaleka

Themba Ncube (Bosso teammate)

I played with him a few games when I was 18, graduating from the reserve team in the league that was formed by Silas Ndlovu.

When he was coach, he was harsh with us. After the match, he would call you aside and give you tips. On and off the field, he was a gentleman.

 

‘A prophet has little honour in his hometown’…n Vusa Mkhaya reflects on Austrian award

$
0
0

Bruce Ndlovu , Sunday Life Reporter

VUSA Mkhaya should be a happy man.

Last week, Mkhaya was all smiles at Fluchtlingsball in Vienna, Austria, as he walked away as the winner of the Willi Resetarits Preis Award, in recognition of his artistic originality and social commitment.

The award was just another feather in the cap of an artiste who, for the past two decades, has scaled peaks that few musicians have reached in Zimbabwe.

After all, this is the same man who, as part of the legendary trio, Insingizi, boasts arguably the highest-selling album of all time, 2004’s Voice of Africa.

That album alone sold over 500 000 copies in the United States, earning a gold plaque, a feat usually only attained by elite American artistes, let alone African acts.

However, despite all this, deep down, Mkhaya is not a happy man.

When news filtered on social media that he had won a prestigious award in Austria, the ignorant in Zimbabwe could be forgiven for asking “Vusa Who?” Despite his accomplishments, Mkhaya acknowledges that his music and his successes are mostly unknown in his native country.

This, he blames on the country’s DJs, who he said do not give everyone a fair share.

“To be honest, our success is more pronounced outside Zimbabwe than in Zimbabwe. It’s very hard to say why. I don’t want to sound ungrateful to those who support us in Zimbabwe because we have people who support our work. But, as I have always said, if the playing ground was level in Zimbabwe and radio stations played all music equally no matter where you are from, just like we had in the late 80s and 90s when Radio Two was broadcasting nationally, things could be different.

“This is why people in Murambinda or Uzumba still know who Solomon Skuza was or who Lovemore Majaivana was. They still know Fanyana Dube and they still know Ilanga because those legends were played on national radio. This is why people in Tsholotsho and Sikhobokhobo in Nkayi will know Simon Chimbetu and Four Brothers. If you play everyone’s music on national radio and not on the stations that have a 40km radius, people will know who they are,” he said.

Mkhaya recalled an incident during the 2020 National Merit Awards (Namas), where he was nominated alongside Gemma Griffiths in the Outstanding Diaspora Award category.

While it was an honour to walk away with the gong on that occasion, Mkhaya said circumstances on that occasion disturbed him.

“I am an artiste full stop. When I am performing I don’t see myself as an African artiste or as a Zimbabwean artiste. I am an artiste. At home, it will always feel that people want to put the stamp that I am “outstanding in the diaspora” because they don’t know much of our work or they pretend not to know. It’s because the artistes that are based locally will be better known. I remember, when I won the Nama, Gemma was also in the same category.

“This was the time when she had done her song with Winky D and she was gaining traction in Zimbabwe and people didn’t know who I was. So, when they announced the nominees at the HICC, people were screaming her name. My name was called and when Kuda Takundwa went to pick the award on my behalf, people were still shouting Gemma’s name because it was all about the name, not the music. At home, the name is more important than the quality of the music. So, if people hear Vusa Mkhaya, they always question who I am because it is more important to be known than what you do,” he said.

Mkhaya has become more visible in the last few years. Known as “The Ancestor” on social media, he has become a darling of many on X, for his ability to put his own spin on current affairs using imbube.

Somehow, Mkhaya has managed to make a genre some might deride as old-fashioned appeal to a younger crowd, seemingly without breaking a sweat.

The musician said that his increasing visibility and popularity over the last few years was down to a social media team that had been encouraging him to break out of his shell and showcase his charisma and voice more.

“I think over the last few years my team has encouraged me to be more active on social media. I have a team, most of whom are younger than me and have pushed me to increase my interaction on social media and I think this is why people are seeing me more. As you age, you also learn a lot from other artistes. When I’m on tour, I also observe how other artistes do their things, and from that, I learn how to appreciate and push art. So, thanks to this good team behind the brand Vusa Mkhaya we have become more visible because we are being intentional about pushing on social media. We hope that one day of course we get recognised at home as we are outside the country,” he said.

As Mkhaya’s star soars, some have shared concerns that perhaps the other members of Insingizi are not getting the same amount of time in the spotlight as he does.

However, Mkhaya said that the group’s solo ventures were by design and not by accident.

“Insingizi is a home. When you are growing up, you stay at home, then you later get a job, start your own family, and build your own home. However, the fact that you have a job doesn’t mean you don’t have a home anymore. It doesn’t mean you don’t go back home anymore. So, for us as gentlemen, Insingizi is home. We do our separate projects but we know that Insingizi is the base at some point we have to return there, just like a family going back home on Christmas.

“We have allowed ourselves to do that so that we grow. I think that’s where a lot of groups run into problems. They don’t allow every member to do their own thing and if they do a solo project, it is as if they are deserting the group. So, if (Dumisani) Ramadu does his project and it is successful, we will support it. If Blessings Nqo or Vusa Mkhaya do their own thing, we will also support them. After that, we come back as a trio and do our gigs,” he said.

With Insingizi set for another tour in Germany in June, Mkhaya expressed hope that new doors were about to open for the trio.

“So, we are going on a tour in Germany, with a new German booking agent and we are excited because this is our first time working with this guy. It is the first time that we are doing this tour in Germany and we are hoping that it opens more doors and avenues for us as a group,” he said.

Time management

$
0
0

SUCCESS in life is measured by the effective use of time. Time is the true measure of life, it’s the currency of life like money. Money buys you things, but time buys you life.

Whatever you use your time is what you become. If you want a better life, or a good tomorrow use your time wisely. How you spend your time determines your quality of life.

Everything and everyone is after your time. Social media is after your time, your peers are after your time, your classmates want to play with you, your friends want you to have boyfriends/ girlfriends and they want you to drink and smoke. They want you to enjoy your days. That’s why you have to choose your friends wisely. Not everyone at school or in class deserves your time. Be jealous of your time, because time is life.

Imagine spending five hours watching TV, watching pornography and spending 30 minutes on the phone gossiping about other classmates or teachers. Don’t abuse your time.

Prioritise your time, what are your priorities? Don’t live other people’s lives. Know your situation, remember how the parents are struggling to raise your fees. At school, some students are controlled by what other students are doing. If others are dating, they also date, if others have the latest phones they also want to have such phones, if others follow a certain celebrity on Instagram they also want to follow that person. Whoever controls your actions, controls your life.

Have time to study your books. In the evening have a programmed study timetable that you follow. Surely you can’t sleep at 8 pm every day and wake up at 5 am. Set aside two to three hours from Monday to Friday where you study your notes. Set aside a lot of time for your schoolwork. Remember you won’t remain younger forever, utilise your time today for a better tomorrow. 

Don’t bunk lessons or have a negative attitude towards some subjects. Balance all your subjects and give all the subjects enough time.

ν Dr Manners Msongelwa is an author/teacher/youth coach. He can be contacted at +263771019392.

 


The mishaps of a chicken bus driver…and the decline of AVM titans

$
0
0

Bruce Ndlovu, Sunday Life Reporter

The late Reveni Chimhangwa’s family holds bitter-sweet memories of his time as a long-distance bus driver.

Chimhangwa, renowned as the first black man to drive the AM Express Long Chase Super Turbo Luxury Coach that travelled from Salisbury (Harare) via Bulawayo to Pretoria (Tshwane), faced challenges due to racial segregation.

