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Athlete launches book

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Yesteryear Greats with Lovemore Dube

FORGOTTEN former Zimbabwe middle-distance runner Letiwe Marakurwa will break new ground for local sportspersons when she launches her book “Running to America” this week.

The effort is expected to inspire future generations that no matter where you come from, you have a chance to use your talent to be anywhere in the world.

It could be one of the pioneering autobiographies by a Zimbabwe athlete.

The history of local athletes is poorly documented and a few works have been done to document, profile and perpetuate individuals’ legacies on the track and field.

Only in recent years Germany based Albert Chiwandamira has attempted to do documentaries but is disappointed that there are no commercial takers for his George Shaya and Tymon Mabaleka projects.

“We would like to tell their stories while they live so that they receive or hear their praises. The costs of production are not so high but steep if financed as an individual. There also have to be mass markets for the products we produce. The history of our legends has to be captured to inspire future generations,” said Chiwandamira early this year before the launch of the Tymon Mabaleka documentary.

Now Mrs Patton, Marakurwa arrives in Zimbabwe on Wednesday for the launch and National Athletics Association of Zimbabwe president, Tendai Tagara is ecstatic about the development.

“We are delighted that our former athletes are coming on board to write their journeys,” said Tagara.
Marakurwa-Patton was born on 2 June 1978 and attended Hande Primary School at her birth centre, Dorowa before moving to Bulawayo’s Inyanda High School where her talent began to show in the middle distances in the mid-1990s.

It is no surprise that the athletics bug caught up with her there, as the mine was an ever-present and active participant at the once thriving Chamber of Mines Tug-of-War, Track and Field Championships.

From the Gwabalanda school, Marakurwa-Patton moved to Herschel V Jenkins High School in Savannah, Georgia in the US where she did two years of high school. While in the US, she attended Life University, Marietta, Georgia and the University of Idaho.

Inyanda High School

It was probably an era of the best young long and distance female runners in the country with the likes of Nokuthula Munkuli of Nechilibi High School in Hwange, Margaret Mahohoma, Zondiwe Nyoni, Sibusisiwe Nyoni, Busi Nyoni, Singazi Dube, Samukeliso Moyo, Jane Makombe, Faith Kamangira and Siphulwazi Sibindi. Marakurwa-Patton was high up there with this class that set records too and dominated the scene.

From Inyanda she was spotted and went to the US to complete her high school with representing Zimbabwe in the 1997 World Junior Track and Field Championships among her earliest good achievements.

In the United States where she was on scholarship, she set the national 3 000m steeplechase record of 9 minutes 52,98 seconds on 13 June 2003.

Marakurwa-Patton has never forgotten her club coach Michael Chikoto of Dorowa Mine Running Club who worked with her until she left in March of 1997 for the US on an academic and athletics scholarship.

Because of the promise she showed, she was awarded an International Olympic Committee Scholarship (IOC) to train in Georgia with the hope that she would make it to the Sydney 2000 Olympic Games.

Letiwe’s athletics achievements:

(Junior Athlete) Events : 3 000m & 5 000m National Record holder: 3 000m 9.46.97 in Lisbon on 20/07/94. She broke her 3 000m national record on 03 April 1995 in Petersburg when she recorded 9.45.15. 5 000m: 17.08 85 in Harare on 29 April 1995 The 3000m was broken by Jane Makombe on 7 July 1999 when she ran 3 000m in a time of 9.37 29 in Bydgosczc.This record has been standing. The 5000m record was broken by Siphulwazi Sibindi in a time of 16.18.16 in Annecy on 2 August 1998.
In the book’s foreword Tina Papaya wrote: “An Athlete’s Journey from Zimbabwe As a young girl living in Zimbabwe, the author discovered she had a talent — running. She joined a local track club, was mentored by a dedicated coach, and eagerly entered the world of cross-country competition. Her meteoric rise was a surprise, but it was not without sacrifice. She became the Junior Women’s Cross-Country Champion of Zimbabwe. At the age of 18, with the goal of becoming a world-class athlete, she travelled to America, a country where she knew no one. The author takes the reader on a bumpy, soul-searching, heart-warming and sometimes heart-breaking ride. It is a compelling story told with openness, warmth, humour and insight.

“Throughout the memoir you see a tenacious trailblazer. In some places it made me laugh. I realised how often women in Zimbabwe, like Letiwe’s mother, are the powerhouses behind their children’s success. Letiwe does a great job of taking the reader along to meet her family, friends, coaches and those who transformed her life beyond what she envisioned. This page turner is an easy read. It is not a typical immigrant story. At its heart it shows Letiwe to be a determined, driven and fearless person. It will inspire readers to believe anything is possible.”


Common mistakes to avoid during the exam

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Not getting prepared

DON’T panic, there’s still time to prepare, revise and map out your plan of attack. The time to avoid feeling unprepared during your exam is now.

Misunderstanding exam instructions

Read the instructions carefully! Understand what the exam requires. This is very important.

Scrambling on the day of the exam

The trick to feeling prepared on the day of the exam is preparing the day before. Start preparing NOW.

Make sure you use your time wisely. There are no miracles in the exam room. You can only pass your exam through reading.

Going blank during your examination

You might know the feeling. Everything seems to go a little fuzzy and even though you know the answer, you just can’t quite remember it. Often, the best option is to move on to the next question and come back to it later. Find one you’re confident about, it’ll get your thinking back on track. If you can’t skip the first question, try jotting down what you do know on a spare piece of paper. Ask yourself questions to help you focus and try looking at the big picture.

Try to relax your thoughts or take a few seconds to practice mindfulness. For example, close your eyes and picture a beautiful, peaceful place, breathe slowly and deeply and repeat a calming word until you start to relax.

Getting a good night’s sleep in the lead-up to the examination is critical. It’ll reduce that foggy feeling and you’ll focus a lot better on the task at hand than if you stayed up until 2am cramming the night before.

Running out of time

No matter which type of question you’re answering, whether an essay, multiple choice or short answer, the most critical factor you’ll have to take into account is time.

Ask yourself, how much time do you have? How much of it is reading time? How much is left for answering questions? How long should you spend on each question? Your answers will dictate how you approach questions.

Misunderstanding the question

Exam questions can seem tricky. Often, it’s because they’ve been read with haste. Consider the way the question is worded. Underline important elements of the question and reread it several times to make sure you’re interpreting it correctly. Use a process of elimination and return to the question once you’ve written your answer to confirm you haven’t gone off topic.

Feeling a little stressed

The lead-up to the final exam can feel a little stressful, that’s for sure.

Take care of yourself in the lead-up and know that a lot of students are feeling just the same way you are right now, you’re not alone.

NB*You can do it come October!

Dr Manners Msongelwa is an author, teacher and youth coach. He can be contacted on +263 771 019 392

 

 

 

 

 

 

Celebrating a century of life

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Faith Ndlovu, Sunday Life Reporter

LAST year, she celebrated her 99th birthday, and the Sunday News was there to cover the joyous occasion.
The event not only marked a remarkable milestone of longevity but also served as an opportunity to glean insights into the secrets of her long life and graceful aging in a world where life expectancy is declining.

No one could have anticipated that Sunday News would once again be invited to celebrate Gogo Eleanor Mbulawa Dube, who recently marked her 100th birthday, having been born on 24 September 1924 in Bulawayo. The newspaper was invited again.

Gogo Dube’s life is a testament to her devotion, resilience, and moral integrity, as she has managed to evade the typical afflictions of disease, hunger, and violence that often disrupt lives. For this, she attributes her longevity to her faith in God.

The centenarian celebrated her milestone birthday surrounded by family and members of the United Congregation Church of Southern Africa (UCCSA) at her eldest son’s residence in Queensdale, Bulawayo.

Revisiting her story with Sunday News, Gogo Dube emphasised that her love for God and commitment to living a moral life were the secrets behind her incredible longevity.

“Some of my relatives are no longer with us, but I am grateful that I am still here. The most important thing I did when I was young was taking care of myself, and that has been the key to my long life,” she shared.

Gogo Dube also had heartfelt advice for younger generations, urging them to prioritise self-care.
“I encourage the youth to avoid harmful activities such as drug abuse, teenage pregnancy, and child marriages. Taking care of oneself is essential for a long life,” she advised.

Gogo Dube with some of her fellow congregants at the United Congregation Church of Southern Africa (UCCSA)

She emphasised the importance of education as a pathway to a brighter future. The matriarch reminded the youth to show respect to their elders, as the Bible teaches that honouring one’s parents and elders can lead to a longer life.

“It’s crucial to prioritise self-care and self-respect. Don’t rush into every tempting opportunity; instead, pace yourself to avoid falling into pitfalls. We learned to maintain a balanced life, enjoying experiences without chasing every fleeting thrill,” she said.

Her sixth daughter, Mrs Thembekile Mahlangu, praised her mother for instilling valuable life lessons.
“My mother is loving and calm. We grew up embracing the principle found in Matthew 18, which teaches fairness to everyone,” she said.

Mrs Mahlangu noted that her mother’s ability to forgive played a significant role in her longevity, stating: “She taught us the importance of forgiveness, and perhaps that’s why she has lived so long — she doesn’t hold grudges.”

Mrs Mahlangu also remarked on her mother’s youthful appearance. “She looks remarkably young and does not rely on medication for chronic illnesses. Her vitality is a testament to how God has kept her well,” she said.

Gogo Dube’s daily routine emphasises simplicity and self-sufficiency. “She maintains a minimalist approach to food, preferring dishes low in sugar and avoiding overly sweet or oily foods,” Mrs Mahlangu explained.

Remarkably independent, Gogo Dube bathes and does her laundry without assistance, staying active through regular walks and avoiding long periods of sitting.

“This active lifestyle and healthy diet have certainly contributed to her impressive longevity, inspiring family, friends, and all who know her,” Mrs Mahlangu added.

Reverend Mlayo Sikhosana of UCCSA expressed the congregation’s joy in celebrating Gogo Dube’s 100th birthday.
“We are grateful to God for her long life and the invaluable contributions she made to our church during her youth. While she may no longer participate actively, her legacy remains vibrant,” he said.

“We appreciate the wisdom she imparts, particularly regarding self-respect and self-care in youth. Her message inspires us to prioritise our well-being, ensuring a long and fulfilling life.”

When sins of a father visit his children…Tuku family drama casts light on Zimfatherhood

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Bruce Ndlovu, Sunday Life Reporter

For the sins of your fathers, you, though guiltless, must suffer — Horace, The Odes, Book III, Poem 6, l. 1.
It was the moment that the entirety of Zimbabwe had been waiting for.

This was the night of Saturday, 21 September and the venue was Pakare Paye, the home of the arts in Norton built by the late Zimbabwean music legend, Oliver Mtukudzi.

It was the occasion of the first annual Oliver Mtukudzi International Festival of the Arts (OMIFA), an event meant to celebrate the life and work of the man after who it had been named.

Daisy Mtukudzi

However, in that late hour, Tuku was far from everyone’s mind when his daughter, Selmor, stepped on stage.
After an initial snub, Selmor had finally been invited to the event after overwhelming public pressure.

Now she stood in front of the microphone at Pakare Paye, live in the flesh, for the first time since her father had passed.

For those who sought drama and tension, the occasion did not disappoint. She had barely gotten into her set before she broke down emotionally, decrying the fact that she was being treated like a stranger in her father’s house. She walked off the stage, and attempts to bring her back by her sister, Sandra and her husband, Tendai Manatsa proved futile.

Cameras flashed and phones started recording. A moment in the country’s music was captured and shared.
For some, the incident was just further proof that Selmor was a drama queen, a performer addicted to attention who had seen the crowd before her and decided to milk the moment for all that it was worth.

Some questioned why she had not just gritted her teeth, cast aside her differences with her stepmother, Daisy Mtukudzi, and gone through with a performance meant to honour her father.

They questioned why she had to “soil” an occasion meant to honour a great man. Instead of cleansing the stain brought by the drama of her initial snub, her tears had thrown further dirt on the illustrious Mtukudzi name.

However, for those who have been paying attention to the unfolding drama over the years, those tears were years in the making. After that acrimonious appearance, Selmor and her older sister Sandra, went on a podcast by DJ Ollah to clear the air about their relationship with their father and the rest of their family.

While some might have expected Selmor, a person who is better accustomed to the microphone to take up the most significant airtime, it was the segments by Sandra that were the most hair-raising.

While Selmor fought back tears as she narrated some of the most harrowing details of their childhood, Sandra never cracked as she narrated the details of what appeared to be a childhood horror story as she delved deeper into it.

Selmor Mtukudzi

During the interview, Sandra revealed that she had lived with Tuku and Daisy after the separation of her parents. She narrated how, at one time she was abandoned in an empty house with a man who used to tend their garden.

“I remember an incident that happened when we lived in Kwekwe at a place called Glenwood. I was 16, turning 17 at that time. I knew my mum (Daisy) and dad were building in Norton although I didn’t know that there was a house being built during that entire time. Everyone else knew about the house but I didn’t because I wasn’t supposed to know.

“So when the house was done, I remember they called people from church for a farewell. That’s when I found out that they would be moving but I was not told the date when this would happen.

Then a few days later I met people in town telling me that they had seen my father around. So I thought that when I arrived home, I would find my parents at home. When I got there, the house was empty. I was so touched. People had gone to their new home and I was left with the garden boy in an empty home.”

She spoke of how she used to share a pot of sadza with the family dog and how she and Selmor would be left behind when their siblings, Samantha and Sam went on holiday with the rest of the family.

The pair’s testimony cast a very dark shadow on Tuku as a father. To most Zimbabweans, Tuku has always been an unblemished hero. In their eyes, he has always been the man who sang and played so joyfully with the children on that classic Olivine commercial.

Surely, the man who sang Perekedza Mwana could not have left a 16-year-old girl child at the mercy of an older male domestic worker, without any means to fend for herself? Could he?

For some, the Tuku household drama is just a symptom of a disease that has been eating away at the hearts of Zimbabwean families for years. Due to the prominence of the family, the Mtukudzi family conflicts make for compelling reading but hidden away from curious eyes, similar stories are unfolding in many Zimbabwean households.

The hurt laid bare by Sandra and Selmor illustrates that Tuku left a lot of unresolved issues and this is also a reality for many families that are left to pick up the pieces when their patriarch departs.

In the absence of sound leadership, many families are left broken, nursing wounds that are too deep to heal. As great a musician as he was, Tuku’s role as a father has come for fresh scrutiny in the aftermath of his death.

The main takeaway for others was the alleged devious nature of Daisy who, if the story is true, seems to have spent the best part of her life with Tuku auditioning to be cast as the perfect version of the stereotypical evil Zimbabwean stepmother.

During the interview, Sandra and Selmor seemed reluctant to lay any blame on their father. He was, after all, a rolling stone, a performer who did not always have time to tend to issues within his household. When a hit album was released, he would spend months on end on the road.

“I was afraid to tell him anything. Perhaps he was also afraid . . . I never complained to my father but sometimes I would notice that he was defeated,” said Sandra.

While he was a man who lived mostly on the road and on stage, one can assume that Tuku at least noticed that his 16-year-old child was missing when he moved from Kwekwe to Norton.

His actions will sound familiar to thousands of Zimbabwean children whose fathers have left them at the mercy of women who might see them as the offspring of the competition.

Sandra Mtukudzi

Upon his death in 2019 his first wife, Melody Murape, insisted that Tuku still loved her and only walked away when she decided she did not want to become part of a polygamous marriage.

Perhaps throughout the years, Daisy might also have always looked over her shoulder, worrying about the return of a woman she might have looked at as her husband’s first love.

With that in mind, she might have been inclined to treat her children with an iron-fist, as she saw them as part of the “enemy camp”. The duty to make sure that they were treated correctly in such instances fell to their father.

Tuku’s music has brought healing and comfort to people from across nations. When HIV/Aids ravaged Zimbabwe, Tuku sang the country through the worst of the crisis, soothing people with his hoarse voice as the scourge laid low entire villages.

Before antiretroviral medication reached the country’s borders, Tuku’s music was a pill that kept the country going through a dark tunnel that did not seem to offer any hope of light at the end.

When families preyed on widowed women, he made Neria, an undying anthem that forced a country to look itself in the mirror and reconsider its ways.

As his family affairs play out in public, his fans hope that his family might find a similar kind of healing from his lyrics. For the rest of Zimbabwe, the unfolding drama might provide an apt opportunity to reflect on the life of an icon and realise some matters need resolution lest the sins of the fathers visit the children.

Tshibilika/Rhumba giant Clement Magwaza to launch his 15th album in November

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Ronald Mpofu – itsronaldrox@gmail.com

CLEMENT Magwaza, one of the most popular Tshibilika/Rhumba artist, has announced his highly anticipated album “Isiphala Sengqondo” is set to launch mid-November this year.
“After 25 years in the music industry, this is my 15th album. I have a sequence of releasing an album every year during festive seasons. This upcoming album has seven tracks in it and I believe fans will enjoy dancing and listening to it. Launching shows will be organised for Zimbabwe, South Africa and Botswana. Updates will be posted on my fan page on Facebook.” Said Magwaza.
The “Take Take” hit maker said his son “Mimiza Junior” is set to launch his first album this year.
Last week on Saturday, Clement Magwaza celebrated his 25th anniversary in the music industry. The concert was held at The Leisure Hub in Bulawayo with artistes that include Mlambos Express Band, Godolude, Dziba Le Mvula, Pah AKA Stambo and Jaycee (Mr Ungayithi Vuu), in attendance.

 

The inspiring journey of Jacqueline Nyakwangwa

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Taboka Tshuma, Sunday Life Reporter

Not content with merely educating students at Luveve High School in Bulawayo, Jacqueline Nyakwangwa has taken flight into the world of literature, sharing her uplifting stories with a wider audience.

Nyakwangwa’s journey as an author began as a quest for therapeutic healing following the loss of her life partner. Her debut book, Walk a Mile with Me, chronicles her heart-wrenching experiences, delivering a powerful message of hope and resilience that resonates deeply with readers.

“This memoir is more than just a personal account; it’s a testament to the transformative power of vulnerability and the human spirit’s capacity for healing,” she reflects.

A lifelong lover of literature, Nyakwangwa has refined her craft through both teaching and writing. Her passion for storytelling shines through, as she tackles complex themes of grief, trauma, and personal growth with sensitivity and nuance.