Employed by Penny Hall and Sons, owners of Shu-Shine Bus Services, Chimhangwa was not permitted in the passenger section of the bus he drove, as it was exclusively for white passengers.

Despite being entrusted with their lives, many passengers travelling on the luxury coach were unwilling to tolerate his presence.

“He was not allowed inside the bus. He was, after all, a black MuKaranga. So, on one occasion, he was arrested while loading water into the whites-only section of the bus he drove,” his son, Remnant

Chimhangwa, shared from Namibia, where he currently resides.

Chimhangwa at home

There were rumours that the engines of AVM buses ran so hot that their drivers had to remove their shirts while driving. It was from the front seat of these sweltering vehicles, mainly operating between Shabanie (Zvishavane) and Bulawayo, that Chimhangwa witnessed history.

During his tenure at Shu-Shine from 1948 to 1973, he worked alongside Ajay Bhana, an engineer who later established Ajay Motorways. This was an era when chicken buses thrived, exemplified by F Pullen and Sons’ Hwange Special Express and Russell Noach’s Country Boy, which dominated the country’s highways.

Despite facing overwhelming segregation and racism, black bus operators such as Dokotela Moyo of Dokotela Buses and Gershom Maplanka of Fellowship Bus Services also achieved success. It was a time when bus drivers enjoyed great fame and renown.

AVM drivers, transporting passengers between urban and rural areas, where most families resided, became the superstars of the highway. Passengers who travelled on Mathias Rosen-founded Super Godhlwayo buses along the Bulawayo to Danangombe route in the Midlands Province fondly remember the driver known as Sphepheli, conductor Ambrose Mpofu and bus loader Matewu.

These names were constantly on people’s lips due to the significant roles they played in their lives.

Chimhangwa belonged to this esteemed group of gentlemen and experienced his fair share of adventures and misadventures.

During the war for the country’s liberation, one incident highlighted Chimhangwa’s misfortune. His bus conductor allegedly vanished with the money after the bus was ambushed by unknown assailants while transporting passengers to Nkayi.

“It was in the 1970s and the war was intensifying. The bus was ambushed somewhere in Nkayi, with shots fired from all directions as the bus crossed a river. The conductor, a man named Chimbwenene from Shabanie, simply told my father to return to the company and report that both the conductor and the money had been swept away by the river. The conductor was never seen again. The bus was recovered from the river and my father drove back to Renkini alone,” Remnant recalls.

Over the years, Renkini Bus Long Distance Terminus, along with the AVM buses that operated from there, has experienced a sad decline. Technological advancements have rendered the old AVM buses obsolete and replaced by sleeker, faster and more comfortable luxury coaches.

Abandoned bus shells now litter the depots, with only passengers left to reminisce about these once-mighty road titans. Economic challenges at the turn of the century, coupled with the failure of the founders’ heirs to sustain the business, have resulted in only a few remaining on the road.

While the popularity of AVM buses has waned, Renkini itself has seen better days. Once the bustling hub of Bulawayo’s transport system, the bus station is now a mere shadow of its former self, as several inter-city bus operators have abandoned it, opting instead for undesignated areas in the city centre as pick-up and drop-off points, often violating council by-laws.

These cat-and-mouse games between bus operators and the city’s enforcement authorities now provide regular entertainment for vendors and passers-by. The role of the terminus’s deteriorating infrastructure in its decline remains unclear.

Over the years, the council has repeatedly promised to revamp the terminus and modernize it for the 21st century. Last year, a council monthly report stated that the city authorities were considering redeveloping the terminus. Additionally, a consultancy firm was engaged to conduct a feasibility study to assess the project’s viability. In a way, the decline of the AVM buses parallels Chimhangwa’s career on the road, which ended uneventfully after he fell ill.

The late Reveni Chimhangwa

“He wasn’t given a pension despite working until his retirement due to medical reasons in 1977. Hall, simply told him to seek treatment for his swollen legs and said he could return to the company afterward. Nevertheless, he found solace in the fact that he possessed a badge indicating he was a driver, allowing him to travel on Shu-Shine Buses without paying fares,” Remnant said.

With his bus driving career behind him, Chimhangwa, who spent most of his working life in Lobengula, eventually retired and started his own business. He passed away at the age of 93.

“After retiring, he ventured into the property business in Masvingo. He established a grocery and carpentry shop at Chivi Growth Point. Later, he sold the land to the renowned Madondo of Gutu, who built his first shop there. My father peacefully rested from his labours on June 22, 2019,” Remnant shared.

DJ Tira increases reward for return of his stolen hard drives to R25 000

$
0
0

Mthokozisi “DJ Tira” Khathi has upped the ante for anyone willing to come forward with information about the burglary at his Afrotainment recording studio.

The award-winning DJ and producer said thieves stole expensive equipment including studio monitors, keyboards, microphones, digital mixers and hard drives with music that has not been released.

“This is so heartbreaking,” DJ Tira says after his recording studio equipment is stolen.

A reward of R20 000 has been offered for anyone who comes forward with information about the theft.

DJ Tira told TshisaLIVE that while he had opened a criminal case, he had come to terms with not getting the equipment back, but desperately wanted the hard drives.

Tira increased the reward of R20 000 to R25 000 for anyone who comes forward with information “that leads to the successful recovery of the studio equipment”.

“Someone broke into my studio and stole all my equipment. So wherever they are, they probably sold it, but why did they take the hard drives? I really want them back.

“I’m thinking maybe if they see I am willing to give them R25 000 they may come forward with the hard drives at least. I will buy new equipment and build a new studio. But if I do not get the hard drives, I will still start from scratch. I just want to make all means to get those hard drives back.” — TshisaLive

 

A new garment for a new season

$
0
0

Sunday Sermon with Apostle Chisale

GREETINGS beloved nation. Welcome to the new season. We shall be focusing on spiritual garments and their meanings. Garments have the following spiritual meanings; i) garments signify ranks, ii) garments are decorative and iii) garments are symbolic. In 1 Samuel 2: 18-19 it says “But Samuel ministered before the LORD, being a child, girded with a linen ephod. 

Moreover, his mother made him a little coat, and brought it to him from year to year, when she came up with her husband to offer the yearly sacrifice.” We see Samuel entering a new season wearing a new garment. Samuel’s mother was led by the spirit year after year to make a new garment for her son. Spiritually you grow in levels because there is a demand in Heaven. 

With the dawn of each season, the garment changes. A change of garment in Samuel’s life symbolises growth and change of status. Samuel could not wear the same garment every year. Spiritually as you walk with God, you will grow in certain levels and graces. As you grow the mantle also grows. New levels also mean new devils. As we have entered this new season of January 2024, there is a demand in Heaven that we should grow like Samuel. The God we serve is not stagnant. He deals with us progressively. God is infinite meaning unlimited and men is limited, that’s why He deals with us progressively. We get to know him progressively. 

That’s why the Bible says we should grow in the knowledge of God. As we enter into new seasons, we must make sure that spiritually we are wearing the right garment for that season. Wrong garments disqualify us from the new thing that God is doing for that particular season. In Matthew 22:11-13 it says, “And when the king came in to see the guests, he saw there a man which had not on a wedding garment: And he saith unto him, Friend, how camest thou in hither not having a wedding garment? And he was speechless. Then said the king to the servants, bind him hand and foot, and take him away, and cast him into outer darkness, there shall be weeping and gnashing of teeth.” We see here a man being disqualified from the wedding as he was wearing a wrong garment, and so it is in the realm of the spirit. If we do not discern spiritual garments that we are supposed to wear in this season of January 2024, our lives will be disqualified. 

God reveals himself progressively. Through revelation certain aspects of God’s character get uncovered to us. God’s destiny for our lives unfolds progressively, He takes us one step at a time. The Bible says the steps of a righteous man are ordered by the Lord. In John 1:42 it says, “And he brought him to Jesus. And when Jesus beheld him, he said, thou art Simon the son of Jona: thou shalt be called Cephas, which is by interpretation, A stone.” We see a prophetic word that was given to Simon and the name Peter starts in Matthew 16:17-19. After he had grown, now Jesus calls him Peter. God is doing a new thing on earth, seasons come and go. You cannot control time and seasons nor can you bind them, you just have to co-operate with them. We need to discern in the spirit the times and seasons and we need to position ourselves. 

To explain further about garments. Firstly, garments are decorative, meaning they are meant to decorate those wearing them e.g a priestly garment was meant to convey the authority from God as we see in Exodus 28:2 “And thou shalt make holy garments for Aaron thy brother for glory and for beauty.” Secondly, garments are symbolic as we see in Exodus 28:29 “And Aaron shall bear the names of the children of Israel in the breastplate of judgment upon his heart, when he goeth in unto the holy place, for a memorial before the LORD continually.” We see here that when Aaron was wearing this garment, he represented the tribes of Israel. This garment provided a major realisation of the task which was representing Israel before God. Thirdly, garments are worn to determine an identity. A pauper could not wear a garment of a king. A garment distinguishes who you are, e.g blind Bartimaeus’ garment in the scripture speaks of identification. 

The rich man in Luke 16:19-21 his garment speaks of wealth. Fourthly, garments speak of change in status. When the status of the prodigal son changed, he took off the strange garments and was given a new garment in Luke 15:22. We see in Esther 6:7-10 that when Mordecai was honoured he changed garments. And in Esther 5:1-2 “Now it came to pass on the third day, that Esther put on her royal apparel and stood in the inner court of the king’s house, over against the king’s house: and the king sat upon his royal throne in the royal house, over against the gate of the house.

2 And it was so, when the king saw Esther the queen standing in the court, that she obtained favour in his sight: and the king held out to Esther the golden sceptre that was in his hand. So Esther drew near, and touched the top of the sceptre.”

Esther found favour before the king because of a specific garment she was wearing. I would like to invite you to receive Jesus as your personal Lord and Saviour, by believing in your heart and confessing with your mouth that he is your Lord and Saviour and you shall be saved. May God bless you all.

Contact details: dominionlifechurch01@gmail.com Whatsapp Number: 0772494647 

 

Elizabeth Langa, a pioneer of women’s football

$
0
0

Shingai Dhlamini, Sports Reporter

FOUNDING Zimbabwe Saints Queens administrator, Elizabeth Langa is happy with her contribution to football, a sport which she took off from the ground in the late 1980s.

Born Elizabeth Hunidzarira, in a family of seven, two girls and five boys, on 7 November 1952, she was there when Ndumiso Gumede returned from a visit to Germany in 1987 to encourage women’s participation in football. 

Among Highlanders Royals’ Dorothy Mpofu and Sibekiwe Khumalo as well as Maureen Tsvara, they founded women’s soccer in the city when already Dynamos Queens with the likes of Yesmore Mutero and Annie Lonje were in existence.

The former Zimbabwe Saints Queens secretary and chairperson grew up in Mzilikazi, one of the oldest suburbs in Bulawayo and is an elder sister to Zimbabwe Saints legend and now Zifa technical director, Jethro Chemmy Hunidzarira.

Her son Eugene played for AmaZulu, Highlanders and Zimbabwe Saints.

As fate or luck would have it, she got married to football fanatic Mike Langa, a staunch Zimbabwe Saints supporter.

At the time of her marriage to Langa in 1975, Zimbabwe Saints commanded a big following in the country and enjoyed every moment with the rebuilding side up to the 1987-1989 glory years.

Growing up, Langa like most children, enjoyed sports and actively participated when she was at primary and secondary school. There was a strong Youth Club culture that provided sporting amenities and kept both boys and girls away from vice.

She enjoyed playing netball and most people marvelled at her skills, as she was a left-handed shooter.

She recalls that there was a group of women who supported Zimbabwe Saints, a majority of them married. They formed a group for women’s supporters. 

They held fundraising activities and bought players T-shirts with the team’s logo and organised end-of-season parties for Chikwata.

Such events brought the players, management, members and supporters together.

Langa said towards the end of the first decade after Independence, they were urged by leaders like the late Gumede and Vincent Pamire to form women’s teams and remembers curtain raising in some of the Independence Day celebrations in the early 1990s.

“That is when it all started, teams were formed, talent was scouted in schools and we were assisted by our male counterparts with training and sharing of football knowledge,” she said.

Harare had Dynamos and Mufakose Queens joined in later. 

Provincial and national women’s football associations were formed.

“Men played a big part in our growth and influence for us to play proper football. Both teams, Saints and Highlanders would travel to Harare to play games that attracted sponsors. As teams were formed in the provinces, so did football become more competitive,” she said. 

Langa said that as the years went by, the sport grew and the quality of football improved, leaving her happy with the baby she gave birth to – women’s soccer.

“My best moments were when we had a national team and girls were playing competitive football and we were the best in the Southern African Region,” said Langa, who worked tirelessly with Susan Chibizhe, Vernom Boas and Haverson Masilela to brand women’s soccer and the Mighty Warriors.

Having been part of the football family for close to 40 years, women’s football still does not get the recognition it deserves from the mother body and corporate sector.

Women’s involvement in sports is growing and levels of proficiency vary sport by sport and country by country.

“Even if the women’s team wins in international competition, they still are not given the same recognition as the men and they have little to show for the success,” she said.

Langa said at the beginning they worked hard to get funding for the Royals and Queens’ existence. They even embarked on door-to-door campaigns asking for financial help for women’s soccer.

“I’m honoured to have worked with women who showed determination and never gave up on their passion for football, my prayer is that Rosemary Mugadza’s wish for women in sports to be treated with the same respect as the men will be successful,” said Langa. 

She called for women to support each other in sport.

“Club owners do not get financial support from Zifa or Fifa, so it is up to us to make sure that the girls get what they deserve, if we support them their performances will attract sponsors.

“Most countries have Premier League teams, which are well sponsored, in Zimbabwe, it is difficult, I plead with women in the corporate world to assist the Girl Child rise and support her dreams of becoming professional football players,” said Langa.

She said that she is pleased that some women have taken up administrative, managerial positions, coaching and refereeing including men’s teams.

Chido Chizondo, Thandiwe Moyo, Yvonne Manwa, Rosemary Mugadza, Samukeliso Silengane, Henrietta Rushwaya are among women who have held or continue to hold positions in the male-dominated field.

 

 

Back to school

$
0
0

Youth Focus with Dr Manners Msongelwa

WELCOME back to another new term of learning, laughter and inspiration. As you step into the school corridors once again, remember that each day is a new chance to discover your passions, nurture your talents and explore new horizons. Embrace the joy of learning, cherish lifelong friendships and always believe in yourself. We can’t wait to see what amazing things you’ll accomplish this term!

This term two remember:

You are capable of amazing things. Believe in yourself and watch your dreams come true!

Embrace your strengths, for they are the building blocks of your success story.

In every challenge lies an opportunity for growth. Have confidence and conquer!

Your uniqueness is your superpower. Let it shine brightly in everything you do. Doubt may knock on your door, but confidence will open it wide. Step into your greatness!

You have a voice that deserves to be heard. Speak up, stand tall and make a difference.

Remember, the first step towards success is believing that you can achieve it. Be brave, take risks and trust in your abilities. The world is waiting for your brilliance.

Celebrate your achievements, no matter how small. Each step forward is a testament to your strength.