Her teaching career has been enriched by her authorship, inspiring students to explore writing and nurturing a love for literature in the next generation. Nyakwangwa’s commitment to fostering young minds extends beyond the classroom; her books have become integral to the school curriculum, encouraging students to share their own stories and find solace in the written word.

With multiple books to her name, Nyakwangwa continues to push boundaries and explore new themes. Her fiction novel, Growing Pains, addresses the challenges of adolescence, while her collaborative project, a Heritage Studies revision guide, showcases her versatility as a writer. An upcoming book, currently with publishers, promises to further establish her as a leading voice in African literature.

Driven by a mission to contribute to the narrative of African lives, Nyakwangwa offers unique perspectives for this generation. Her advice to aspiring authors is both simple and profound: “Write your own story, share your voice, and contribute to literature.”

Through her writing, she aims to dismantle stigmas surrounding mental health, loss, and trauma, inspiring empathy and fostering positive change.

Journey to ancient African science: Searching for new lands, unpacking concept of eternity

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ONCE upon a time, I was young, but not a baby. At that age music seemed to access the inner accesses of my and other youngsters’ hearts. Music swayed our bodies, our hearts, and our souls. How right the leading English wordsmith William Shakespeare was. “If music be the food of love, play on.”

Later, I would learn about music, or some special kind of sound that knocked and opened the doors of Heaven. I would see music, not just as any type of sound, the but one that is an integral part of all religions and forms of spirituality ranging from the two book religions, Christianity and Islam to African Spirituality. Music is one phenomenon that was/is embraced by every religion or spirituality on Earth.

All of them, without exception, embraced organised, regular and rhythmic sounds in their worship or propitiation.

In my days of youthful vitality, I was never counted among those who played soccer. Certainly, I was among dancers of note, especially when I removed my shirt. I remember vividly when I was a teacher of science at Loreto Mission where we danced to some song titled Get Ready. It was thirteen minutes long.

Marvelous Madimu and I watched many develop rivulets globules of silvery sweat on their brows and bodies, eventually succumbing to near fatigue. We endured the heat and danced to the end by which time it was just the two of us — the two young men standing. We became the envied centre of attraction just like the sun in the solar system where it is surrounded by less glamorous planets.

Seeing, as I am writing about stars, what is the relevance of this introduction to the ongoing articles on the theme of stars and the journey to them. Things as glamorous as stars would not have failed to find their way into the litany of various arts genres such as music, poetry and drawing, inter alia. In the early stages of this journey to the stars, I referred to a poetic rendition titled, “Twinkle, twinkle little star.” The poem seems to defy age as it refuses to abandon lips of the young.

I still remember with some sense of abandon a line in a song which went something like this, “Don’t you know that you are a shooting star?” I had to be reminded by someone of my age that the song that ignited our souls was sung by Bad Company. Our bodies were very receptive to music and moved accordingly. I was happy when recently I read a book on the arts where the author said the world is characterised by actions — movement, change and energy. With advanced and advancing age, one begins to see relationships more than isolated incidents and actions. This may be the reason why wisdom inhabits old mature minds, though not the senile ones of course. Such minds choose to deal in a holistic approach and see a fuller picture.

This takes me to the promise I made last week. I intimated I would deal with the concept of eternity. It is a concept that I have delved into over several years. It was a concept I related to for quite some time in terms of continuity, endlessness and perpetuity with regard to stone/rock, circularity, spirituality, sexuality and some decorative motifs such as the spiral, herringbone, dentelle, whorl and the circle itself.

I have come to learn that as we learn more and more and observe nature more and more keenly our minds develop even more. Study allows our minds to interact with more advanced ideas embedded in nature. Out of the cognitive interaction and intercourse, our minds emerge different, having extended the horizons of their knowledge.

However, suppose our minds lived forever, what would be the result of development of human minds?

More and more vexatious issues would be delved into and understood with greater clarity and depth. My ideas of eternity have not stagnated either. An active mind does not stagnate. Instead, it seeks a clearer insight and understanding into more issues.

Now that I know something about the age of stars and that they do die, I have had to develop different paradigms premised on more current information and knowledge. Now, I no longer believe that stars are eternal. They do get to the stage of a supernova — when a star eventually dies as its burning gases begin to deplete. A red star dies when its external temperature cools down and the star seizes to emit white light. The hottest objects emit light that is white whereas less hot objects emit red light. The supply of burning gases is finite, so are the chemical reactions responsible for the production of heat.

So, the planets and stars will eventually die, albeit not all of them at once but at different times. Death, I have argued, is the source of life. Flora and fauna feed on death — on dead matter. One thing that we know is possessed by matter is energy that is indestructible. Energy changes from one form to another.

For example, potential energy (energy due to position) may be converted to kinetic energy (energy of movement) when an object is released and comes down under the force of gravity. Chemical reactions involving gases in a star release heat and light, among other forms of energy.

Even in our bodies, there is chemical energy. There is the element known as phosphorus, which underwrites life. Phosphates, the critical components in the RNA (ribonucleic acid) and the DNA (di-ox nucleic acid), which are important for life. These contain phosphates built from phosphorus. Scientists are getting more and more hopeful that after all there are possible forms of life in other planets such as the moon (Eladanus) revolving around the planet Saturn.

Traces of liquid water have been detected below some planets’ icy surfaces. This soothes my heart, as I have never believed that we are the only human beings in the whole wide and burgeoning universe or the multi-verse, as some people prefer to call it. I remain optimistic that contact with what we term aliens in outer space will be made in due course.

Moreover, when that contact is made, it will not be the first time it is happening. I am one who believes that this our world has in the past been visited by people(aliens) from other cosmic bodies (either planets or stars), for example the gods from Nibiru who came here in search of minerals such as copper but more particularly gold, which they shipped back to their star using spaceships. Evidence of the design of the spaceships abounds as petroglyphs in some protected caves in various parts of the world.

Civilisation did not start with modern man!

The Shona word Chitundumuseresere referred to the spaceships in use in ancient times. It is being used in reference to the airplanes and spaceships in latter day civilisations. Some of you may remember the term in reference to a song sung during the heyday of Zapu. Joshua Nkomo, the Zapu leader, was referred to in the nationalist song. Iraq is thought to have been one place where the said spaceships landed and took off to the stars in outer space (emkhathini).

History repeats itself. Now, there are many countries that are sending discovery space ships to the planets within the solar system, to the planetary moons orbiting the planets and beyond. This, in essence, is nothing new. Men who sought to discover new lands existed and they were driven by the insatiable desire to find more land, where to settle and extract resources to drive the industrial revolution. We are exactly in the same mode today — albeit venturing to the planets and planetary moons. The search continues. How will Africans fare in all this cut-throat competition to explore the heavens — the journey to the planets and moons and ultimately beyond?

What we are really arguing is that everything material, concrete and tangible will, in the final analysis, end. As far as these materials are concerned, there is no eternity, no forever and ever-Amen for them. Energy may be a different kettle of fish. Spirituality belongs in the same class. When everything else including the stars planets and moons end, energy must be the enduring phenomenon. Was it not the presence of energy that preceded physical, concrete and material things when the universe came into being more than 14 billion years ago?

WATCH: DJ Iyzee on the rough path to success

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Panashe Marijeni, Sunday Life Reporter

SABOTAGE and under-recognition of Bulawayo DJs and artistes continues to hold back upcoming stars and has led to the demise of local talent.

At least that is the gospel according to Nkazimulo Ncube aka DJ Iyzee.

The journey of a thousand miles begins with the first step and it was with DJ Iyzee, who discovered his passion for music from a very young age.

“I would mix songs using an Android application on my cellphone and my love for musical melodies grew every day,” he said, explaining it ignited a fire within him that continued to push him.

Even as a child, he was drawn to the captivating melodies and heartfelt lyrics. Music became more than just sounds and beats to him as he started his musical journey.

“The music chose me,” said Iyzee as the rising star took us through the roller-coaster of his imagination. Listening to his live mix was a mind-blowing experience, the young beat master is truly a giant on the decks inspired and mentored by local star, Kotwane Hikwa.

Despite the positive impact from other DJs Iyzee has experienced challenges along the way, just like any talented young man in Bulawayo.

He has suffered sabotage and has been neglected by promoters as well as senior DJs in the city.

“On a random Monday I went to a club here in Bulawayo to showcase my talent and we agreed that I will have a time slot on Saturday evening. When the day came I set up my machines and was ready to play but because the resident DJ was intimidated by my skill, he refused to let me play,” he said.

One of the only solutions that has saved most careers in the dog-eat-dog world of the music industry is relocating to Harare and signing under the record labels there. For example, Calvin Mangena gained mass significance after he collaborated with various Harare-based artistes who include Holy 10, Voltz JT and Saint Floew in the song iHulumende which is currently sitting on one million views and was sponsored by Horizon Solar Systems and Mashwede Holdings.

Calvin Mangena

From 1,7k views a year ago Calvin’s YouTube viewings have spiralled up to 105k views in two weeks for a track titled Khwela Langa featuring Harare-based artistes Nyasha David and Nutty O. Iyzee is hoping to follow a similar blueprint of success.


Punctuation: Using capital letters

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Capital letters are used: to begin a new sentence. For proper nouns and proper adjectives. For example: Charles Dube, Bulawayo, Mgoqo Primary School, Orange River, Red Sea, Leander Avenue, Apostolic and Table Mountain.