You have the power within you to turn dreams into reality. Believe and watch the magic happen.

In every challenge, lies an opportunity to discover your true potential. Embrace them fearlessly! When faced with obstacles, remember that you have the strength within you to conquer them. Keep pushing forward!

Challenges are not roadblocks but stepping stones on the path to growth and success. Keep striving!

Believe in yourself even when the odds seem against you. Your resilience knows no bounds.

You are capable of turning setbacks into comebacks. Let resilience be your guiding light.

When faced with a challenge, remember that it’s temporary. Your strength and resilience are everlasting.

Stay determined, even when the path gets tough. Your resilience will carry you through.

Each challenge you overcome strengthens your resilience muscle. Keep flexing it and watch yourself grow.

Don’t let challenges define you. Rise above them and let your resilience shine. When you face challenges, remember that you are not alone. Reach out for support and let your resilience soar.

Have a blessed term Two! 

Feedback: Dr Manners Msongelwa +263 771 019 392 Author / Teacher / Youth Coach

 

 

13-year-old becomes soccer referee

$
0
0

Lovemore Dube

THE 13-year-old Sam Ngwenya could be the youngest soccer referee in Zimbabwe.

He is a regular feature in the 20-team Rhino Challenge Champions League in Matabeleland North Province.

It is a vibrant soccer league used to conscientise rural communities in Hwange District and part of Lupane about wildlife conservation. The area has the Painted Dog and rhino as primary animals to be protected.

Soccer is being used for the awareness programmes and it has proved a hit to the communities. While several teenagers want to excel as players, Ngwenya is leading several other teenagers in taking up match officiating as his calling.

“The 13-year-old Sam Ngwenya from Dete is the youngest referee in the province to officiate in an organised competition. He is a regular feature in the RCCL. 

“Sam Ngwenya is one of the recently trained referees holding a Class Four licence and officiates in matches involving the league sides,” said Ndodana Masuku the Area Zones’ national vice-chairman.

He was recently thrown onto the deep end when Honey Badgers FC clashed with ZRP Buffaloes and he did not disappoint.

Masuku said the tie was the first at that level for the Dete lad.

After the game, the youngster said: “This was a big game for me. I felt nervous from the start but my centre referee Anxious Sibanda gave me confidence before we started. The other thing that gave me confidence was that the game was played at the ZRP Dete pitch, I felt safe but a bit nervous too. I thought if I did something wrong the police would protect me,” said the teenage officiating sensation.

Sibanda who was at the centre said the teenager was confident with his decisions throughout the match and did not show any signs. 

Sibanda is among those   assisting in the grooming of the teenagers.

Paul Shoko who oversees referees in the league advised the boy to stay focused so that he can develop and at some stage be among those in the elite panel in the country and be in a position to be in the Fifa panel before the age of 22.

Ngwenya is a pupil at Detema Secondary School. He is among a group of enthusiastic boys aged 12-17 years, who are aspiring match officials.

The other referees are Marist Brothers Dete pupil, Delight Sibanda, 16-year-old Learnmore Sibanda of Nechilibi High School and 17-year-old Gugulethu Moyo a former Detema pupil.

“We are delighted to be seeing youngsters joining the fight to give poaching a red card and at the same time preparing for a life in the sport. 

‘He can continue with officiating to professional levels and pursue another career. 

“We will give these youngsters all the support and guidance they need to grow in the field,” said Masuku.

 

Connie Ferguson remembers Shona three years later

$
0
0

Connie Ferguson shared a heartfelt tribute to her late husband Shona to honour him on his heavenly birthday. 

Shona died on July 30, 2021 after succumbing to Covid-19-related complications. He was buried on August 4 at the Fourways Cemetery in Johannesburg.

Taking to her Instagram timeline on Tuesday, Connie remembered her husband in a beautiful social media post on the third anniversary of his death and shared a video of a special moment they shared together.

“Playing one of your favourite songs. Then you noticed me driving behind you and your attention completely shifted to me. ‘That’s ma waaarf!’ You said with pride and then broke into your famous laugh. Oh, how I miss that laugh! I was equally proud to call you my husband and was blessed to be loved by you!” she wrote.

“Today would have been your 50th birthday! The way you were looking forward to it and how you started planning for it already! All I know is if you were here we would be in some foreign country now exploring and celebrating life! Because you were big on celebrating!

“Today and every day I celebrate you, my love, for all you were, not only to me or to our family, but to everyone who had the pleasure of your encounter, in person or otherwise. You gave me the best 20 years of my life and for that I will always bless God. Happy heavenly 50th birthday my angel. I’ll never stop missing or loving you! Continue resting in peace, my king.”

 


The pre-colonial inxwala ceremony of the ndebele people of Zimbabwe

$
0
0

Mzala Tom

Inxwala was a national ceremony for spiritual renewal and thanksgiving for the first fruits in the Ndebele kingdom. The main Inxwala came a lunar month after the conduct of the minor Inxwala.

Once the date for the main Inxwala was set, a clarion call was made at all kraals in the regions of the kingdom for people to attend the big ceremony. Umthwakazi kagcobe!, “Let the nation dress up for Inxwala!” the town criers would announce with great excitement.

All roads would then lead to the capital. The people brought with them food, beer and oxen for slaughter. There were special oxen known as amamvubu, the hippo oxen. These oxen were regarded as sacred animals. It was believed that the king’s ancestral spirits lived in them.

These oxen were kept at a special kraal. They were not used for manual labour and it was  not permitted to kill them. These cattle were trained to do special parades at the Inxwala grounds at the capital as part of the ceremony.

Amamvubu were driven ahead of the soldiers and were trained and drilled to move in unison in a compact formation. On arrival at the capital, there were booths to accommodate the different regiments that came from different regions of the kingdom. On the day of inxwala, the soldiers gathered and assembled in the parade grounds in the centre of the capital. They stood in a wide semi-circle, wearing their full military regalia facing the royal quarters. The queens dressed colourfully and stood in the wings.

Two songs were sung as the military drilled and systematically danced. The first song was Phuma sikubone nyoni yelizwe, “Come out so we may see you bird of the nation”.

After much singing and dancing, the next song lined up was, Uyingwe emabalabala phuma sikubone sonke, “You are a spotted leopard, come out so we may all see you.”Thousands surrounded the parade grounds, cheering the soldiers as they sang and danced in unison.

At his instance, the king emerged from the royal quarters wearing a cap of the otter skin, a long blue crane feather on his head, a cape of ostrich feathers on his shoulders, a girdle of blue-monkey skins around his loins and circlets of long ox-hair around his arms and legs.

He carried in his hand, a huge spear and on the other hand, a beautiful shield of ox hide with one white spot. His emergence was greeted with electric shouts and acclamations of Bayethe! This thunderous salutation was wound up with a long and melodious whistle.

This was followed by a special song in prayer and thanksgiving, sung during these festivities known as ingoma yenxwala. This song was sung once and people were not permitted to sing it privately. (From my upcoming book *History & Heritage : The Ndebele Kingdom of Zimbabwe)

 

 

 

Fabian Zulu looks back at 1991 Castle Cup

$
0
0

Yesteryear greats with Lovemore Dube

FABIAN Zulu’s crowning moment in Zimbabwe football was winning the Castle Cup in 1991, a 3-1 conquest of army side Cranborne Barracks.

It was a happy moment for him and many in the side who grew up idolising a selected group of about two dozen players who had bagged the same tournament in 1970 and 1973. 

They were his heroes, they not only inspired him but many generations that followed as they played some exciting football and showed great resilience in managing to stay in the then Rhodesia National Football League and Super League, in the early years of Independence.

Zulu (54) was born and raised in Hwange and boasts of having seen some of the greatest names the club has ever had. 