For the months of the year, days of the week and festivals. For example: August, Wednesday, Christmas and Diwali. For titles: Examples: Dr Maphosa, Sergeant Ralph and State President. For the first word in direct speech. For example: The teacher said, “Next week I will give you a test on adjectives”. To begin words which refer to God: Our Father, Him and His. For the important words in the titles of books: etc. For example: Things Fall Apart. For certain kinds of abbreviations: For example: SPCA, ZBC, PTA and UK.

Using commas:” Robert my best friend plays soccer cricket tennis chess and hockey which might be some kind of record” Commas help us to avoid sentences like the one in quotes by telling the reader when to pause briefly: Robert, my best friend, plays soccer, cricket, tennis, chess and hockey for our school, which must be some kind of record.

Look at this sentence: I’ve come for the teacher’s books. Apostrophes are used (i) to show who the owner is (the teacher’s books) and (ii) to show that certain words have been shortened (I’ve is short for I have).

Apostrophes used to show possession. The old man’s bicycle. She went to collect her mother’s prescription. Without the apostrophe, we should have to write awkward sentences. When the owner is indicated by a singular noun, add s. Also add s if the plural noun does not end in -s. For example: the sister’s orders and the children’s ward.

Rewrite the following phrases as shown in the example. The chart of the patient — the patient’s chart. (a) the diagnosis of the surgeon (b) the drill of the dentist (c) the pills of Diana (d) the car of Dr Ndlovu (e) the wounds of the victim (f) the actions of the firemen. When the owners are indicated by a plural noun, ending in –s, add only the apostrophe. For example: The class’ charts and the doctors’ surgery.

Re-write the following phrases as shown in the above examples: (a) the injuries of the players (b) the experiments of the scientists (c) the gowns of the surgeons (d) the duties of the orderlies € the training of the matrons (f) the van of the paramedics.

Apostrophes used to shorten words. Consider this situation: “I am sorry hut your spots have not cleared up and you will have to stay in bed until you are better”. We are told that in English we often join and shorten certain words to form a new word, which is easier to use, especially in speech. The above doctor would probably have said: “I’m sorry, but your spots haven’t cleared up and you’ll have to stay in bed until you’re better.”

The apostrophes show where letters have been left out. Which letters have been left out in the above sentence? Try the following exercises. Which letters have been left out of the following words?. I’ve, can’t, it’s, you’re, he’s, we’ve, don’t, and you’ll.

Write the shortened form of the following words, using the apostrophe. –would not, he has, we shall,, shall not, what is, who has, there are, there is, have not. Write the following words out in full: won’t, shouldn’t, who’s, doesn’t, isn’t, I’d, hasn’t, I’ll, they’ve, didn’t, mustn’t and who’ll.

Remember the following points about sentences. Her are four main types of sentences: 1. Statements: for telling something 2. Questions: which we use to ask for an answer. 3. Commands: to give instructions or make requests 4. Exclamations: which express surprise, shock, anger and other strong feelings.

Identify each of the following types of sentences and say which punctuation mark you would use at the end (a) Have you read today’s paper (b) We have soccer practice this afternoon (c) Ouch, that hurt (d) Open your book at the first page (e) How many times do I have to call you (f) Look out, it’s going to crash.

Parts of sentences: James kicked the ball. A sentence like this, has two main parts; a naming part and a doing part.
The naming part tells us who or what did the action, and the doing part tells us what was done. In the above sentence, James is the naming part and kicked the ball is the doing part. The naming part is called the subject and the doing part is called the predicate.

The predicate always contains the verb. Subject (James) + predicate (kicked the ball) = a sentence.

The subject – To find the subject of a sentence, ask who? Or what? Before the doing word (verb) Who kicked the ball? James. Once you have found the subject, the rest of the sentence is the predicate.

For views link with charlesdube14058@gmail.com/ or sms to 0772113207.

Steve Dyer honours Jeys

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Bruce Ndlovu, Sunday Life Reporter

AS he celebrates 34 years in the music industry, Jeys Marabini is set to receive the ultimate honour on 19 October when South African music legend Steve Dyer jets in to grace a gig held in his honour.

Dyer will headline the Friends of Jeys Marabini in Concert gig, which will also feature Pastor Barrack, Thandy Dhlana and Mzoe 7. The event, which is a brainchild of Sabela Projects, will be held at the Academy of Music.

Marabini has been on a victory lap for most of this year, as he celebrates several milestones in his career.

Earlier this year, the marabi musician played before President Mnangagwa and his Kenyan counterpart, President William Ruto, during a State banquet held in the City of Kings, a performance he rated as one of his most significant.

Only a few years after he seemed down and out after being bedridden with illness, Marabini said a lot of promoters and fellow artistes were now eager to give him his flowers while he could still smell them.

Leading the charge is Sabela Projects, who felt that the City of Bulawayo should not wait for illness or death to honour one of its most consistent and hard-working artistes.

It is with this mind that Steve Dyer was invited for the gig.

“Sometimes you feel that it is important to celebrate your achievements and the support you get from the people from your city,” said Marabini.

Jeys Marabini

“Celebrating with the people from the region where you live and grew up is important. I have been in the music industry for many years so Mambazo thought it would be a good idea that I get celebrated while I am still alive. He said I had stood the test of time and my journey had inspired a lot of other musicians. He said that I had stood out as a musician both in good and bad times so as Sabela Music he thought that it would be a good idea to celebrate me while I was still alive.”

Marabini said Dyer’s appearance was not by chance, as they had struck a good rapport over the years.

He said he had been invited to the musician’s impressive studios during a visit to South Africa last year.

“In 2023 I went to South Africa for a workshop that brought together many African countries. It brought together a lot of musicians, promoters, and businessmen and I was one of the people selected to be a part of that event. We were there for about a week and I had been constantly communicating with Steve before that occasion and he said since I was now in South Africa I could come and visit him at his place.

“I drove to his place and I visited his studio. He is someone who has done a lot and is very passionate about music in Africa and that’s what I realised when I visited his place. In Zimbabwe, he has assisted Oliver Mtukudzi, produced his album and he has performed in different parts of Africa,” he said.

Marabini said after establishing a relationship with Dyer, he had promised that he would one day invite him to perform alongside him in his native country. Dyer will not be charging the promoters anything for his appearance at the gig.

“I told him I would invite him to come to Zimbabwe one day and I don’t think he believed it. So, it is a great honour for me for him to agree to come because he is the type of musician who has seen it all. He is coming here to perform for free and he’s doing this as an appreciation of my career and also as part of the cultural exchange that we need to have as Africans,” he said.

Marabini said he had also received encouragement from the National Arts Council of Zimbabwe (NACZ), who would be waiving their usual fees for the appearance of a foreigner on Zimbabwean soil.

“In the past, I have done something like this so it is more of a continuation of that same concept. This time it will be a bit different because we have invited Steve Dyer to celebrate with us. When I wrote the National Arts Council about Steve Dyer they gave me a lot of support and to show this they gave us a waiver because they said I had contributed a lot to the music industry over the years. They said it was a noble thing to celebrate all my lifetime achievements with my fans, family, and other Zimbabweans. So, the waiver was their contribution towards this effort,” he said.

Marabini said the gig was important to him, as it signified a desire to honour him while he still lived.

Marabini is set to also hold a workshop with local artistes a day after the event.

“On the 19th we will have the show and then the next day we will have a workshop and we are inviting all the musicians to come through to the Trade Fair. This is all about celebration and that is the most important aspect of this noble cause. For me, being celebrated while I am alive is very important and I look forward to what is going to be a big day,” said Marabini.

Overcoming exam anxiety: Youth Focus with Dr Manners Msongelwa

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For the Learners

Exam or test anxiety is a common and often normal stress reaction experienced before, during and sometimes after exams.

It’s normal to feel nervous about upcoming exams. Exam anxiety can be triggered by high expectations, previous test outcomes and fear of failure, pressure to perform or perfectionism. This can be problematic when it impacts your ability to study.

Some signs and symptoms to be aware of include: excessive sweating, nausea, vomiting or digestive issues, rapid heartbeat, shortness of breath, headaches, panic attacks, which can feel like a heart attack, self-doubt, fear, helplessness, hopelessness, anger or irritability, negative self-talk, difficulty concentrating, restlessness, frequently comparing yourself to others and difficulty sleeping.

Ways you can manage and overcome exam anxiety.

1. Get a head start
Start studying for your exams as early as possible. Exam anxiety is often exacerbated when we feel under-prepared or don’t know what to expect. Set yourself up for success by creating study guides, re-reading class notes, reviewing presentations well in advance.

2. Change the narrative
Negative self-talk may cause you to feel like you’re trapped in a downward spiral, especially when you feel anxious. If this sounds like you, try to catch yourself in the moment and change the narrative. Take a few deep breaths and practice replacing negative thoughts with more productive ones.

Here are some examples.
Instead of saying…
I should have studied more; I don’t know what I’m doing.
I feel stupid.
I have to do well or else x,y,z will happen.
Say this…
I studied as best as I could for this exam and it’s okay if I can’t answer every single question.
I am smart and capable, even if my test results don’t reflect those qualities.
I am doing my best, and if I don’t do as well as I want to, it’s not the end of the world.

3. Prioritise taking care of yourself
High anxiety can sometimes cause people to forget about other important things in life, like basic needs, hobbies and rest.

As you prepare for exams, try to schedule times to study, eat, take breaks, spend time with friends and take care of your own mental health. This can help you avoid feeling burned out or completely drained when it comes to time to sit down for your tests.

4. Arrive early
Running late can increase anxiety before you even make it to your exam. Instead of leaving at your usual time, set an alarm 10 to 15 minutes early, so you can arrive with plenty of time to spare. Getting there early means you may have more time to review your notes, prepare your materials and settle your mind before the exam starts.

5. Avoid comparisons
Looking at how others are doing around you can increase your anxiety, especially if you notice that you’re not as far along or that you’ve spent more time on a question compared to your classmates.

That’s why it’s important to focus on your own work and progress. Remind yourself that you’re doing the best you can and it doesn’t matter what others are doing around you. You will make progress on your own terms.

6. Set a timeline
If you struggle with time management during exams, try to set a timeline. For instance, it can be helpful to review how much time you have to complete an exam and how many questions you’ll need to answer.

This can help you plan out how much time you have per question. Keep in mind that some questions may come more easily than others. It’s also important to leave yourself enough time to complete written or long-form questions, which usually take longer than multiple choice questions.

Remind yourself that it’s okay to skip questions if you feel like you’re running behind. You can always come back to them later. Just make sure to keep track of the question numbers on your scantron to avoid potential errors.

* NB: You can do it this October .
Dr Manners Msongelwa
+263 771 019 392
Author /Teacher/ Youth Coach

Let the rains come: Sunday Sermon with Apostle Chisale

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Greetings beloved nation.

2 Chronicles 7:14, “if My people who are called by My name will humble themselves, and pray and seek My face, and turn from their wicked ways, then I will hear from Heaven, and will forgive their sin and heal their land.”

When we talk about healing, we are talking about a once-healthy entity, so meaning the land can be sick.

Anything that can get sick is a living entity.

So, it can take instructions. So, we will understand according to the scriptures that earth is a living organism. If the earth can be sick, you only heal that which is sick. So, we can see that the land is a living organism, it hears, it produces and it takes instructions.

When we read in the book of Genesis 1, when God created everything he said “he saw that it was good”.

When the first Adam fell, he fell together with creation. Remember, Jesus said, “ in the beginning it was not so”.

So, meaning that creation was obedient to men. So, when the second Adam came, who was Jesus, he came to restore that which was fallen with Adam. This he did through the redemption work so that men would take back that which was manipulated by the power of witchcraft.

We will discover that there are demonic manipulations that cause creation to be sick. One of the major contributions is the sin of the land.

We will understand that when creation was made, it was created to bless men and to serve the purposes of God. When we read in Deuteronomy 4:19, when Israel was warned against idolatry, they were told, “And when you look up into the sky and see the sun, moon, and stars—all the forces of Heaven—don’t be seduced into worshipping them. The LORD your God gave them to all the peoples of the earth.” The Bible says they should not be seduced into worshipping them because these Heavenly bodies were given to men as our inheritance. The word “inheritance’” means something that is supposed to benefit us.

Why am I saying all these things? I want you to understand what causes the land to become sick and that when it is sick it affects God’s people.

You see, creation can be manipulated to work against the plans and purposes of God in our lives. So, when we are praying for the rains, we should understand God’s technology of releasing the rain.

Remember, creation was given to men according to Psalms 115:16, “The heaven, even the Heavens, are the LORD’S: but the earth hath he given to the children of men.” When we read in Hosea 2:21-22 [NLT] the Bible says, “In that day, I will answer, says the Lord. I will answer the sky as it pleads for clouds. And the sky will answer the earth with rain. Then the earth will answer the thirsty cries of the grain, the grapevines and the olive trees. And they in turn will answer, “Jezreel”—”God plants!” So, we see that the earth cried to the Heavens and the Heavens answered the earth and the earth answered the grain, the grapes and the olive trees. We can see the order of attracting the rain.

When we go to Zechariah 10:1, “Ask the Lord for rain in the time of the latter rain. The Lord will make flashing clouds; He will give them showers of rain, Grass in the field for everyone.” We see that the Bible says ask the Lord for rain. We see that the order is for God’s people to ask for rain. We see, we are being asked to ask for rain. The rain is supposed to come at its proper time but it’s not coming because there are certain demonic entities and forces that have blocked the rain from coming.

So, the only people that can open those doors, it is the body of Christ that were given the authority to redeem creation from bondage. Romans 8:19, 21, “For the earnest expectation of the creation eagerly waits for the revealing of the sons of God […] because the creation itself also will be delivered from the bondage of corruption into the glorious liberty of the children of God.” So, it is us who are the true sons of God that in this season we are supposed to manifest and say to every demonic force, “Let it part ways in the second Heavens”. Let the Heavens answer us with rains. We prophecy that let the rains this year come into our nation. Let November be covered with rains in the name of Jesus. I would like to invite you to receive Jesus as your personal Lord and saviour, by believing in your heart and confessing with your mouth that he is your Lord and saviour and you shall be saved. May God bless you all.

For feedback please contact dominionlifechurch01@gmail.com
Whatsapp Number: 0772494647

Portrait of Bulawayo arts legend

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Bruce Ndlovu, Sunday Life Reporter

WHEN the Zambezi Express made its debut in the United Kingdom in 2009, it was billed as the “Happiest Show on Earth”.

That year, the Zambezi Express steamrolled through some of the most illustrious stages in the British Isles, rollicking through Glastonbury, Edinburg Fringe and Wiltshire, where the World of Music Arts and Dance (WOMAD) festival was held.

These were stages where few Zimbabwean artistes have ever had the pleasure of performing. This was fitting, as Zambezi Express was the first fully formed Zimbabwean musical that had seemingly cracked the code for international recognition.

Litshe with Saimon Mambazo Phiri (left) and Siyaya members

“It’s a cross between Billy Elliot and Slumdog Millionaire. People come out with smiles all over their faces,” The Times said of the musical.

Created as a collaboration between Siyaya, led by Saimon Mambazo Phiri, and British circus entrepreneur Gerry Cottle, who was inspired by the group’s energy, Zambezi was a runaway success overseas, telling a uniquely Zimbabwean story to starry-eyed audiences.

In a rare feat, Zambezi Express was also a smash hit at home, where it also broke Box Office Records at the Bulawayo Theatre, something unheard of before or after it.

Art made for export is rarely as equally appreciated at home yet Zambezi Express found that sweet spot between foreign appreciation and local affection.

Litshe

At the centre of that lucrative, record-breaking train was Ishmael “Litshe” Muvingi, who passed away recently and was laid to rest last Saturday at Luveve Cemetery.

Litshe was the cornerstone upon which Mambazo built his Zambezi Express.

Inspired by the 2010 World Cup held in South Africa, Zambezi Express told the modest story of Zilli, a young lad battling to become a football star. In this great musical, the hard-to-break Litshe played three roles. He played a compassionate father to Zilli, the wise coach and a gang leader who stood as a possible stumbling block for a young man’s dreams.

It was an indomitable display from a man who understood the rigours of professional performance.

“The most challenging part is to be fit you know,” Litshe told Reuters during the show’s stint in London in 2009.

“(You have) to keep fit, because if I tell you, these shows, if you are not fit I’m sure you wouldn’t make it at all. So you know keeping your health, keeping yourself in good shape, you know eating healthy, it’s a big challenge yeah,” he said.

Years later, after touring a greater part of Africa, Asia and Europe, Litshe told Sunday Life that his life aboard the Zambezi Express was still the pinnacle of his professional career.

“I put Zambezi Express at the apex of all my achievements. I won the best artiste award on the act.”

Last week, after Muvingi’s burial on Saturday at Luveve Cemetery, Saimon Mambazo, the brains behind Zambezi Express, was left to reflect on that iconic performance that powered arguably Zimbabwe’s most successful stage production.

The hearse conveying Muvingi’s casket

“One of my fondest memories is working with Ishmael on Zambezi Express, where he delivered a top performance. He masterfully played three distinct roles: the compassionate Father to Zilli, the menacing Gang Leader, and the wise coach. His remarkable range, energy, and dedication inspired the entire cast. His ability to excel in multiple roles raised the bar, making it impossible for anyone to excuse themselves from mastering their part. In short, he carried the show and he had no understudy, if he was sick there was no show,” said Phiri.

Litshe’s ability to convey the essence of what it meant to be Zimbabwean was a quality that made him stand out, allowing him to bring to life a diverse array of characters on stage.

“Among my cherished collaborations with Litshe, one stands out — our work together in the dance drama, “Thatha”. We sought to infuse Siyaya’s productions with Shona dance elements, and Ishmael was the perfect bridge. Alongside Tabeth from Kadoma, he seamlessly integrated the richness of Shona culture. Their collective creativity and expertise transformed Siyaya into a vibrant, holistic representation of Zimbabwean heritage,” said Phiri.

The Siyaya founder described Litshe as one of the few artistes who were still practicing art for art’s sake.

“He has left a big void, yes, yet a legacy remains. I pray and hope there will be continued inspiration emanating from what he did.