He said some of the legends even coached and helped him become the celebrity player he got to be in Zimbabwe and Botswana.

“Growing up in Hwange, coal, oxygen and football were the most important components of life there. The whole town was solidly behind Chipangano and they followed village sides, which played very competitive football with religious conviction,” said Zulu.

He said the 1991 Castle Cup was even made more special by the fact that one of his coaches, Rodrick Simwanza was part of the 1973 Wankie (Hwange) squad.

“It was an important cup win for me, one of my childhood heroes, Rodrick Simwanza was my coach, assisting the legendary Paul Moyo. It was a great feeling to stand out there at the National Sports Stadium in Harare and remembering how the same tournament had even resulted in the coining of a song that we sang as primary school kids going to matches,” said Zulu.

Wankie Colliery Company buses that provided transport for local schools such as  Lwendulu, Mabinga, Makwika, Sir Humphrey Gibbs, St George’s and St Ignatius to matches would reverberate to the song:

Soprano and Alto: Wankie inawina cup, Wankie inawina cup x4

Bass: We want some more, we want some more x4

Such was the impact of the 1970 and 1973 winning teams that this song was sung well into the late 1980s by all Hwange schools, as they psyched up to the competitive primary schools football in the coal mining town.

“Talk of Posani Sibanda, Jimmy Sibanda, Chimao, Simwanza, Amos Rendo, Cyprian Ngoma, Mwape Sakala, Isaac Phiri, Sam Mutende, John Garatsa, those were big names and helped shape up football in the town. Generations that also followed later like Nyaro Mumba, George Phiri, Barton Mwalukuka, Skeva Phiri, Chris Piningo, Francis Mwinga, Tobias Sibanda, Machona Sibanda, David Zulu, Dickson Banda and Philemon Nyathi held the fort well and we learned so much from them.

“We had our inspirations back then from the local league and the Super League side. They played some excellent football and the word relegation did not exist in the town as the players gave it their all for a company and community that was solidly behind them. We would be fascinated by the talents of visiting teams like Dynamos who had George Shaya, Sunday Marimo (Chidzambwa), Highlanders with Madinda Ndlovu, Douglas Mloyi, Tymon Mabaleka and Majuta Mpofu, Japhet Mparutsa, Arcadia’s George Rollo,” said Zulu.

Zulu took Sunday Leisure through some of the players who had a role in him becoming the legend.

Posani Sibanda and Amos Rendo

In my childhood, Sibanda was touted as the best goalkeeper in the land. He commanded a lot of respect in the town and in the game. He and Amos Rendo spotted me when I was an Under-14, playing for the Colliery juniors in tournaments such as the Chibuku Trophy. I would go to the senior team’s training sessions and act as a ball boy and toy around with the ball and they noticed my promising talent and pushed me all the way, until the Hwange first team. Sibanda alongside Rendo, both legends in the town and Zimbabwe football were instrumental in shaping my career and making me believe I could follow in their footsteps. Going with them to the guest house where they would have lunch and seeing two dozen local heroes being the first and reserve team, gave me the belief to take my game seriously.

Joel Shambo

He was a colossal figure in the game and in the country. His 1979 CAPS United with the likes of Stanley Ndunduma, Shaky Tauro and Stix Mtizwa had captured and stretched our imagination as young footballers in Hwange. In about 1987/88, I met Joel Shambo at a football tournament at Barbourfields Stadium and he said a statement, which was very pregnant with meaning in ChiShona. He said: Bhora unaro usarigarire. When I asked what that meant since I was not conversant in the language, I was told that the legend had challenged me to take my football career seriously since I appeared to be talented. From that time, it dawned on me that I could be a big player if I worked harder.

Peter Ndlovu and Benjamin Nkonjera

We would beat teams from Victoria Falls, Dete, Binga and Lupane then come to play the winners of Bulawayo, mostly Highlanders. In the mind games Ali “Baba” Dube, the Bosso juniors coach would insist that I was beyond the age limit and I should not be fielded with Fanyana Mguni. This was just to unsettle us, then at the end of the day, he would tone down and allow us to play. Peter Ndlovu was the mainstay of the Highlanders juniors and would dribble the entire defence. That inspired me, it challenged me to up my game and I would also give Highlanders juniors a torrid time too. We became friends with Peter and Benjamin Nkonjera when we were teenagers.

 I got to know the legendary brother Madinda through them and they wanted me to come to Highlanders. Looking at how Labani Ngoma and Lazarus Mwampopo appeared to struggle with their welfare when they moved to Bulawayo, I did not have the motivation to come. At the Colliery there was free accommodation and transport, everything appeared on a platter, so I did not make that move. I was to hook up with them in the Dream Team and it was a great moment to be among them and legendary figures like Bruce Grobbelaar, Willard Khumalo, Rahman Gumbo, Henry Mckop, Francis Shonhayi, Ephraim Chawanda and Max Lunga.

Madinda Ndlovu

He was something else. He was big in the region and nationally. He made things happen for the country and Highlanders, it was inspiring hearing him on the radio and later meeting him through his younger brother. For him to want me to move to Highlanders, it made me believe I had something to offer the game at a high level.

Chris Piningo

He was my Hwange teammate, good ball player, dribbler and passer of the ball. He protected it so well that Joel Shambo and him were my midfield idols. I cannot leave out Stix M’tizwa, he was a magician in the middle of the park.

David Khumalo

In the 1970s, I would be part of the crowd that roared “Dididi” every time he had the ball. What a gifted player he was. He made things look so simple. I played as a right winger because of him. He was out of this world and compared with the best there was, except Mastermind George Shaya. Khumalo inspired so many of us.

George Shaya

The greatest, was in everyone’s football book. I admired him a great deal and played as a midfielder or winger on the right. He was a genius and great player who everyone spoke about.

Kakoma Kayonga

He played for Hwange and came from my village in Hwange. He mesmerised defenders on the wing for Marathon and  Hwange FC. I wanted to do the kind of things Khumalo, Shaya and Kayonga did on the field with the ball. They were in control of it and decided what it should do, unlike others who seem to be controlled by the ball when playing. Kayonga on the wing was a marvel to watch. 

Nyaro Mumba, Rodrick Simwanza, Isaac Phiri, Duli Ncube

These were heroes too, they made things happen and were much loved by the football family in Hwange.

Stanley Nkomo

Probably the best of our generation. He was an immaculate all-round star and playing alongside him at primary school and seeing him break into Hwange FC ahead of me was inspiring.

*Fabian Zulu went on to play for Notwane in Botswana where he won several championships and tournaments. When he retired, he went into management and is also a radio and television analyst. He is married to Marylene and has two children Fabiola and Joel Prince.

 

Music for the thirsty…the US$300k festival debate

$
0
0

Bruce Ndlovu, Sunday Life Reporter 

REVELATIONS that Bulawayo Mayor Councillor David Coltart walked out of a 23 April meeting during which the idea of the Bulawayo Arts Festival was brought up caused a heated debate on social media last week.

This festival, council officials told the mayor, would cost up to US$300 000. It was that eye-watering figure that set Mayor Coltart off — in a huff, claiming he had other engagements. 

When proceedings from that meeting finally made headlines last week, some felt the Mayor’s indignation was justified. 

In a year when most of the country has become a victim of the El Nino phenomenon, the perennially dry City of Kings and Queens has been one of the hardest hit, with a strict water rationing programme leaving most residents thirsty. 

Indeed, minutes from the meeting made worrying reading for residents searching for salvation from their water woes. 

“It shall be recalled that the council at its sitting on 2nd October 2019 resolved to declare every 1st of June as Bulawayo Day and the 2nd to the 5th of June as Bulawayo Arts Festival week. This was a result of lobbying from stakeholders in the creative industry. Since then, the Bulawayo Arts Festival has been commemorated annually during the first week of June.

“The festival’s objectives are to showcase the city’s rich cultural heritage and diversity as well as marketing it as a tourist destination. The festival is commemorated through a number of activities that include musical shows, dance and exhibitions, among others. The City of Bulawayo and other key stakeholders in the arts, culture and heritage sectors prepare and line up festivities to commemorate the event.

“Annually, the council budgets for the festival. This year a total of three hundred thousand dollars (US$300 000) has been provisionally budgeted for the festival in the hold of vote. The Arts and Culture office will come up with a programme of events for the festival,” read the minutes.

The mayor’s sceptical position on the festival was echoed by many, including Bulawayo United Residents Association (Bura), whose chairperson Winos Dube said a festival was not the cure a thirsty city needed. 

Given the backlash that the suggestion received, it is fair to assume that chances are low of the festival seeing the light of day. For the city’s arts practitioners, however, the rejection of the festival was a harsh blow to the stomach, as it seemed to go against the boast by city fathers that Bulawayo is the cultural capital of the country. 

For Mgcini Nyoni, an artiste and arts administrator, Mayor Coltart’s position felt like a dismissal of the sector, as he believed that the city would get its return on investment if it bankrolled a worthy arts extravaganza. 

“US$300 000 to fund a festival is nothing. It is a very small amount when we are talking about funding a properly curated festival. I’m shocked that Coltart does not understand the concept of investing in multiple things at the same time. We can’t always talk about the shortage of water when other issues are brought up. That’s not how a city is run. A city can deal with a water crisis and also invest in its arts sector. People are taking investment in an arts festival as giving money to artistes but actually, this is investing in the city. When a properly curated festival is run, street vendors, hotels, transport operators and others benefit more than the actual artistes,” he said. 

Nyoni said he would understand if criticism of a potential festival was directed at how funds would potentially be put to use. 

The last festival, held in 2021, left the city in debt, while artistes were complaining that they had not been paid for services rendered two years later. 

Such red flags, Nyoni observed, needed to be ironed out before another festival took off. 

“David Coltart is a well-connected man. He knows ambassadors, he knows mayors of other cities so he should be using that to his advantage to push a huge festival that will have people driving from Botswana, will have people coming from Zambia and flying from South Africa into Bulawayo. However, if the mayor is just dismissing the idea just like that, then you have to wonder if he is a man who came in to just build a dam. If that is the case, then he should not have become a mayor but taken on another portfolio because a mayor is a person who should be broad in his thinking. 

“A festival is something crucial to the city and over time, should become self-funding. So my view is that the mayor is wrong in opposing the funding of a festival. If he was opposing the planning, then I would understand. Who’s the festival director? What’s the festival theme? Where are the venues? If people are discussing things like that, I would understand. If he said there’s not enough clarity on what the festival would look like, then I would understand instead of dismissing the entire idea offhand. If that’s the case then the mayor and the general populace don’t understand the role that festivals play,” he said. 

Event organiser Dalubuhle Sibanda said the latest debate was an age-old discussion in a city where most people view the arts sector as an industry that was not supposed to be taken seriously. 

“People always assume that budgets are for ‘serious’ things and that is just not the case. Even in your own home, when you budget for the month, not every cent goes towards maize meal, relish and rent. That is why we have a five-day week because besides work, there has to be time for leisure and entertainment and that is catered for within the same budget. 

“This is also the same mentality that has left our recreational facilities and community halls in a derelict state because all these places are not being funded. Places like Centenary Park are not serviced but when we talk of people’s mental health and well-being those are places that give people relief,” he said. 

However, Sibanda said he agreed with those who said that money should not be blindly sunk into the festival before feasibility studies were done. 

“When we talk of a festival, we need to be scientific about it. We can’t just spend money and not ask what is going to be spent where and how. We need to know how the festival will impact the economy of the city. We need to capture this because we have a university in this city and this is data that can be captured. You will find out that the amount that was being spoken about is not even enough to host a week-long festival. 

“Maybe if you invest US$300 000, you can bring in one million worth of investment because the purpose of a festival is to bring in people from other countries and cities to visit yours and spend there. This is not something new because if we look at cities like Dublin or EThekwini, they host similar festivals in their cities. EThekwini gives Tira R1m for a festival and if you look at Durban July, the city invests heavily in that as well. It doesn’t mean that water is not valuable. Having water problems does not mean that water is the only issue that we have to deal with,” he said. 

Comedian Miss Dee said she felt that there was no reason why the festival could not, over time, become a money-making venture like the ZITF. 

 

Asante Sana!..The making of the spectacular ZITF opening ceremony

$
0
0

Bruce Ndlovu, Sunday Life Reporter 

THE postponement of the official opening of the recent Zimbabwe International Trade Fair (ZITF) from Friday to Saturday turned out to be a blessing in disguise in the end, as the last day of the fair turned into a colourful celebration of the brotherly ties between Zimbabwe and Kenya, while showcasing the flair and talent of the city’s artistes.

This year the ceremony, for many a highlight of the fair, was both a welcome and a farewell, as instead of taking place on Friday as it usually does, this year it was pushed back to Saturday after inclement weather delayed Kenyan President William Ruto’s departure from his country.

While Zimbabwe has not witnessed any flooding on the scale seen in East Africa recently, grey skies greeted the Kenyan President in Bulawayo on the last day of the fair, where after five days of business, the focus shifted to a ceremony that has often left a lasting impression on those that visit the City of Kings and Queens during the annual trade showcase. 

The low temperatures and cloudy skies did little to dampen the spirits of those who made their way to the ZITF that Saturday morning. Miniature Zimbabwean and Kenyan flags in the hands of younger attendees proudly swayed in the face of blustery winds that swept across the arena, as if to prove that no flood, wind or rain could stand in the way of a ceremony that was meant to gloriously bring down the curtain on a week during which trade relations between the two countries were solidified.

As he welcomed President Ruto, the Industry and Commerce Minister, Nqobizitha Ndlovu went back in time, to illustrate Zimbabwe and Kenya’s storied reputations as traditional strongholds of trade and commerce on the continent. 

“Between 70 AD and 1500 AD, trade routes spanning Africa, Asia and Europe, integrated the Kenyan coastal strip into the world economy. Foreign merchants would bring their merchants to the Kenyan coast and leave with African goods. I can’t help but cast our minds to a period when this nation laid the groundwork for our country’s enduring entrepreneurial spirit. Just a few hundred kilometres from here lies a great national monument called the Great Zimbabwe from which this nation derives its name. The awe-inspiring Great Zimbabwe is a testament to a civilisation that thrived here centuries ago. More than just ancient stone structures, Great Zimbabwe embodies the essence of trade and commerce,” Minister Ndlovu said. 

Back in the present, an ensemble of some of Bulawayo’s sweetest voices lit up the tail-end of the ceremony, as the rock-solid ties between the two countries were celebrated in song and dance. 

Musicians Sandra Ndebele, Thandi Dlana and Nkwali bade a melodious farewell to dignitaries and delegates with songs that spoke of Zimbabwe’s rich history and culture. 

As Ndebele sang, bringing together this cast of songbirds into harmony, in the background, drum majorettes from various schools in Bulawayo poured onto the field, painting the ZITF arena into a kaleidoscope with a well-choreographed mass display. 

The songbirds had barely sung their last notes when Maasai dancers exploded onto the scene with their elegant but aggressive movements. 

As he left, President Ruto was showered with gifts, which included a hefty allocation of Mazoe Orange Crush, as he was encouraged to wash down the experiences of his stay in Zimbabwe with one of its proudest products. 