His work, passion, and dedication should inspire future generations. I also hope institutions like Umkhathi Theatre Works, Siyaya Arts, and other organisations that he worked with will carry forward his legacy. I can only hope,” he said.

While in the arts, the stage is regarded as the pinnacle of the craft, sometimes thespians do not get the same recognition that their counterparts on the small and big screen get. It is for this reason that veteran director Raisedon Baya believes that Litshe took joy in his role as Tshuma in the popular series Ihlazo.

“He is someone that I knew initially from a distance because I would see him working with Amajekete, Umkhathi, and Siyaya. He was a very nice person, very sociable and because of that, we started talking. We collaborated mostly on film. I think the last time I saw him, it was on a Saturday and he approached me and said when he was coming over to the set, he had boarded a kombi and they had told him they wouldn’t make him pay because he is Tshuma.

He was enjoying the popularity of the character because it made people see him in the streets, cheer and appreciate him. The character got him the appreciation that he deserved,” said.

Baya described the actor as someone who took pride in his work and upheld the highest standards of professionalism.

“Litshe was professional. He was always on time and ready for his role. I don’t remember any time that I heard him complaining. He was a teacher or a mentor. When he was not shooting himself he would sit down with some young actors and share some tips, and give them advice around how to navigate certain issues around sector.

“He was not arrogant. He was down-to-earth and humble. He was one of the few people that enjoyed being on stage. He enjoyed entertaining people and making them laugh. He enjoyed being an artist and for me, that is what is going to be the hardest gap to fill. It is difficult to find someone who is naturally good and also enjoys what they do at the same time. That was Litshe for me,” said Baya.

For veteran performer Memory Kumbota, Litshe’s performance as Lobengula in Ihloka stands out. For that particular role, the actor dedicated hours to painstaking research, as he sought to bring the Ndebele monarch to life.

While many marvelled at his work on stage, his dedication to his craft before the unveiling of the final product was evidence of his professionalism.

“I liked his respectfulness,” said Kumbota.

“Ishu was an intelligent and listening actor, a pleasure to direct and work opposite. His most unforgettable acting role for me was as King Lobengula in Umkhathi Theatre’s award-winning Ihloka play. A role he got a BAA best actor for. He had consulted about this role and I remember giving him a few pointers that he gratefully took and applied to his role. He will surely be missed. He was one of a few rare breed of performing artists who sang, danced, and acted excellently.”

WATCH: Darkness to light: Killer mum finds God in prison: Took lives of her four children

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Blessed Moyo, Sunday News Reporter

In a remarkable story of redemption, Emelda Marazani, a woman from Chivhu in Mashonaland East Province, who was convicted of murdering her four children amid a bitter domestic dispute, has found spiritual solace behind bars.
Recently baptised at Mlondolozi Prison, part of the women’s section of Khami Maximum Prison near Bulawayo, Marazani is seeking to atone for the heinous crime that shocked the nation and led to her receiving four life sentences.

The tragic incident that will forever be etched in the country’s history occurred in 2020 when Marazani killed her four daughters during a domestic dispute with her husband, Lameck Brande. In a horrific act, she fed her children rat poison and, fearing they might survive, subsequently slit their throats. Marazani herself ingested poison but was saved after being rushed to the hospital, where medical staff neutralised the toxic substance.

While recovering, she claimed her actions stemmed from anger towards her husband, whom she accused of infidelity and of denying paternity during arguments. He had also impregnated his mistress.

Last year, Marazani, who was six months pregnant at the time of the murders, was sentenced to four life terms — one for each child she took from the world.

In happier times: Marizani, her husband and the four children she murdered

Last week, she took a significant step toward healing, joining fellow inmates for a baptism ceremony organised by the Seventh-day Adventist Church. Marazani’s journey from despair to redemption highlights the transformative power of faith and the potential for rehabilitation within the criminal justice system. She has reportedly become a model inmate and an active participant in prison ministry programmes.

In an interview with Sunday Life after her baptism, she expressed profound regret over her actions, wishing she had encountered faith before the tragedy.

“I did not have the knowledge that could have prevented my actions. But through the teachings of the Bible and my baptism, I feel I have received Christ and a new life,” she shared.

At 32 years old, Marazani acknowledged the weight of her crimes and affirmed that her prison sentence was justified.

“This baptism signifies a great change in my life. I now understand how to study the Bible and recognise that even those in the Scriptures who committed grave sins faced consequences,” she reflected.

Her newfound spirituality has brought her a sense of peace as she embraces her transformation. “I understand the severity of my actions, but I am grateful for this second chance offered through my baptism.

Today marks a new beginning for me,” Marazani stated.

She credited prison ministry and counseling for her transformation. “I am thankful for the Seventh-day Adventist Church and the efforts made in prison to teach us about the Bible and guide us toward becoming new creatures in Christ, even though many of us feel undeserving,” she said.

A female inmate gets baptised at Mlondolozi Prison in Bulawayo recently

Prison officials have noted Marazani’s significant transformation, highlighting her active involvement in ministry programmes as evidence of her renewed faith.

Chaplain Tendai Lekola remarked, “Emelda has shown remarkable dedication to her faith journey. She is confronting the darkness of her past and is working tirelessly to redeem herself.”

Chaplain Lekola praised Marazani’s courage and progress in addressing the horrors of her past, stating, “She is one of the strongest people I know, bravely facing her demons and heading down a new path.”

As Marazani serves her four consecutive life sentences, her story raises complex questions about the interplay of faith, rehabilitation, and justice, challenging societal perceptions of redemption and personal transformation.

The unique Sotho heritage of the Lozi people of Zambia

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The last time we discussed the Sotho Kgosi Sebetwane/Sebetoane is when we made reference to his battle with Queen Nyamazana, Zwangendaba’s niece, over the control of the modern day Zimbabwe plateau.

Kgosi Sebetwane falls in the same category of warriors like Mzilikazi, Soshangane and Zwangendaba who trekked from their original homelands and established new kingdoms and nations.

Fleeing from Queen Mathantisi, Sebetwane also traversed across SADC as he built his Kololo nation.

Sebetwane originated from the Bafokeng clan of the BaSotho people and was chief of the Patsa.

He migrated with his BaSotho people who later became known as Makololo. Around 1830 he invaded Barotseland in southwestern Zambia and conquered the Lozi.

Through conquest and assimilation by the Kololo, the Lozi language spoken in Zambia evolved from a mixture of Luyana and Kololo. Lozi language is therefore most closely related to Sesotho, SeTswana and SheKgalagari. It is classified within the Sotho-Tswana branch of Zone S (S.30).

Distinguished as both a warrior and a statesman, Sebetwane was able to consolidate his military gains by his generous and just treatment of the conquered peoples.

A maverick politician, Sebetwane maintained a peaceful kingdom, despite the numerical disadvantage of his own Kololo people.

He prevented them from forming an aristocracy & he also delegated authority to conquered chiefs.
Sebetwane died in 1851 and was succeeded by his son Sekeletu. During Sekeletu’s reign, the state weakened.

In the 1880s, the Kololo rulership was overthrown and the Kololo were absorbed into a re-emerging Lozi state under the reign of the legendary Lewanika.

This thread therefore answers the question why the Lozi language spoken in Zambia is similar to Sesotho & Setswana.

It is important to also clarify that by the late 1880s the Luyana language had been long lost & forgotten hence the dominance of Sesotho in the Lozi language.


Nust leads the way in Bulawayo Division Two

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Lovemore Dube

ZIFA Bulawayo Province Division Two log leaders National University of Science and Technology (Nust) are hopeful of playing in the Premier Soccer League someday.

This was revealed by the institution’s spokesperson, Thabani Mpofu in an interview with Zimpapers Sports Hub on Friday.
With eight matches to go, the Students find themselves at the apex of the table. They have 47 points from 22 matches.

In second position is Eagle Life who are coached by Philani Mabhena. The church team has 45 points while in third and fourth place are Chicken Inn and Khami United with 44 and 42 points respectively in what looks like a competitive championship race which is still wide open.

Plumtree Wanderers are fifth with 38 and still mathematically in the race. While revelling at being at the top Mpofu said the team’s existence and participation in the league is part of the institution’s strategy to contribute socially and economically to the country.

“Our participation in football is part of the University’s broad strategy of contributing to the social and economic development of the country. We believe we have a role to play in the development of sport in general and football in particular,” said Mpofu.

He said having a team in competitive football sits well with the university which has a Sports Science Department. It is a chance to put into practice what would have been theorised.

Gabriel Nyoni

“As you already know, we run a Department of Sports Science and Coaching. However, we do not just spend our time theorising, but we are very practical in our approach across all sporting disciplines,” said Mpofu whose university has also had athletes of repute like Nyasha Charandura and Daliso Khambule dominating in athletics at both college level and in the National Athletics Association of Zimbabwe level.

“Nust FC is more than a Division Two team, it is the university’s football laboratory where we identify raw talent and nurture it for the growth of football in Zimbabwe. So, yes, we are ready for Division One,” he said.

Mpofu also appealed to the corporate sector to invest by partnering with the team. He said they would love to see the team playing in the elite league like other teams that have been associated with universities. Pretoria University, Stellebosch and Wits all of South Africa come to mind.

“We are inviting the corporate world to partner us in this journey. Our wish is to play in the topflight league, the Premier Soccer League. In South Africa, for example, clubs associated with universities like Wits and Stellenbosch play or played in the top flight. Their boys have done well. We believe we have the talent to compete at that top level.