This seamlessly blended performance, bringing together East and Southern Africa, and the array of proudly Zimbabwean gifts that he received, were symbolic of a week during which the brotherly spirit that exists between both countries was brought to the fore.

For veteran choreographer Richard Ndlovu, one of the artistes who put together the spellbinding display, the performance was the culmination of painstaking teamwork. 

“It’s all about teamwork and working together in harmony. For example, (Saimon) Mambazo will come up with the script and the concept and give us as choreographers. Our job is to make sure that it comes out the way that it did. We had dancers, the drummers and then we had the musicians alongside the directors, which was me and a few others. For the whole thing to come together, we needed to work together because we were taking a concept from Mambazo and giving it to the kids and their teachers. It is quite a big thing and not an easy task to pull off. It’s also about the ability to receive guidance because there are a lot of people,” he said. 

Ndlovu said while everything looks co-ordinated when things fall in place, assembling all the pieces of the puzzle, in the beginning, was the hardest part. 

“At the beginning of the entire process for the piece, things are harder because people don’t see the vision. They don’t truly understand the whole concept which means you get a lot of resistance because some will be saying this and that won’t work. However, as long as you know that you are experienced and organised it becomes easier because it gives you leeway to break things down to a level they can understand. 

“For example, you tell the drummies this is what we want to see happen. You tell them Sandra Ndebele’s song is going to give us seven or eight beats and they have to tailor their routine accordingly. In the beginning, it’s difficult but in the end, they will master it. Then you tell the band that for one minute we need you to play like this. In the beginning, it’s difficult because you’re trying to translate the producer’s idea to the last person, who is the artiste meant to execute the concept,” he said. 

While the display lasted for barely an hour, Ndlovu said the artistes needed at least a week of hard work to perfect their routines. 

“As they start to understand the concept it becomes easier. The musician will give you four bars, the band will give you four bars and then the drummies will give you bars and so on. It becomes easier when everything is laid down properly which is why you need to do your research when the concept director tells you what he wants from you as the choreographer. 

“You need to research how Kenyans dance, how the drummies at your disposal move and the strengths of the musicians. From then on, it all becomes a bit easier. You need two weeks’ rehearsal time. So, instead with a week’s practice, you can make something spectacular.”

 

Identifying more links within Stonehenge..Journey to ancient african science

$
0
0

IN the Ndebele language, the dark moon is perceived as the time when the moon is characterized by death. It is the unending cycle of alternating life and death. That which dies must have had a life until its death. 

The alternation between life and death must have been considered by the ancients as having some influence on the lives of members of a particular community.

The cosmology, worldview and thought of a community differentiated between life and death. I will argue that between the two, there was a negative condition and a positive one. Inevitably, the life stage was a desired state. The reasons are quite straightforward. Each time a new moon emerged in the western sky, African communities celebrated through chants, ceremonies, sacrifices and offerings. 

It was time for pomp and ceremony. There was promise of continuing life. That was reason enough to celebrate. It was also true of other cosmic bodies that moved around the planets.

That observation implied that the movement of cosmic bodies to cultural and natural events on earth was related. The movements of cosmic bodies were rhythmic, seasonal, periodic and regular. Different positions produced different effects on nature and culture. 

That meant communities had to keep track of the cyclical movements of cosmic bodies. To facilitate the same annual positions, it was imperative to create and construct physical structures to keep track of cosmic movements. In pursuance of that, objective material structures were built that served as astronomical calendars, the monitors of cosmic movements and their impacts on culture and nature on the earth’s surface.

In terms of the moon, there is, during its course or cycle, or orbit, when its position has to be known. Cultural events, in particular those of a spiritual, ritual and ceremonial nature, have to be linked to the varying positions of the moon in the firmament. Essentially, that translated to astronomical calendars of a physical nature that served as indicators of the positions of the moon in terms of altering lunar energy potencies.

So, what did the Ndebele people and indeed other African communities mean when they referred to the moon as being dead? Death has serious implications for continuing life. Its occurrence is associated with reduced quality of life and even its total absence. Rituals are not likely to operate at their best when their energy potencies are at minimal levels. 

Moon

There simply is no threshold energy potency to facilitate efficacy. That phenomenon is taking place within the context of a lunar month of a period of 28 lunar days. However, communities such as those that created, built and used Stonehenge had to contend with the impending hyped lunar standstill.

Therefore, I would seek to understand that phenomenon, the lunar standstill in facilitating ritual, natural and cultural processes and events. In the changing continuum of energy potencies, is energy at its maximum as is the case when there is the summer solstice? I would posit that during a lunar standstill, energy potency is at its lowest. That position has to be known and structurally concretised as the built environment in Stonehenge. Knowing and understanding the ancients and their thought, worldview and cosmology, I just do not see how they would have ignored to keep track of the unending cycle of a lunar standstill.

The lunar standstill constitutes a longer cycle, precisely an 18, 6-year long cycle. The changing lunar energy potency would have to be taken into consideration alongside the shorter lunar cycle of 28-day duration. I see an emerging picture that had to be interpreted and come up with a mediated position of maximum and minimum lunar energy levels. Within that context, rituals and ceremonies were allocated. 

Imagine the time of a lunar standstill, the position of the moon is at the minimum level in terms of lunar energy potency. That position had to be captured structurally within Stonehenge. Rituals would not be conducted at such low levels of lunar energy potencies. However, if the lunar standstill is not close by and it is the time of full moon, wouldn’t that be the best time for the holding of rituals and ceremonies all calculated to ensure cultural and natural processes that underwrite and ensure continuity of the human species?

As we grapple with energy potency, facilitation and efficacy, we should always keep in mind the ancients and their worldview, thought and cosmology. The ancients were not, in my view, religious people. Instead, they were strongly spiritual. They centred their ancestral spirits and deities whom they invoked through chants, offerings and sacrifices. They believed that ancestral spirits took a keen interest in the affairs, welfare and well-being of their progeny. 

Many African communities took the trouble to bring back the spirits of their dearly departed. Some societies and communities in Africa still take these ideas seriously and put them into practice. It is through their cultural practices, some of them of a spiritual dimension that we can surmise that they still hold onto the cosmologies and thoughts of the ancients such as those who created, built and used Stonehenge. To me, Stonehenge without some spiritual dimension would be unthinkable. The ancients linked the movements of cosmic bodies and spirituality as a way of ensuring eternity, continuity, perpetuity and endlessness of the human race.

For them, spirituality and energy potency levels were closely related, connected and linked. Cosmic bodies and spiritual potencies were proportionally related. After all, they posited that after millennia the spirits that went through incarnation finally departed towards some identified celestial bodies.

There had to be some link between spirituality and cosmic bodies of differing cycles. When researchers seek the link between Stonehenge and the moon, they should be clear about what exactly they are trying to link. Stonehenge without some spiritual dimension and component would, to me, be unthinkable. Therefore, the links are numerous, extending beyond Stonehenge, the sun and the moon to embrace spirituality as expressed by burials of cremated bones that were buried in numerous mounds within the broader cultural landscape at Stonehenge. Within the core of the Stonehenge cultural landscape, there were burials of cremated bones deposited in the circular dish and in the holes of the Aubrey Holes.

Bones, whether cremated or not, bear some link with spirituality and with cosmic bodies. What all this translated to, is the presence of numerous links, which may not be that obvious to modern researchers who have lost the thought, cosmology, and worldview of the ancients. The emerging picture is quite complex and yet there is one single overarching theme. It would not make sense to include structures within Stonehenge and it turns out there is no purpose for them. A precarious lifestyle simply has no room for such extravagance.

Life was perilous back then. Energy, effort and time had to be devoted to activities that sought to underwrite and guarantee continuing life. We have said that the ancients, Africans and non-Africans alike, looked to the heavens with the desire to emulate what they observed as desirable: aesthetics, beauty, movement, regularity, rhythm, circularity and more importantly, attainment of the eternity of life. The first human beings saw the same sun that we see today.

Sexuality is a natural phenomenon that guarantees continuity. However, that continuity is limited to humans in their totality but not to individuals in their single lives. It was out of this observation that I coined the adage, “Individuals perish and humanity is forever.” Of course, this has to be understood in the right context. Whatever is created shall one day die or perish. The time scale matters here. Given that a human’s lifespan is about sixty years, when we are told the world will die several billions of years later, this is tantamount to saying the world is eternal. The stars and other cosmic bodies are here to stay. Nothing is eternal other than change.

Stars will indeed experience some supernovas; they will burn out and die. New stars will emerge and continue living. Life is born of death. Death terminates and continues life and the two are in some inexorable relationship that has no end and no beginning. The life-death cycle is eternal. This happens to be the case with the moon. A moon is born and grows waxes and reaches the stage of full moon and full life. Beyond that, it degenerates, seemingly becoming smaller and more and more frail with reducing energy potency.

For example, in Africa, the work of royalty terminated about 4 to 5 days before the dark moon. Ritual success or efficacy was not, at that point, guaranteed or underwritten. A king withdrew to his private quarters where he was secluded and inaccessible to the majority of his subjects. Death defiles. Equally, lunar death defiles. The dark moon is a dead moon and therefore a defiling condition or state. Its usual facilitatory role is lost. Its lunar energy is minimal or thought to be lost altogether. Attended spirituality is lost. 

Indeed, we see traditional doctors in Africa who are humans of spiritual endowment, abstaining from spiritual work when the moon is in the process of dying or is just emerging from the stage of death, the dark moon. Purification rituals are conducted so that all those whose practices are linked to the moon, have to be cleansed following the moon’s death. These were important cycles that impinged upon the ancients’ lives in an inhospitable and hostile environment and were dear to the ancients for their continued survival in that environment.

So does it make sense that these ancients who relied on cultural, spiritual and ritual interventions for their continued survival would have ignored, creating astronomical calendars, to embrace links between the moon and the monument that Stonehenge was back then? I do not think so.

There is evidence that at Stonehenge there were spiritual individuals. These were persons who carried out divination processes. It was unearthed at Stonehenge some marble that African diviners still use in conjunction with wooden dice/sticks or sea shells.  Africa posits the presence of opposites in the world. Some spirits are good and some are evil. The latter is the demonic spirits although in the field of Christianity, all ancestral spirits are regarded as evil and demonic. It is not so in African Indigenous Spirituality. There was and still, there is in Africa an important concept of symbolism that is manipulated to deal with the world of healing and the world of invoking evil spirits. Another aspect that indicates a belief in spirituality was a spiritual manipulation that relied on symbolism. A warthog is both a vicious fighter and a defender. When chased by its predators, it will run for dear life. In Africa, its canines are used as protective gadgets that are worn by traditional doctors. 

 λ Continues on www. sundaynews.co.zw

This they do in order to counter the machinations of witches who too are dangerous fighters. A defender such as a warthog will defend a traditional practitioner symbolically and figuratively.

A tusk from a warthog was unearthed during excavations at Stonehenge. The ancients elsewhere, like those on the African continent, believed they were capable of harnessing energies to counter the work of witches whom they believed existed. The one measure that they used was smudging, or fumigation. The smoke drives out lingering molecules of a harmful herbal formulation from some smouldering incense.

At Stonehenge, an urn made out of fired clay was retrieved. In Africa, these are common tools of traditional doctors even to this day. Sometimes before they started the divination process, they burnt some powders or extracts from known herbal concoctions in the hope of driving away evil influences within a working locality. It is believed particles of evil concoctions were repelled and driven out. It was thus a process of purification. 

That sort of spiritual practice relied on lunar energy potency. As explained above, traditional or spiritual beings rely on lunar energy potency for their day-to-day spiritual operations. They tracked the movement of the moon. In other words, the changing lunar energy potencies had to be monitored to align spiritual work to the position of the moon as it revolves around the earth.

Further, there were structurally symbolic components that pointed to the desired states. Continuity has already been alluded to. The ancients perceived the earth as female, hence Mother Earth. When a wooden post was driven into a hole in the ground, sexuality was symbolized or expressed. That process guaranteed the continuity of the human race. The idea of sexuality and hence sexuality and related continuity were represented by some standing stone pillars instead of a wooden pole. 

Stone is a rock of ages and symbolises eternity as opposed to wood which symbolises and expresses ephemerality. Within the structural components at Stonehenge, there had to be structures that stood as pointers to what were the desired states, and there were many of these. 

As already pointed out in a previous article, circularity was embraced. A circle has no beginning and no end. It is thus expressive of diverse yet unified structural components that link up terrestrial structural parts with movements of cosmic bodies, the moon included. 

Cremated or uncremated bones provide the link between spirituality and the bones. At one time, bones and spirit lived together and expressed being. There is some continuing relationship between them though spirit now occupies another realm. Arguably, this is the most important aspect as the spirits are the ones that are invoked through sound, music, chants, sacrifices and offerings, Music, it is acknowledged, is difficult to unearth. 

Researchers are still trying to figure out if indeed music was an integral part of Stonehenge. Structural evidence may hold hope, as there might be some link between spirituality and sound, especially the sound of a regular and rhythmic nature. This further points to possible links that bring together seemingly diverse and disjointed parts at the terrestrial level.

Beyond that, terrestrial and structural components are linked to the extraterrestrial cosmic bodies in the firmament. Terrestrial components are themselves interlinked and interconnected. The tangible and intangible are connected and work in unison to assist humans to effect their eternal and enduring desire to attain endlessness and eternity as human beings.

The presence of water is likely to have been a phenomenon at Stonehenge. Evidence seems to point to the presence of water within the circular ditch. Water is indestructible and transforms from one state to another: solid (ice), water (liquid), and gas (vapour). That immediately places it in the class of states that symbolize and express eternity, continuity and endlessness. Besides, water cleanses and purifies. Baptism in some Christian churches is understood in that respect.

Immersing an individual in water leads to cleansing beyond emergence. Water washes away. Impurities are eliminated. When medicated water is used to spray an individual the idea of cleansing, and driving out evil influences is understood. That is another link between the numerous structural components at Stonehenge.

The geological constitution of the surface and the underground where Stonehenge is located has special features and traits. The energy leylines depict and point to the energy potencies emanating from below. Monuments have generally been sited on the hubs networks of leylines. We see more energy potencies, not emanating from above but this time emanating from below the geological qualities of the ground where a monument stands. It is, once again, back to facilitation and the link between the underground, the built monuments, and the cosmic bodies that move over the particular site.

In the end, we see a myriad of intricate links at various levels. The moon would not have been left out of this maze of connections, links and relatedness. The ancients were not stupid. They knew what they were doing. They understood the heavens and the earth in their way and linked these to produce a cosmic-spiritual package that ensured the minimization of adversity in the environment that they lived in.

Technology in its facilitatory role was not restricted to one form that was reliant upon a single technique. It was not just science, as we understand it today. Science takes numerous forms in various parts of the world where there are different communities. Over time, science is understood differently. At Stonehenge, more links will be discovered and continue the trend until the complex stone structure is seen as one scintillating whole or unit with complementing structures all adding to some overarching theme and purpose.

 

Viewing all 4114 articles
Browse latest View live