“Our plan is to form a football academy under our Sports Science and Coaching Department and produce soccer players, coaches, referees and other technical experts. We have qualified and experienced sports lecturers,” said Mpofu.

He said resources are the stumbling block. The varsity team is made up of students from various academic programmes.

“Our approach is that only students can play in the team. Staff members are in the executive where they assist with the day-to-day running of the team. I must say we have a very strong support base from Nust students who follow the team home and away,” said Mpofu.

Mpofu acknowledged that their Department of Sports Science and Coaching plays a big role in the growth of the club which was previously coached by now Zifa education officer Joseph Sibindi.

Mpofu emphasised that the team is a university project hence the participation of the whole institution. Some of the players are studying programmes in the Department of Sports Science and Coaching.

Former Bosso and Caps United striker Gabriel Nyoni, Greenfuel’s Gift Saunyama, Gift Mandaza of Sheasham, Bosso 90’s Shawn Marara, Bulawayo Chiefs’ Lucky Ndlela and Chicken Inn’s Dominic Jaricha are some of the players that were at the institution.

Francis Motsi was identified at the institution and given an academic and sporting scholarship in the US. Other former graduates of Nust are Clemence Matawu (Chicken Inn) and Abraham Mbaiwa (Highlanders) who both hold degrees in Sports Science and Coaching.

Journey to ancient African science: Societal transformation resulting from domestication of plants and animals

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Cultural Heritage with Pathisa Nyathi

SOME of us seem to enjoy engaging in vexatious and sometimes contentious philosophical issues. Through such intellectual engagements and discourses, we push back the horizons and vistas of knowledge and understanding.

A young Marima who I was meeting for the first time seemed to strike me as a liberated African with a deep and incisive understanding of African philosophy and thought. He was sprucing up his book with Blessing Chirandu on marriage and sex within a Christian context.

I chipped in with the observation that sex in Africa is fast becoming purely and wholly a natural and biological phenomenon as exemplified in a bull-cow relationship. It was not so in days gone by.

There were strong elements of a cultural dimension, some of which dimensions will explain and interpret what we have come to perceive and understand as the Zimbabwe Bird.

The absence of understanding and comprehension of these cultural dimensions within the sexual field will leave many engaging in futile debates regarding what we know as the Zimbabwe Bird, arguing whether it is a hungwe (a fish eagle) or a chapungu, another eagle specie.

In this article, we shall not delve into the intricate and art-inspired arguments relating to a bird that never was and still never is. The mind of an artist is complex and perceives what average persons visualise with physical eyes. Mental eyes see beyond the horizons and through thick walls.

The identity of the Zimbabwe Bird is dealt with more definitively in my book, “Journey to Great Zimbabwe” within the context of the initiation and puberty processes and procedures of the secretive BaRemba people who today are found among various ethnic groups such as the Karanga, Manyika, Venda, Kalanga, Nambya and Ndebele, inter alia.

Of relevance and significance in this article is what Marima referred to as the orange fruits in an orange seed. He was expressing in a different vein what I have, for a very long time, been espousing. I thought that was profound and resonated well with some concepts that I have unpacked in the past: continuity, eternity, perpetuity and endlessness.

A seed caries the future, pushes a given specie into the future, and increases its population both in the present and the future. Somehow, I began to link that with the theme that I am dealing with-domestication of plants and animals.

It is thought that domestication of both plants and animals began about 10 000 years ago between the Tigris and Euphrates Rivers in Mesopotamia.

Modern countries in the said region include Iran, Iraq, Turkey and Syria. Domestication was an economic and social revolution whose repercussions on society was deep-seated and wide ranging. Plants and animals were domesticated for food, work (beasts of burden) clothing, medicines and, indeed, many other utilities.

When some of the domesticated species were brought home and tamed, they lost independent existence that they used to enjoy in the wild. Instead, man had to take care of the domesticated species, feed and water them. Further, the animals in particular required housing. The homestead-scape required modification to incorporate new arrivals.

New ideologies were created and fashioned in such a way as to dovetail seamlessly with existing or living ideologies. African thought had its horizons and vistas extended. Its operation was observable through the conduct of cultural practices, which stood on the pillars of thought, cosmology, worldview, perceptions and values. When these pillars begin to wobble, the centre can no longer hold. Things begin to fall apart.

Housing that was constructed, for example, tallied with living architectural traditions of the community. Circularity reigned supreme. It was a concept inspired by the heavens-the cosmic bodies in terms of their design, elliptical orbits and cyclicality.

The influence of cosmic bodies on earth’s cultural designs, movements and rhythms (seasonality, periodicity and regularity) endured. “As above, so below” as an Africa-wide adage had its relevance and application persisting. There was thus relevance in terms of African cultural astronomy.

Emergence of heightened agricultural practices demanded more intimate knowledge of seasonal cycles and, therefore, the onset of the rains. For an orange seed to sprout, it must grow, develop and mature to a point of production of orange fruits with their own seeds, water has to be available. Watering and irrigation were embraced and both depended on rain coming from the atmosphere.

The green chlorophyll in the leaves linked the heavens and earth in terms of sustenance of life on the planet. It always strikes me that at one point the heavens and earth were united.

Despite the separation that later took place, some critical links were retained. As a science teacher, I knew and taught secondary school pupils about chlorophyll and that it trapped energy in the form of light emitted by the sun. However, I was not as alert to the phenomenon as I am now. With age, insights develop and our understanding of issues increases.

Where Marima and I seemed in agreement was the realisation and recognition that our planet and indeed the multiverse are essentially about energy. When it is said, “In the beginning there was the word,” it makes more sense today than in the years of my youthfulness. Word is sound. Word is message. Word is power. Word is force. In fact, it is pulsations of patterned energy.

This awakening only got to my mind this year when I was working on a traditional dance called Mhande of the Karanga people. It is this year’s national dance.

In fact, I soon realised that what matters more is energy rather than things material and physical. The latter store energy. They will also transform energy that is indestructible. Things material affords us to access energy, such as when energy flows through metal conductors. That way, we are able to control energy and have it do work for us. Technology and techniques ought to be perceived against such realisations.

I am all the wiser and more informed and ready to tackle Ancient African Science (AAS) from which both the so-called witches and traditional healers draw their inspiration, power and professional practices. I was pleasantly intrigued to learn that the so-called witches and wizards draw on the energy of a whirlwind that is imparted on the leaves that were airborne and later settled on the ground.

There is energy in moving air. It is kinetic energy. The leaves that have been lifted high are symbolically imbued and endowed with that strong power that it will blow away roofs of buildings.

This form of energy is complemented with energy from the spirit of a witch. Further, words are uttered and these are ritually imparted with energy from numerous sources. Ritual songs are sung and the collected leaves are treated in a manner that seeks to infuse their acquired energy into a winnowing basket or any chosen vehicle that meets the requisite design. Aeronautical qualities are important in flying. For me, it was a good start in terms of unearthing the laws and principles applicable in the science and craft of witchcraft.

Once agriculture is embraced as a pursuit, theory and practice, cultural astronomy comes in with greater emphasis. Both plants and animals thrive on water that is perceived as life.

The component of water in plants and animals is no less than 90 percent. Agricultural enterprises influenced the location of settlements. Guaranteed and regular supplies of food negated sedentary life styles. Civilisations grew where there were food supplies. No wonder therefore, locations of agricultural settlements were near water bodies, such as big rivers.

The Nile, Niger, the Indus and Ganges rivers are examples of rivers where human settlements sprouted and were sedentary because of the availability of water for irrigation of crops. Inevitably, population densities increased.

Trade with areas of deficit food production was stimulated. Where life was no longer precarious because of availability of food in the wake of domestication, other fields of human endeavour increased. Metallurgy, Alchemy, Mathematics, Geometry, Astronomy, Philosophy and Astrology received greater emphasis and impetus. It was time for discoveries and innovative and creative citizens had time to devote to experimentation.

New ideologies led to the questioning of hitherto existing myths as Science was taking hold. Rationality was the way to go. Goats were the first to be domesticated and were closely followed by sheep (Ovis aries). Chickens (Gallis domesticus) were domesticated in South East Asia.

Later, the bigger animals were next to be domesticated. Oxen (Bos taurus), horses (Equus ferus cabalus) were domesticated for use as beasts of burden. The horses and other big animals required housing and their domestication inevitably wrought changes in the homestead’s physical and cultural scapes in terms of considerations such as gender, political power, age and spirituality in terms of the built environment.

Herbivores were preferred. Whatever the traits of a domesticated animal, the interests of humans were paramount. Their temperament was an important consideration too. Ability to breed in captivity equally applied when it came to choosing a particular specie. Some animals were chosen for domestication because of their adaptation to climate, availability of their food and their temperament.

The dog (Canis lupus familiaris) were domesticated to assist humans (in particular the menfolk) in hunting. However, hunting and gathering were on the wane. The dog soon began to assume a new role. It became a pet. Further, the dog entered the spiritual dimension and featured prominently in myths and spirituality in areas such as Egypt.

Tools have always been handy when it comes to the practice of agriculture. Hand tools predominated in the early days. When iron smelting and iron working were innovated, new agricultural tools emerged.

The tools, for example the hand hoe, were no longer wooden ones. Instead, they were fashioned out of iron. Later, ploughs were innovated and domesticated animals such as horses drew these.

Horses played an important role in the colonial projects of Africa. Colonists rode on horses and thus were faster and outpaced African foot soldiers. Horses were ridden to mark the boundaries of farms during pegging. The colonial project minus the horses would have assumed a different character.

Mampho Brescia excited to be on screen again

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Former Isibaya actress, Mampho Brescia is making a return on the small screens on a Showmax Original Soft Life.

Brescia, who gained popularity on Mzansi Magic’s Isibaya, where she played Iris Zungu, will play the character of the morally corrupt Zam.

Zam will be Brescia’s meatiest role since Isibaya ended eight years ago. Iris Zungu was Mpiyakhe’s youngest, urban and glamorous wife. Unlike the other wives, Iris lived in the city, loved the finer things in life and could not be bothered with village life.

“I am so excited about being on the small screen again and connecting with the South African audience. And I am also excited that Soft Life is going to be on Showmax. I feel like the platform is so representative of Africa as a continent and the diversity that is our nation,” said Brescia.

The role is helping assert her femininity

The actress said the description of Zam piqued her interest. She then realised that she is a woman who has found herself in a world that has been controlled by men. And so, she is asserting her femininity and her role as someone that’s powerful and will not be controlled.

“There’s been this need for women in particular to have a soft life. But how to get that soft life has just been twisted, especially with the erosion of the family unit.

“There is this quote I once saw, which reads: ‘We’re all whores.’ (all genders). It just depends on what part of you you’re selling. Whether you’re selling your soul, body or mind.

“ We’ve all found ourselves in a race where everybody is selling something in exchange for that soft life. For me, the quote is also a reminder not to judge the character based on my personal beliefs. But to give her the right to live her truth.”

Best wishes for O and A-level pupils

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Youth Focus with Dr Manners Msongelwa

MOST exams are starting this week. Remember to believe in yourself. As you step into the exam hall, remember that you are capable of achieving greatness. Your intelligence and determination will guide you through.

Success and good performance are within your reach. Be positive about your success, your capabilities are immense, feel confident about yourself. A calm, confident and composed mind works wonders in the exam hall. Be confident, stay calm.

May your hard work and preparation lead you to success. May your efforts and dedication bear fruit in the exam hall. May your hard work be rewarded with excellent results. You have the knowledge and skills to excel! You’ve prepared well and now it’s time to shine. Nothing will be able to stop you from succeeding. Just relax and trust in all the hard work you’ve put in. You’ll do great!

Don’t let anything stand between you and success. Believe in yourself and have faith that you can do this.
Rise and shine with brilliant results. Examination is the best platform for building up your future. So, take it seriously and give it a hard push.

Tackle each question with confidence. Do not dwell on past failures, but focus on this final exam .
Start answering the question that you understand. Avoid questions with big words that you don’t understand .Every question that you answer, is an opportunity to showcase your brilliance.

Avoid making unnecessary mistakes, cancelling or rubbing your work. Make sure your work is presentable. Your handwriting matters most, your work should be easy to read. Don’t succumb to anxiety or worry. Even the most well-prepared exam can be affected by these. Let nothing hinder your success.

Know your candidate number. Make sure you have an extra pen.
It’s your time to shine!

Dr Manners Msongelwa
+263 771 019 392
Author/Teacher/Youth Coach

WATCH: The greats that made up the formidable Wankie FC

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Yesteryear greats with Lovemore Dube

WANKIE FC now Hwange Football Club was no ordinary side in the elite league in the 1960s and 1970s. It was a top Chamber of Mines side that dominated the likes of Rio Tinto, Mhangura, Gwayi River Mine, Kamativi, Zisco, Shabanie, Peak Mine and Gaths Mine.

“We used to dominate those mines and we were a top-four side in the league. It pains to see our club battling relegation every now and then yet there are solutions like taking advantage of the old system of schools and the inter-village league system that nurtured us,” said former club striker Twyman Ncube who had a deadly combination with Peter Nyama, Billy Sharman and Topsy Robertson at Chibuku Shumba in Harare then Salisbury from 1970 to 1973.

This week Ncube who was high up there among the best strikers of the era such as Gibson Homela, Nyama, Ernest Kamba, Chris Mhlanga, Wonder Chisetera, Chita Antonio and Josiah Nxumalo, takes us through a list of players he played with at Chipangano who he describes among the club’s real greats and legends.

Goalkeeper: Posani Sibanda. A very good goalkeeper, good arranger of the defence, very good in the air and could dive either side with equal power and catching brilliance. He could even save penalty kicks and could not be beaten in one-on- one situations.

Right-back: Daniel Rendo. Nicknamed Kaliyabantu, he was a no-nonsense right-back, good athlete and hard worker on the pitch. He was a fighter on the field of play and hated losing and would put everything into his game as we fought for the pride of the club and mine badge.

Left-back: Sam Mtende Ndlovu. He was a big player, very skilful, read the game well. He had speed which he used both on the offensive and defensive end of his game. He was hard to beat and a delight to watch when venturing forward to send crosses. The odd moment he tried a cracker at goal it was a stinger.

Twyman Ncube with his wife Christine

Centre-back: Amos Rendo. He was an all-round excellent centre-back who had discipline and worked hard on the field to cover his goalkeepers Chimao and the great Posani Sibanda. Amos had great technique and even when he went for the jump, he calculated very well. Made it difficult for opponents to face the goalkeeper in one-on-one situations.

He was comfortable with the ball, a defender who would with a clean tackle get the ball and give midfielders a clean pass unlike others who would boot the ball forward. He had pace, stamina and vision, never lost on tackle as he timed well.

Centre-back: Mwape Sakala. Could play as a midfielder and even striker. A sprinter of repute in the Rhodesia era who represented the country and Wankie Colliery Company in the Chamber of Mines Championships.

We would deliberately play the ball in our half and have him move close to the centre-line from a defence position and play the ball upfield into space and he would outsprint opponents and score goals for us. As a defender he was outstanding and used his great asset — speed to good use. An outstanding club legend alongside Amos Rendo for the club and mine.

Number 6/Linkman: Barry Daka is automatic. He gave great service to the club and Zimbabwe football on either side of Independence. An intelligent and dynamic midfielder who joined towards the end of 1970 from Highlanders and went on to get legend status. When he arrived in Hwange we told him what to do.

He had to play our way unlike what he was doing, keeping possession by himself and dribbling away from his teammates. Once he mastered the way we played he became a gem and darling of the community. As Hwange, we played the two-triangle system where the ball from goalkeeper or goal-kick went to the wings and then from the centre we direct play towards opposition goal to score.

Right-winger: It is a close call because am looking more at those I played with for much longer. I did not play for too long with David Khumalo hence I have decided to go along with Obert Agayi. He was forced to go to Zambia with his family after the Kamandama Disaster in 1972. He was a very good dribbler, had pace and could deliver good crosses and at the same time pack ferocious shots. Because he packed them so hot, goalkeepers tended to spill and that is where the likes of me came in to finish off.

Number 8/Midfielder: Twyman Ncube , Centre Striker/Number 9: Joseph Mapholisa. I played with very many good players at the club. I would give the nod to Joseph Mapholisa. Stocky, packed ferocious shots from distance and was accurate in front of goal and benefitted from the industry of midfielders he played with.

Centre Striker/Number 10: Joachim Mkaka. Here there are guys like Rodrick Simwanza, Nyaro Mumba, Isaac Phiri all very good players who gave great service to the club and the sport. I go with Joachim Mkaka.

He was an excellent dribbler and with Barry Daka in midfield they provided goals and creativity to our attack and we used to drub most of our opponents. The teams from the cities knew that it wouldn’t be an easy outing when they came to Hwange as we would score lots of goals.

Left-winger: Chris Yoyo. He was a master dribbler. He would take on the defenders right to the goal-line and send crosses into the box for his teammates to finish off.

Ncube said he enjoyed playing with these guys when Hwange were a top team that even won the Castle Cup in 1970 when he was still there and they repeated the same feat in 1973 when he was at Chibuku Shumba. Ncube said that from 1968 to 1982 Hwange had very good forwards and no one was guaranteed a place.

“If you did not make the grade, the competitive local league, allowed you to sharpen your skills. There was also the Chamber of Mines Games, they were quite competitive and the reserves got to play in that league,” said Ncube.

He had to compete with the likes of Nathaniel Maduku, Jimmy Sibanda, Mapholisa, Skeva Phiri, Machona Sibanda, Barton Mwalukuka, David Khumalo, Nyaro Mumba, Leonard Tembo, David Zulu, Philemon Nyathi, Melvin Kennedy, Obert Agayi, Barry Daka, Mkaka and Chris Yoyo.

Ncube played for Chibuku Shumba and Kadoma United before his return to the Colliery in the mid-1970s.
He was nicknamed “The Ghost of Chibuku” for his type of play as he was a nightmare to defenders and goalkeepers as he would just ghost in and score.

Among the players he rubbed shoulders with at Chibuku were Kizito Tembo, Nyama, Sharman, Shadreck Ngwenya, John Humphreys, Mike Civitis, Posani Sibanda and Steven Chuma. Ncube is married to Christine and have three children Patrina, Wendy and Single.

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